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Konzerthausorchester Berlin

composer

Wolfgang Amadeus Mozart

10hits in season
2024/25 or later 6hits in
the archive

January 25, 2025

Konzerthausorchester Berlin, Jan Willem de Vriend

Sat, Jan 25, 2025, 20:00

Konzerthaus Berlin, Großer Saal (Berlin)

Konzerthausorchester Berlin, Jan Willem de Vriend (Conductor), Sebastian Knauer (Piano)

Good news for all fans of Sebastian Knauer - the pianist is back at the Konzerthaus with Mozart's Concerto in D minor, premiered in 1785. Compared to earlier works in this genre, the orchestra is increasingly taking on the role of piano partner, which is of course good news for the Konzerthausorchester.Under the Dutch conductor Jan Willem de Vriend, however, our musicians will first play the inter-act music to a drama about the Egyptian King Thamos, which is set in the sun city of Heliopolis and was first performed in 1774. There is little to say about the plot - apart from the fact that the right people get each other and the schemers die by their own daggers or by being struck by lightning. Finally, Haydn's No. 99 from 1793, one of the „London“ symphonies, is played. In it, he used clarinets for the first time and (whether because of this or anyway is not known) had considerable success with the public.

Info & Ticket (www.konzerthaus.de)

January 26, 2025

Mozart-Matinee

Sun, Jan 26, 2025, 11:00

Konzerthaus Berlin, Großer Saal (Berlin)

Konzerthausorchester Berlin, Jan Willem de Vriend (Conductor), Ulrike Petersen (Violin)

The Konzerthausorchester invites families to the Great Hall on Sundays at 11.00 - croissants and hot chocolate included! A musician always leads through the program. They reveal secrets from everyday life in the orchestra and invite you to join in. Meanwhile, younger siblings between the ages of 3 and 6 are very welcome at the “Musical childcare”.

Info & Ticket (www.konzerthaus.de)

Konzerthausorchester Berlin, Jan Willem de Vriend

Sun, Jan 26, 2025, 16:00

Konzerthaus Berlin, Großer Saal (Berlin)

Konzerthausorchester Berlin, Jan Willem de Vriend (Conductor), Sebastian Knauer (Piano)

Good news for all fans of Sebastian Knauer - the pianist is back at the Konzerthaus with Mozart's Concerto in D minor, premiered in 1785. Compared to earlier works in this genre, the orchestra is increasingly taking on the role of piano partner, which is of course good news for the Konzerthausorchester. Under the Dutch conductor Jan Willem de Vriend, however, our musicians will first play the inter-act music to a drama about the Egyptian King Thamos, which is set in the sun city of Heliopolis and was first performed in 1774. There is little to say about the plot - apart from the fact that the right people get each other and the schemers die by their own daggers or by being struck by lightning. Finally, Haydn's No. 99 from 1793, one of the „London“ symphonies, is played. In it, he used clarinets for the first time and (whether because of this or anyway is not known) had considerable success with the public.

Info & Ticket (www.konzerthaus.de)

March 9, 2025

Kindertag: FamilienKonzert mit dem Konzerthausorchester

Sun, Mar 9, 2025, 11:00

Konzerthaus Berlin, Großer Saal (Berlin)

Konzerthausorchester Berlin, Florian Groß (Conductor), Karin Meissl (Presenter), Cristina Amodeo (Director)

Music is like time, sometimes fast, sometimes slow. Its tempo can be steady like a heartbeat or expansive like the universe. In this concert, we journey through the vastness of space, across seasons and time, until we arrive in the present moment.

Info & Ticket (www.konzerthaus.de)

March 15, 2025

Konzerthausorchester Berlin, William Christie

Sat, Mar 15, 2025, 20:00

Konzerthaus Berlin, Großer Saal (Berlin)

Konzerthausorchester Berlin, William Christie (Conductor), Les Arts Florissants, Melissa Petit (Soprano), Beth Taylor (Alto), Bastien Rimondi (Tenor), Andreas Wolf (Bass)

„It's the sound in particular. Nobody else has it in this way [...] . And I think it's also the way you present the music to the audience. For me, it's very important that you have very quick access to the audience.“ This is how the renowned American baroque specialist, conductor and harpsichordist William Christie describes the French ensemble Les Arts Florissants, which he has led since 1979. The Konzerthausorchester is hosting them for the first time to perform Mozart and Haydn together - the latter fits in perfectly with the orchestra's focus on Haydn's works over several seasons. The „Litaniae Lauretanae“ KV 195 from 1774 is one of four litanies or supplications that Mozart composed in Salzburg during the course of his life. The name „Lauretana“ refers to the Marian devotion reflected in it. Due to its large orchestration and virtuoso solo parts, the work is one of the „Litaniae solemnes“ that were performed in Salzburg Cathedral. Joseph Haydn's Missa in B flat major or „Harmoniemesse“ was composed in 1802 and is the last of the six great mass compositions that - alongside The Creation and The Seasons - brought his vocal works to a crowning conclusion and his last completed composition. It was given its name because of the important „harmony-filling“ role of the obbligato wind parts.

