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Classical concerts featuring
Clemes Sienknecht

Overview

Quick overview of musician Clemes Sienknecht by associated keywords

CitiesFrequently performs in

Hamburg
Germany
Hamburg
4

ProgramFrequently performs

Works by
Carl Maria von Weber
4

MusiciansFrequently collaborate with

Musician
Alexander Roslavets
4
Musician
Andrew Hamilton
4
choir
Chor der Hamburgischen Staatsoper
4
Musician
Christian Günther
4
Musician
Dovlet Nurgeldiyev
4

New Arrivals

These concerts featuring Clemes Sienknecht became visible lately at Concert Pulse.

Artistic depiction of the event
This season
In Hamburg

Der Freischütz

Thu, Apr 23, 2026, 19:30
Hamburgische Staatsoper, Großes Haus (Hamburg)
Yoel Gamzou (Musical Director), Christian Günther (Chorleitung), Andrew Hamilton (Ottokar), Narea Son (Ännchen), Alexander Roslavets (Caspar), Dovlet Nurgeldiyev (Max), Clemes Sienknecht (Samiel), Hubert Kowalczyk (Ein Eremit), William Desbiens (Kilian), Chor der Hamburgischen Staatsoper (Chorus), Philharmonisches Staatsorchester Hamburg (Orchestra)
"The success was tremendous and unprecedented! Critics, artists, amateurs and music lovers were intoxicated ... The auditorium roared apart, loudly proclaiming the new miracle." Thus a report on the premiere in 1821 at the Berlin Schauspielhaus. Der Freischütz struck a chord with the times, every barrel organ played the "Jungfernkranz", every street singer performed it, as Heine reports. Weber had discovered the material in an old ghost book. The story of the hunter Max, who devotes himself to the devil in order to win his bride, touches on people's primal fears. The forest, the epitome of the "German soul", becomes a battleground between good and evil. Weber's music depicts the plight and despair of the people with gripping emotionality; the hope of a happy ending is evoked with fervor. Romantic drama and folk play in one, Der Freischütz is set somewhere between dream and nightmare, fascinating to this day. Musikalische Leitung: Yoel Gamzou Production: Andreas Kriegenburg Stage: Harald B. Thor Costumes: Andrea Schraad Lighting: Andreas Grüter Dramaturgy: Angela Beuerle Choreography: Volker Michl
Info & Ticket (www.staatsorchester-hamburg.de)
Artistic depiction of the event
This season
In Hamburg

Der Freischütz

Sun, Apr 26, 2026, 17:00
Hamburgische Staatsoper, Großes Haus (Hamburg)
Yoel Gamzou (Musical Director), Christian Günther (Chorleitung), Andrew Hamilton (Ottokar), Narea Son (Ännchen), Alexander Roslavets (Caspar), Dovlet Nurgeldiyev (Max), Clemes Sienknecht (Samiel), Hubert Kowalczyk (Ein Eremit), William Desbiens (Kilian), Chor der Hamburgischen Staatsoper (Chorus), Philharmonisches Staatsorchester Hamburg (Orchestra)
"The success was tremendous and unprecedented! Critics, artists, amateurs and music lovers were intoxicated ... The auditorium roared apart, loudly proclaiming the new miracle." Thus a report on the premiere in 1821 at the Berlin Schauspielhaus. Der Freischütz struck a chord with the times, every barrel organ played the "Jungfernkranz", every street singer performed it, as Heine reports. Weber had discovered the material in an old ghost book. The story of the hunter Max, who devotes himself to the devil in order to win his bride, touches on people's primal fears. The forest, the epitome of the "German soul", becomes a battleground between good and evil. Weber's music depicts the plight and despair of the people with gripping emotionality; the hope of a happy ending is evoked with fervor. Romantic drama and folk play in one, Der Freischütz is set somewhere between dream and nightmare, fascinating to this day. Musikalische Leitung: Yoel Gamzou Production: Andreas Kriegenburg Stage: Harald B. Thor Costumes: Andrea Schraad Lighting: Andreas Grüter Dramaturgy: Angela Beuerle Choreography: Volker Michl
Info & Ticket (www.staatsorchester-hamburg.de)
Artistic depiction of the event
This season
In Hamburg

