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Classical concerts featuring
Boris Pinkhasovich

Overview

Quick overview of musician Boris Pinkhasovich by associated keywords

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These concerts featuring Boris Pinkhasovich became visible lately at Concert Pulse.

Artistic depiction of the event
This season
In Hamburg

Il trovatore

Wed, Mar 18, 2026, 19:00
Matteo Beltrami (Musical Director), Christian Günther (Chorleitung), Boris Pinkhasovich (Luna), Enea Scala (Manrico), Eleonora Buratto (Leonora), Clementine Margaine (Azucena), Alexander Roslavets (Ferrando), Elizaveta Kulagina (Inez), Colin Aikins (Ruiz), Chor der Hamburgischen Staatsoper (Chorus), Philharmonisches Staatsorchester Hamburg (Orchestra)
For Leonora, the song of the troubadour Manrico holds the promise and glow of love; Manrico's rival Count Luna perceives in it threat and danger. Verdi's opera is a celebration of Italian opera singing at its best - so it is no coincidence that the title character is a singer himself. And yet for the composer, Azucena, Manrico's mother, was the real protagonist. Il trovatore is rich in dramatic intricacies and intense emotions, which Verdi abruptly juxtaposes in images and scenes. Tragedy relentlessly unfolds before our eyes and ears until the truth is revealed in the opera's final seconds. Stage: Alex Eales Costumes: Herbert Murauer Lighting: James Farncombe Video: Philipp Contag-Lada Dramaturgy: Ralf Waldschmidt Chorus: Christian Günther
Artistic depiction of the event
This season
In Hamburg

Il trovatore

Fri, Mar 20, 2026, 19:00
Matteo Beltrami (Musical Director), Christian Günther (Chorleitung), Boris Pinkhasovich (Luna), Enea Scala (Manrico), Eleonora Buratto (Leonora), Clementine Margaine (Azucena), Alexander Roslavets (Ferrando), Elizaveta Kulagina (Inez), Colin Aikins (Ruiz), Chor der Hamburgischen Staatsoper (Chorus), Philharmonisches Staatsorchester Hamburg (Orchestra)
For Leonora, the song of the troubadour Manrico holds the promise and glow of love; Manrico's rival Count Luna perceives in it threat and danger. Verdi's opera is a celebration of Italian opera singing at its best - so it is no coincidence that the title character is a singer himself. And yet for the composer, Azucena, Manrico's mother, was the real protagonist. Il trovatore is rich in dramatic intricacies and intense emotions, which Verdi abruptly juxtaposes in images and scenes. Tragedy relentlessly unfolds before our eyes and ears until the truth is revealed in the opera's final seconds. Stage: Alex Eales Costumes: Herbert Murauer Lighting: James Farncombe Video: Philipp Contag-Lada Dramaturgy: Ralf Waldschmidt Chorus: Christian Günther
Artistic depiction of the event
This season
In Hamburg

Il trovatore

Wed, Mar 25, 2026, 19:00
Matteo Beltrami (Musical Director), Christian Günther (Chorleitung), Boris Pinkhasovich (Luna), Enea Scala (Manrico), Eleonora Buratto (Leonora), Clementine Margaine (Azucena), Alexander Roslavets (Ferrando), Elizaveta Kulagina (Inez), Colin Aikins (Ruiz), Chor der Hamburgischen Staatsoper (Chorus), Philharmonisches Staatsorchester Hamburg (Orchestra)
For Leonora, the song of the troubadour Manrico holds the promise and glow of love; Manrico's rival Count Luna perceives in it threat and danger. Verdi's opera is a celebration of Italian opera singing at its best - so it is no coincidence that the title character is a singer himself. And yet for the composer, Azucena, Manrico's mother, was the real protagonist. Il trovatore is rich in dramatic intricacies and intense emotions, which Verdi abruptly juxtaposes in images and scenes. Tragedy relentlessly unfolds before our eyes and ears until the truth is revealed in the opera's final seconds. Stage: Alex Eales Costumes: Herbert Murauer Lighting: James Farncombe Video: Philipp Contag-Lada Dramaturgy: Ralf Waldschmidt Chorus: Christian Günther