Info & Ticket (www.konzerthaus.de)

March 16, 2025

Mozart-Matinee

Sun, Mar 16, 2025, 11:00

Konzerthaus Berlin, Großer Saal (Berlin)

Konzerthausorchester Berlin, William Christie (Conductor), Dmitry Babanov (Horn)

The Konzerthausorchester invites families to the Great Hall on Sundays at 11.00 - croissants and hot chocolate included! A musician always leads through the program. They reveal secrets from everyday life in the orchestra and invite you to join in. Meanwhile, younger siblings between the ages of 3 and 6 are very welcome at the “Musical childcare”.

Info & Ticket (www.konzerthaus.de)

Konzerthausorchester Berlin, William Christie

Sun, Mar 16, 2025, 16:00

Konzerthaus Berlin, Großer Saal (Berlin)

Konzerthausorchester Berlin, William Christie (Conductor), Les Arts Florissants, Melissa Petit (Soprano), Beth Taylor (Alto), Bastien Rimondi (Tenor), Andreas Wolf (Bass)

„It's the sound in particular. Nobody else has it in this way [...] . And I think it's also the way you present the music to the audience. For me, it's very important that you have very quick access to the audience.“ This is how the renowned American baroque specialist, conductor and harpsichordist William Christie describes the French ensemble Les Arts Florissants, which he has led since 1979. The Konzerthausorchester is hosting them for the first time to perform Mozart and Haydn together - the latter fits in perfectly with the orchestra's focus on Haydn's works over several seasons. The „Litaniae Lauretanae“ KV 195 from 1774 is one of four litanies or supplications that Mozart composed in Salzburg during the course of his life. The name „Lauretana“ refers to the Marian devotion reflected in it. Due to its large orchestration and virtuoso solo parts, the work is one of the „Litaniae solemnes“ that were performed in Salzburg Cathedral. Joseph Haydn's Missa in B flat major or „Harmoniemesse“ was composed in 1802 and is the last of the six great mass compositions that - alongside The Creation and The Seasons - brought his vocal works to a crowning conclusion and his last completed composition. It was given its name because of the important „harmony-filling“ role of the obbligato wind parts.

Info & Ticket (www.konzerthaus.de)

May 3, 2025

Konzerthausorchester Berlin, Anja Bihlmaier

Sat, May 3, 2025, 20:00

Konzerthaus Berlin, Großer Saal (Berlin)

Konzerthausorchester Berlin, Anja Bihlmaier (Conductor), Alexander Melnikov (Piano)

„The 'Concert Românesc' reflects my deep love for Romanian folk music and Romanian-speaking culture as such. The piece was immediately banned and only performed many decades later,“ says Ligeti about his 1951 work, which was banned at the time due to some dissonances that were considered undesirable. The Russian pianist Alexander Melnikov then takes his place among the Konzerthausorchester. In the Piano Concerto in G major from 1784, Mozart leaves old formal principles behind, including the fact that the winds are already frequently entrusted with solo tasks. The concert, conducted by Anja Bihlmaier, ends with Antonín Dvořák's Symphony No. 8, which beautifully showcases the orchestral instruments in a lyrical and melodic manner - from the waltz-loving strings to the virtuoso flute dancing along in the last movement.

Info & Ticket (www.konzerthaus.de)

May 4, 2025

Mozart-Matinee

Sun, May 4, 2025, 11:00

Konzerthaus Berlin, Großer Saal (Berlin)

Konzerthausorchester Berlin, Anja Bihlmaier (Conductor), Alexander Melnikov (Piano), Uwe Emmrich (Viola), Lucy Zhao (Pipa), Gregor Schulenburg (Flute), Kristina Feix (Puppen-), Kristina Feix (Objekttheater), Bärbel Buse (Violin), Katrin Bethge (Lighting Design)

The Konzerthausorchester invites families to the Great Hall on Sundays at 11.00 - croissants and hot chocolate included! A musician always leads through the program. They reveal secrets from everyday life in the orchestra and invite you to join in. Meanwhile, younger siblings between the ages of 3 and 6 are very welcome at the “Musical childcare”.

Info & Ticket (www.konzerthaus.de)

Konzerthausorchester Berlin, Anja Bihlmaier

Sun, May 4, 2025, 16:00

Konzerthaus Berlin, Großer Saal (Berlin)

Konzerthausorchester Berlin, Anja Bihlmaier (Conductor), Alexander Melnikov (Piano)

„The 'Concert Românesc' reflects my deep love for Romanian folk music and Romanian-speaking culture as such. The piece was immediately banned and only performed many decades later,“ says Ligeti about his 1951 work, which was banned at the time due to some dissonances that were considered undesirable. The Russian pianist Alexander Melnikov then takes his place amog the Konzerthausorchester. In the Piano Concerto in G major from 1784, Mozart leaves old formal principles behind, including the fact that the winds are already frequently entrusted with solo tasks. The concert, conducted by Anja Bihlmaier, ends with Antonín Dvořák's Symphony No. 8, which beautifully showcases the orchestral instruments in a lyrical and melodic manner - from the waltz-loving strings to the virtuoso flute dancing along in the last movement.

Info & Ticket (www.konzerthaus.de)