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Classical concerts featuring
Emanuel Ax

Overview

Quick overview of musician Emanuel Ax by associated keywords

Upcoming Concerts

Concerts featuring Emanuel Ax in season 2024/25 or later

Artistic depiction of the event
In a few days
In Oslo

Klaus Mäkelä Emanuel Ax Jean Sibelius Anders Hillborg

Fri, Mar 14, 2025, 19:00
Klaus Mäkelä (Conductor), Emanuel Ax (Piano)
“…vivacious, funny, heroic, eloquent, plain-spoken, thoughtful and wholly irresistible…This is a work in which constructive ingenuity and the pleasure principle walk arm in arm…” one reviewer wrote after the premiere of Anders Hillborg’s Piano Concerto No. 2 in the fall of 2023.Hillborg wrote the concerto for the pianist legend Emanuel “Manny” Ax, who is also tonight’s soloist with the Oslo Philharmonic. Hillborg writes about the subtitle The MAX Concert: “It suggests – in powerful ALL CAPS – the exuberance and genius of the outstanding pianist.”In the last few decades, Anders Hillborg (b. 1954) has become one of the most versatile and most-performed composers. He has written music for film and television and collaborated with pop artists like Eva Dahlgren. His orchestral pieces have a film score-like visual feel.Jean Sibelius (1865-1957) often found inspiration in the Finnish national epic Kalevala, and his music has almost become synonymous with Finnish nature and mythology. In the 1890s, he wrote four symphonic poems about Lemminkäinen, one of the most famous heroes in Kalevala. Lemminkäinen is a fearless adventurer and skirt-chaser, a sort of Finnish Don Juan. Lemminkäinen does not form a coherent narrative but independent episodes. Sibelius is more concerned with recreating the mood and atmosphere than telling a story.The second of the four symphonic poems in Lemminkäinen is the most famous and often performed as an independent work: Swan of Tuonela, in which Lemminkäinen meets the enigmatic swan guarding the realm of the dead. The swan is portrayed through a famous solo for English horn.
Artistic depiction of the event
This month
In Hamburg

NDR Elbphilharmonie Orchestra / Emanuel Ax / Alan Gilbert

Thu, Mar 27, 2025, 20:00
Elbphilharmonie, Großer Saal (Hamburg)
NDR Elbphilharmonie Orchester, Emanuel Ax (Piano), Alan Gilbert (Conductor)
Since Alan Gilbert has been chief conductor of the NDR Elbphilharmonie Orchestra, the American grand seigneur of the keyboard Emanuel Ax has returned to Hamburg with regularity. Together, the two take on one of Wolfgang Amadeus Mozart’s most famous piano concertos: the one in D minor, K. 466. Its dark key and correspondingly dramatic gesture alone make it stand out from the composer’s piano concertos, which are usually in major keys – this is the Mozart of »Don Giovanni« and the Requiem! But the central island of tranquillity of the »Romance« with its catchy melody also enjoyed great popularity early on.
Artistic depiction of the event
This month
In Hamburg

NDR Elbphilharmonie Orchestra / Emanuel Ax / Alan Gilbert

Fri, Mar 28, 2025, 20:00
Elbphilharmonie, Großer Saal (Hamburg)
NDR Elbphilharmonie Orchester, Emanuel Ax (Piano), Alan Gilbert (Conductor)
Since Alan Gilbert has been chief conductor of the NDR Elbphilharmonie Orchestra, the American grand seigneur of the keyboard Emanuel Ax has returned to Hamburg with regularity. Together, the two take on one of Wolfgang Amadeus Mozart’s most famous piano concertos: the one in D minor, K. 466. Its dark key and correspondingly dramatic gesture alone make it stand out from the composer’s piano concertos, which are usually in major keys – this is the Mozart of »Don Giovanni« and the Requiem! But the central island of tranquillity of the »Romance« with its catchy melody also enjoyed great popularity early on.
Artistic depiction of the event
This month
In Hamburg

NDR Elbphilharmonie Orchestra / Emanuel Ax / Alan Gilbert

Sun, Mar 30, 2025, 18:00
Elbphilharmonie, Großer Saal (Hamburg)
NDR Elbphilharmonie Orchester, Emanuel Ax (Piano), Alan Gilbert (Conductor)
Since Alan Gilbert has been chief conductor of the NDR Elbphilharmonie Orchestra, the American grand seigneur of the keyboard Emanuel Ax has returned to Hamburg with regularity. Together, the two take on one of Wolfgang Amadeus Mozart’s most famous piano concertos: the one in D minor, K. 466. Its dark key and correspondingly dramatic gesture alone make it stand out from the composer’s piano concertos, which are usually in major keys – this is the Mozart of »Don Giovanni« and the Requiem! But the central island of tranquillity of the »Romance« with its catchy melody also enjoyed great popularity early on.
Artistic depiction of the event
This season
In Berlin

Abon­ne­ment­kon­zert VII

Mon, May 19, 2025, 19:00
Petr Popelka (Conductor), Emanuel Ax (Piano)
In music, light and shadow can be distributed in a special way. The two outer works are characterized by brightness and luminosity, both Anton Webern's tone poem Im Sommerwind from 1904, which has outgrown the late Romantic tradition to which the later twelve-tone composer was committed at the beginning of his career, and Antonín Dvořák's 6th Symphony from 1880, which reveals Brahms as a role model, but gains its own character with its sounds borrowed from Bohemian folklore. Mozart's Piano Concerto in D minor, a work with a strikingly darker timbre, is placed in between and shows the “serious Mozart” who, for all his cosmopolitanism and joy of playing, also reveals many an abyss.
Artistic depiction of the event
This season
In Berlin

Abon­ne­ment­kon­zert VII

Tue, May 20, 2025, 20:00
Philharmonie Berlin, Main Auditorium (Berlin)
Petr Popelka (Conductor), Emanuel Ax (Piano)
In music, light and shadow can be distributed in a special way. The two outer works are characterized by brightness and luminosity, both Anton Webern's tone poem Im Sommerwind from 1904, which has outgrown the late Romantic tradition to which the later twelve-tone composer was committed at the beginning of his career, and Antonín Dvořák's 6th Symphony from 1880, which reveals Brahms as a role model, but gains its own character with its sounds borrowed from Bohemian folklore. Mozart's Piano Concerto in D minor, a work with a strikingly darker timbre, is placed in between and shows the “serious Mozart” who, for all his cosmopolitanism and joy of playing, also reveals many an abyss.