Der Freischütz

Tue, Apr 28, 2026, 19:30
Hamburgische Staatsoper, Großes Haus (Hamburg)
Yoel Gamzou (Musical Director), Christian Günther (Chorleitung), Andrew Hamilton (Ottokar), Narea Son (Ännchen), Alexander Roslavets (Caspar), Dovlet Nurgeldiyev (Max), Clemes Sienknecht (Samiel), Hubert Kowalczyk (Ein Eremit), William Desbiens (Kilian), Chor der Hamburgischen Staatsoper (Chorus), Philharmonisches Staatsorchester Hamburg (Orchestra)
"The success was tremendous and unprecedented! Critics, artists, amateurs and music lovers were intoxicated ... The auditorium roared apart, loudly proclaiming the new miracle." Thus a report on the premiere in 1821 at the Berlin Schauspielhaus. Der Freischütz struck a chord with the times, every barrel organ played the "Jungfernkranz", every street singer performed it, as Heine reports. Weber had discovered the material in an old ghost book. The story of the hunter Max, who devotes himself to the devil in order to win his bride, touches on people's primal fears. The forest, the epitome of the "German soul", becomes a battleground between good and evil. Weber's music depicts the plight and despair of the people with gripping emotionality; the hope of a happy ending is evoked with fervor. Romantic drama and folk play in one, Der Freischütz is set somewhere between dream and nightmare, fascinating to this day. Musikalische Leitung: Yoel Gamzou Production: Andreas Kriegenburg Stage: Harald B. Thor Costumes: Andrea Schraad Lighting: Andreas Grüter Dramaturgy: Angela Beuerle Choreography: Volker Michl
Info & Ticket (www.staatsorchester-hamburg.de)

Upcoming Concerts

Concerts featuring Clemes Sienknecht in season 2024/25 or later

Artistic depiction of the event
This season
In Hamburg

Der Freischütz

Thu, Apr 23, 2026, 19:30
Hamburgische Staatsoper, Großes Haus (Hamburg)
Yoel Gamzou (Musical Director), Christian Günther (Chorleitung), Andrew Hamilton (Ottokar), Narea Son (Ännchen), Alexander Roslavets (Caspar), Dovlet Nurgeldiyev (Max), Clemes Sienknecht (Samiel), Hubert Kowalczyk (Ein Eremit), William Desbiens (Kilian), Chor der Hamburgischen Staatsoper (Chorus), Philharmonisches Staatsorchester Hamburg (Orchestra)
"The success was tremendous and unprecedented! Critics, artists, amateurs and music lovers were intoxicated ... The auditorium roared apart, loudly proclaiming the new miracle." Thus a report on the premiere in 1821 at the Berlin Schauspielhaus. Der Freischütz struck a chord with the times, every barrel organ played the "Jungfernkranz", every street singer performed it, as Heine reports. Weber had discovered the material in an old ghost book. The story of the hunter Max, who devotes himself to the devil in order to win his bride, touches on people's primal fears. The forest, the epitome of the "German soul", becomes a battleground between good and evil. Weber's music depicts the plight and despair of the people with gripping emotionality; the hope of a happy ending is evoked with fervor. Romantic drama and folk play in one, Der Freischütz is set somewhere between dream and nightmare, fascinating to this day. Musikalische Leitung: Yoel Gamzou Production: Andreas Kriegenburg Stage: Harald B. Thor Costumes: Andrea Schraad Lighting: Andreas Grüter Dramaturgy: Angela Beuerle Choreography: Volker Michl
Info & Ticket (www.staatsorchester-hamburg.de)
Artistic depiction of the event
This season
In Hamburg