Upcoming Concerts

Concerts featuring Boris Pinkhasovich in season 2024/25 or later

Artistic depiction of the event
This season
In Hamburg

Il trovatore

Wed, Mar 18, 2026, 19:00
Matteo Beltrami (Musical Director), Christian Günther (Chorleitung), Boris Pinkhasovich (Luna), Enea Scala (Manrico), Eleonora Buratto (Leonora), Clementine Margaine (Azucena), Alexander Roslavets (Ferrando), Elizaveta Kulagina (Inez), Colin Aikins (Ruiz), Chor der Hamburgischen Staatsoper (Chorus), Philharmonisches Staatsorchester Hamburg (Orchestra)
For Leonora, the song of the troubadour Manrico holds the promise and glow of love; Manrico's rival Count Luna perceives in it threat and danger. Verdi's opera is a celebration of Italian opera singing at its best - so it is no coincidence that the title character is a singer himself. And yet for the composer, Azucena, Manrico's mother, was the real protagonist. Il trovatore is rich in dramatic intricacies and intense emotions, which Verdi abruptly juxtaposes in images and scenes. Tragedy relentlessly unfolds before our eyes and ears until the truth is revealed in the opera's final seconds. Stage: Alex Eales Costumes: Herbert Murauer Lighting: James Farncombe Video: Philipp Contag-Lada Dramaturgy: Ralf Waldschmidt Chorus: Christian Günther
Artistic depiction of the event
This season
In Hamburg

Il trovatore

Fri, Mar 20, 2026, 19:00
Matteo Beltrami (Musical Director), Christian Günther (Chorleitung), Boris Pinkhasovich (Luna), Enea Scala (Manrico), Eleonora Buratto (Leonora), Clementine Margaine (Azucena), Alexander Roslavets (Ferrando), Elizaveta Kulagina (Inez), Colin Aikins (Ruiz), Chor der Hamburgischen Staatsoper (Chorus), Philharmonisches Staatsorchester Hamburg (Orchestra)
For Leonora, the song of the troubadour Manrico holds the promise and glow of love; Manrico's rival Count Luna perceives in it threat and danger. Verdi's opera is a celebration of Italian opera singing at its best - so it is no coincidence that the title character is a singer himself. And yet for the composer, Azucena, Manrico's mother, was the real protagonist. Il trovatore is rich in dramatic intricacies and intense emotions, which Verdi abruptly juxtaposes in images and scenes. Tragedy relentlessly unfolds before our eyes and ears until the truth is revealed in the opera's final seconds. Stage: Alex Eales Costumes: Herbert Murauer Lighting: James Farncombe Video: Philipp Contag-Lada Dramaturgy: Ralf Waldschmidt Chorus: Christian Günther
Artistic depiction of the event
This season
In Hamburg

Il trovatore

Wed, Mar 25, 2026, 19:00
Matteo Beltrami (Musical Director), Christian Günther (Chorleitung), Boris Pinkhasovich (Luna), Enea Scala (Manrico), Eleonora Buratto (Leonora), Clementine Margaine (Azucena), Alexander Roslavets (Ferrando), Elizaveta Kulagina (Inez), Colin Aikins (Ruiz), Chor der Hamburgischen Staatsoper (Chorus), Philharmonisches Staatsorchester Hamburg (Orchestra)
For Leonora, the song of the troubadour Manrico holds the promise and glow of love; Manrico's rival Count Luna perceives in it threat and danger. Verdi's opera is a celebration of Italian opera singing at its best - so it is no coincidence that the title character is a singer himself. And yet for the composer, Azucena, Manrico's mother, was the real protagonist. Il trovatore is rich in dramatic intricacies and intense emotions, which Verdi abruptly juxtaposes in images and scenes. Tragedy relentlessly unfolds before our eyes and ears until the truth is revealed in the opera's final seconds. Stage: Alex Eales Costumes: Herbert Murauer Lighting: James Farncombe Video: Philipp Contag-Lada Dramaturgy: Ralf Waldschmidt Chorus: Christian Günther
Artistic depiction of the event
This season
In Hamburg

