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Classical Concerts at
Wolkenburg, Festsaal

Overview

Quick overview of Wolkenburg, Festsaal by associated keywords

Upcoming Concerts

Concerts at Wolkenburg, Festsaal in season 2024/25 or later

Artistic depiction of the event
This season

Nachthelle

Fri, May 9, 2025, 18:30
DEHIO, Helen Bledsoe (Flute), Xavier Larsson Paez (Saxophon), Annegret Mayer-Lindenberg (Viola), Rebekka Stephan (Cello), Mirjam Schröder (Harp), Florian Zwißler (Synthesizer)
ACHT BRÜCKEN opens its 15th edition Music for Cologne with a four-part festive evening dedicated to outstanding actors of new music from Cologne. Reinforced by top-class guests, also from the independent Cologne scene, the percussionist Rie Watanabe and her ensemble DEHIO have developed a program around the contrasts of light and darkness. In Kaija Saariaho's idiosyncratic »Ciel étoilé« deep double bass sounds may represent the night sky; Cymbals and crotales sprinkle it with their accents like twinkling stars. Johannes Fritsch's piece »Nachthelle«, which shares its title with an ensemble song by Franz Schubert, seems related in terms of content. The string instruments involved tune their outer strings so low that their muffled, noisy sounds enter into an exciting interplay with the bright, open tones of the normally tuned middle strings.The two night pieces are framed by two other poetically inspired works. In the case of Farzia Fallah's »at the same moment,« the performance instructions already seem like little poems: there is talk of the »proper time« of the sounder, of »silently beautiful« lying sounds and a »moment of the standing now.« Kaija Saariaho, on the other hand, borrowed her work title »Terrestre« from the poetry collection »Oiseaux« by Saint-John Perse. Like a bird, the solo flute seems to rise above everything earthly. Funded by the Ministerium für Kultur und Wissenschaft des Landes NRW
Artistic depiction of the event
This season

Changing Light

Fri, May 9, 2025, 19:45
Camilla Hoitenga (Flute), Anna Herbst (Soprano)
The flute and soprano voices are sisters – not only in spirit, but also because of their sound characteristics. Camilla Hoitenga and Anna Herbst provide tangible proof of this with the program »Changing Light«. Over the course of her career, Camilla Hoitenga – born in Michigan/USA in 1954 – has worked closely with Kaija Saariaho for decades and (premiered) numerous of her works, including »Dolce Tormento«. Here, the beguiling piccolo flute merges with Francesco Petrarch's Sonnet 132, an idealization of the feminine presented in sections by the instrumentalist. What happens in »Dolce Tormento« in personal union, Saariaho breaks down accordingly in »Changing Light« (version for soprano and flute): While the expressive voice recites an evening prayer by the American Rabbi Jules Harlow, the versatile flute playing conjures up a light-dark dualism inherent in the text. This also includes Malika Kishino's »Monochrome Garden VIII« for alto flute, in which the light reflections of Japanese gardens and creatures buzzing around become the musical driving force. Funded by the Ministerium für Kultur und Wissenschaft des Landes NRW
Artistic depiction of the event
This season

Nymphéa

Fri, May 9, 2025, 22:00
Asasello Quartett (Ensemble)
»My goal is (…) to create music in which clear, delicate textures and violent, shattering masses of sound come together.« This year's portrait composer Kaija Saariaho describes the images that accompanied her while working on her work »Nymphéa« for string quartet and electronics: »a one-dimensional surface with its colors,« »various materials that you can touch,« »a white water lily that feeds on the underwater mud.« This type of sensual approach is best understood when the eye is not too distracted. The final concert of the opening day with the highly acclaimed Cologne Asasello Quartet will therefore take place largely in the dark – only illuminated by the musicians' iPads.In his »Black Angels« George Crumb describes a journey of the soul in three stages: departure, absence and return. And in Gérard Pesson's idiomatic string quartet version of Alexander Sjrkabin's "»Black Mass«, the musicians wrestle interpretively with their own inner demons. Funded by the Ministerium für Kultur und Wissenschaft des Landes NRW