Der Freischütz

Sun, Apr 26, 2026, 17:00
Hamburgische Staatsoper, Großes Haus (Hamburg)
Yoel Gamzou (Musical Director), Christian Günther (Chorleitung), Andrew Hamilton (Ottokar), Narea Son (Ännchen), Alexander Roslavets (Caspar), Dovlet Nurgeldiyev (Max), Clemes Sienknecht (Samiel), Hubert Kowalczyk (Ein Eremit), William Desbiens (Kilian), Chor der Hamburgischen Staatsoper (Chorus), Philharmonisches Staatsorchester Hamburg (Orchestra)
"The success was tremendous and unprecedented! Critics, artists, amateurs and music lovers were intoxicated ... The auditorium roared apart, loudly proclaiming the new miracle." Thus a report on the premiere in 1821 at the Berlin Schauspielhaus. Der Freischütz struck a chord with the times, every barrel organ played the "Jungfernkranz", every street singer performed it, as Heine reports. Weber had discovered the material in an old ghost book. The story of the hunter Max, who devotes himself to the devil in order to win his bride, touches on people's primal fears. The forest, the epitome of the "German soul", becomes a battleground between good and evil. Weber's music depicts the plight and despair of the people with gripping emotionality; the hope of a happy ending is evoked with fervor. Romantic drama and folk play in one, Der Freischütz is set somewhere between dream and nightmare, fascinating to this day. Musikalische Leitung: Yoel Gamzou Production: Andreas Kriegenburg Stage: Harald B. Thor Costumes: Andrea Schraad Lighting: Andreas Grüter Dramaturgy: Angela Beuerle Choreography: Volker Michl
Info & Ticket (www.staatsorchester-hamburg.de)
Artistic depiction of the event
This season
In Hamburg

Der Freischütz

Tue, Apr 28, 2026, 19:30
Hamburgische Staatsoper, Großes Haus (Hamburg)
Yoel Gamzou (Musical Director), Christian Günther (Chorleitung), Andrew Hamilton (Ottokar), Narea Son (Ännchen), Alexander Roslavets (Caspar), Dovlet Nurgeldiyev (Max), Clemes Sienknecht (Samiel), Hubert Kowalczyk (Ein Eremit), William Desbiens (Kilian), Chor der Hamburgischen Staatsoper (Chorus), Philharmonisches Staatsorchester Hamburg (Orchestra)
"The success was tremendous and unprecedented! Critics, artists, amateurs and music lovers were intoxicated ... The auditorium roared apart, loudly proclaiming the new miracle." Thus a report on the premiere in 1821 at the Berlin Schauspielhaus. Der Freischütz struck a chord with the times, every barrel organ played the "Jungfernkranz", every street singer performed it, as Heine reports. Weber had discovered the material in an old ghost book. The story of the hunter Max, who devotes himself to the devil in order to win his bride, touches on people's primal fears. The forest, the epitome of the "German soul", becomes a battleground between good and evil. Weber's music depicts the plight and despair of the people with gripping emotionality; the hope of a happy ending is evoked with fervor. Romantic drama and folk play in one, Der Freischütz is set somewhere between dream and nightmare, fascinating to this day. Musikalische Leitung: Yoel Gamzou Production: Andreas Kriegenburg Stage: Harald B. Thor Costumes: Andrea Schraad Lighting: Andreas Grüter Dramaturgy: Angela Beuerle Choreography: Volker Michl
Info & Ticket (www.staatsorchester-hamburg.de)
Artistic depiction of the event
This season
In Hamburg

Der Freischütz

Sun, May 3, 2026, 19:00
Hamburgische Staatsoper, Großes Haus (Hamburg)
Yoel Gamzou (Musical Director), Christian Günther (Chorleitung), Andrew Hamilton (Ottokar), Narea Son (Ännchen), Alexander Roslavets (Caspar), Dovlet Nurgeldiyev (Max), Clemes Sienknecht (Samiel), Hubert Kowalczyk (Ein Eremit), William Desbiens (Kilian), Chor der Hamburgischen Staatsoper (Chorus), Philharmonisches Staatsorchester Hamburg (Orchestra)
"The success was tremendous and unprecedented! Critics, artists, amateurs and music lovers were intoxicated ... The auditorium roared apart, loudly proclaiming the new miracle." Thus a report on the premiere in 1821 at the Berlin Schauspielhaus. Der Freischütz struck a chord with the times, every barrel organ played the "Jungfernkranz", every street singer performed it, as Heine reports. Weber had discovered the material in an old ghost book. The story of the hunter Max, who devotes himself to the devil in order to win his bride, touches on people's primal fears. The forest, the epitome of the "German soul", becomes a battleground between good and evil. Weber's music depicts the plight and despair of the people with gripping emotionality; the hope of a happy ending is evoked with fervor. Romantic drama and folk play in one, Der Freischütz is set somewhere between dream and nightmare, fascinating to this day. Musikalische Leitung: Yoel Gamzou Production: Andreas Kriegenburg Stage: Harald B. Thor Costumes: Andrea Schraad Lighting: Andreas Grüter Dramaturgy: Angela Beuerle Choreography: Volker Michl
Info & Ticket (www.staatsorchester-hamburg.de)