Il trovatore

Fri, Mar 27, 2026, 19:00
Matteo Beltrami (Musical Director), Christian Günther (Chorleitung), Boris Pinkhasovich (Luna), Enea Scala (Manrico), Eleonora Buratto (Leonora), Clementine Margaine (Azucena), Alexander Roslavets (Ferrando), Elizaveta Kulagina (Inez), Colin Aikins (Ruiz), Chor der Hamburgischen Staatsoper (Chorus), Philharmonisches Staatsorchester Hamburg (Orchestra)
For Leonora, the song of the troubadour Manrico holds the promise and glow of love; Manrico's rival Count Luna perceives in it threat and danger. Verdi's opera is a celebration of Italian opera singing at its best - so it is no coincidence that the title character is a singer himself. And yet for the composer, Azucena, Manrico's mother, was the real protagonist. Il trovatore is rich in dramatic intricacies and intense emotions, which Verdi abruptly juxtaposes in images and scenes. Tragedy relentlessly unfolds before our eyes and ears until the truth is revealed in the opera's final seconds. Stage: Alex Eales Costumes: Herbert Murauer Lighting: James Farncombe Video: Philipp Contag-Lada Dramaturgy: Ralf Waldschmidt Chorus: Christian Günther
Artistic depiction of the event
This season
In Hamburg

Il trovatore

Sat, Apr 4, 2026, 19:00
Matteo Beltrami (Musical Director), Christian Günther (Chorleitung), Boris Pinkhasovich (Luna), Enea Scala (Manrico), Eleonora Buratto (Leonora), Clementine Margaine (Azucena), Alexander Roslavets (Ferrando), Elizaveta Kulagina (Inez), Colin Aikins (Ruiz), Chor der Hamburgischen Staatsoper (Chorus), Philharmonisches Staatsorchester Hamburg (Orchestra)
For Leonora, the song of the troubadour Manrico holds the promise and glow of love; Manrico's rival Count Luna perceives in it threat and danger. Verdi's opera is a celebration of Italian opera singing at its best - so it is no coincidence that the title character is a singer himself. And yet for the composer, Azucena, Manrico's mother, was the real protagonist. Il trovatore is rich in dramatic intricacies and intense emotions, which Verdi abruptly juxtaposes in images and scenes. Tragedy relentlessly unfolds before our eyes and ears until the truth is revealed in the opera's final seconds. Stage: Alex Eales Costumes: Herbert Murauer Lighting: James Farncombe Video: Philipp Contag-Lada Dramaturgy: Ralf Waldschmidt Chorus: Christian Günther
Artistic depiction of the event
This season
In Hamburg

Il trovatore

Wed, Apr 8, 2026, 19:00
Matteo Beltrami (Musical Director), Christian Günther (Chorleitung), Boris Pinkhasovich (Luna), Enea Scala (Manrico), Eleonora Buratto (Leonora), Clementine Margaine (Azucena), Alexander Roslavets (Ferrando), Elizaveta Kulagina (Inez), Colin Aikins (Ruiz), Chor der Hamburgischen Staatsoper (Chorus), Philharmonisches Staatsorchester Hamburg (Orchestra)
For Leonora, the song of the troubadour Manrico holds the promise and glow of love; Manrico's rival Count Luna perceives in it threat and danger. Verdi's opera is a celebration of Italian opera singing at its best - so it is no coincidence that the title character is a singer himself. And yet for the composer, Azucena, Manrico's mother, was the real protagonist. Il trovatore is rich in dramatic intricacies and intense emotions, which Verdi abruptly juxtaposes in images and scenes. Tragedy relentlessly unfolds before our eyes and ears until the truth is revealed in the opera's final seconds. Stage: Alex Eales Costumes: Herbert Murauer Lighting: James Farncombe Video: Philipp Contag-Lada Dramaturgy: Ralf Waldschmidt Chorus: Christian Günther