ConcertPulse
Dodo Tharaud
Philharmonie de Paris, Le Studio (Paris)
A nocturnal music session enjoyed lying down in darkness, lending itself to relaxation and meditation. Alexandre Tharaud and his guests transport the audience to the brink of dreams.
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A nocturnal music session enjoyed lying down in darkness, lending itself to relaxation and meditation. Alexandre Tharaud and his guests transport the audience to the brink of dreams.
A nocturnal music session enjoyed lying down in darkness, lending itself to relaxation and meditation. Alexandre Tharaud and his guests transport the audience to the brink of dreams.
A nocturnal music session enjoyed lying down in darkness, lending itself to relaxation and meditation. Alexandre Tharaud and his guests transport the audience to the brink of dreams.
A nocturnal music session enjoyed lying down in darkness, lending itself to relaxation and meditation. Alexandre Tharaud and his guests transport the audience to the brink of dreams.
András Schiff in his own garden, exploring with relish Bach’s Triple Concerto for flute, violin and harpsichord and the enchanted paths of two of Mozart’s most awe-inspiring piano concertos.
From the sarcastic music of The Nose, to his limpid final symphony featuring quotes from Rossini and Wagner, to his striking orchestration of Schumann’s Cello Concerto—a tribute to the multiple facets of Shostakovich.
The flamboyant Cameron Carpenter takes on two musical monuments daringly arranged by himself: Mussorgsky’s phantasmagorias and Bach’s Goldberg Variations, the alpha and omega of his oeuvre.
A passionate programme from Orchestre Pasdeloup, with an anthology of 19th- and 20th-century works and a new piece by Béchara El-Khoury, with soloists François Dumont on piano and Arnaud Nuvolone on violin.
Pure symphonic ecstasy, with two monuments in the canon that demand a fully engaged, inventive and visionary orchestra—here, the Orchestre Philharmonique de Radio France under the baton of he who served as its musical director from 2000 to 2015.
"A trickle of youth": Schumann's phrase about Mendelssohn's A Midsummer Night's Dream has not aged a day. And then we have the Elgar's Concerto, entrusted to the bow of Frank Peter Zimmermann, where magic is met by mystery…
"A trickle of youth": Schumann's phrase about Mendelssohn's A Midsummer Night's Dream has not aged a day. And then we have the Elgar's Concerto, entrusted to the bow of Frank Peter Zimmermann, where magic is met by mystery…
The pairing of Mozart’s Requiem with his penultimate symphony, No. 40, by one of the foremost Baroque ensembles in the world, Bach Collegium Japan, with its principal conductor Masato Suzuki at the podium.
Through singing and instrumental practice, participants rediscover Vivaldi's Four Seasons, exploring the connections between nature and music.
The Orchestre National de France and Philippe Manoury here pay tribute to Pierre Boulez the conductor, teacher and mentor—these deeply valued other facets to the composer whose centenary we are celebrating this year.
Lisa Batiashvili's expressive elegance is put to full use in one of the gems of the Mozartean repertoire, which precedes the orchestral odyssey of Mahler's Symphony No.5 beset with the themes of torment, struggle and ecstasy.
Lisa Batiashvili's expressive elegance is put to full use in one of the gems of the Mozartean repertoire, which precedes the orchestral odyssey of Mahler's Symphony No.5 beset with the themes of torment, struggle and ecstasy.
