Under the motto »Orchestra for Democracy«, the DSO invites the audience to two concerts that combine music and speech to make a powerful plea for human rights and the value of our democracy. Central works of classical modernism and late romanticism meet contemporary reflections and create a format that places the demands and reality of our society at the centre.
Under the motto »Orchestra for Democracy«, the DSO invites the audience to two concerts that combine music and speech to make a powerful plea for human rights and the value of our democracy. Central works of classical modernism and late romanticism meet contemporary reflections and create a format that places the demands and reality of our society at the centre.
Nature, its beauty, its endangerment: These are the themes of our Biennale and of this concert, which takes us around the world. It begins with a new work by Finnish composer Outi Tarkiainen, whose work is strongly inspired by her native Lapland. Brett Dean’s Fire Music in turn refers to a devastating bushfire in Australia in 2009. Aaron Copland’s Appalachian Spring takes us on to North America, while Heitor Villa-Lobos’ Chôros No. 10 echoes the birdsong of the Amazon. Marin Alsop makes her debut with the Berliner Philharmoniker.
Nature, its beauty, its endangerment: These are the themes of our Biennale and of this concert, which takes us around the world. It begins with a new work by Finnish composer Outi Tarkiainen, whose work is strongly inspired by her native Lapland. Brett Dean’s Fire Music in turn refers to a devastating bushfire in Australia in 2009. Aaron Copland’s Appalachian Spring takes us on to North America, while Heitor Villa-Lobos’ Chôros No. 10 echoes the birdsong of the Amazon. Marin Alsop makes her debut with the Berliner Philharmoniker.
Nature, its beauty, its endangerment: These are the themes of our Biennale and of this concert, which takes us around the world. It begins with a new work by Finnish composer Outi Tarkiainen, whose work is strongly inspired by her native Lapland. Brett Dean’s Fire Music in turn refers to a devastating bushfire in Australia in 2009. Aaron Copland’s Appalachian Spring takes us on to North America, while Heitor Villa-Lobos’ Chôros No. 10 echoes the birdsong of the Amazon. Marin Alsop makes her debut with the Berliner Philharmoniker.
»The omnipotent corruptor of taste in Italy.« »Immaturity, tastelessness, and ugliness.« Quite some impudence, what Verdi heard from Wagner conductor Hans von Bülow in 1874. Another critic found: »After all, isn’t the Italian entitled to ask whether he is allowed to speak Italian with God?« And for Verdi, this is how speaking with God about death in Italian goes: happy for some theatrics, but the Mass should by no means sound »like an opera«. Whether he succeeded—everyone will have to judge for themselves.
For her it is true love, for him just an affair. Giacomo Puccini transformed John Luther Long’s 1898 story of teenaged geisha Cio-Cio-San and cavalier American naval lieutenant Pinkerton into one of the most popular operas of all time – and a commentary on colonialism that remains ripe for re-examination. His music reflects both the orientalism of his time and the sentimentality of late verismo. After leading staged performances in Baden-Baden, Kirill Petrenko presents Madama Butterfly in concert to the Berlin public. The title role will be sung by Eleonora Buratto, who was celebrated for her performance of this part at the New York’s Metropolitan Opera. Star tenor Jonathan Tetelman takes the role of Pinkerton.
For her it is true love, for him just an affair. Giacomo Puccini transformed John Luther Long’s 1898 story of teenaged geisha Cio-Cio-San and cavalier American naval lieutenant Pinkerton into one of the most popular operas of all time – and a commentary on colonialism that remains ripe for re-examination. His music reflects both the orientalism of his time and the sentimentality of late verismo. After leading staged performances in Baden-Baden, Kirill Petrenko presents Madama Butterfly in concert to the Berlin public. The title role will be sung by Eleonora Buratto, who was celebrated for her performance of this part at the New York’s Metropolitan Opera. Star tenor Jonathan Tetelman takes the role of Pinkerton.
While rarely performed in Germany, Edward Elgar's oratorio "The Dream of Gerontius" follows Handel's "Messiah" and Mendelssohn's "Elijah" in popularity in England. This masterpiece reveals the true side of the English romanticist, known mainly for the "Pomp and Circumstance" marches. The monumental work follows a soul's journey to heaven after death, guided by a guardian angel, until it beholds God's glory.
While rarely performed in Germany, Edward Elgar's oratorio "The Dream of Gerontius" follows Handel's "Messiah" and Mendelssohn's "Elijah" in popularity in England. This masterpiece reveals the true side of the English romanticist, known mainly for the "Pomp and Circumstance" marches. The monumental work follows a soul's journey to heaven after death, guided by a guardian angel, until it beholds God's glory.
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