Find Events | ConcertPulse

Filters

composer

Vito Žuraj

3hits in season
2024/25 or later 5hits in
the archive

May 19, 2024

François-Xavier Roth with Bruckner’s Third and a world premiere

Sun, May 19, 2024, 20:00

Philharmonie Berlin, Main Auditorium (Berlin)

Berliner Philharmoniker (Orchestra), François-Xavier Roth (Conductor)

The Third Symphony is considered Anton Bruckner’s problem child. The three versions of this hymn-like and at the same time mysterious work show how much the composer struggled with it. François-Xavier Roth, conductor of this performance, considers the first version from 1873 to be the most successful – because it shows the original Bruckner. Roth has made a name for himself as a Bruckner interpreter who brings not only the sonic power of this music to life, but also its nuances. The programme also includes the world premiere of a work by the Slovenian Vito Žuraj.

Info (www.berliner-philharmoniker.de)

May 18, 2024

François-Xavier Roth with Bruckner’s Third and a world premiere

Sat, May 18, 2024, 19:00

Philharmonie Berlin, Main Auditorium (Berlin)

Berliner Philharmoniker (Orchestra), François-Xavier Roth (Conductor)

The Third Symphony is considered Anton Bruckner’s problem child. The three versions of this hymn-like and at the same time mysterious work show how much the composer struggled with it. François-Xavier Roth, conductor of this performance, considers the first version from 1873 to be the most successful – because it shows the original Bruckner. Roth has made a name for himself as a Bruckner interpreter who brings not only the sonic power of this music to life, but also its nuances. The programme also includes the world premiere of a work by the Slovenian Vito Žuraj.

Info (www.berliner-philharmoniker.de)

March 6, 2024

Ensemble Resonanz / Jeroen Berwaerts

Wed, Mar 6, 2024, 19:30

Elbphilharmonie, Kleiner Saal (Hamburg)

Ensemble Resonanz, Jeroen Berwaerts (Trumpet), Alexander Krimer (Cor anglais), Johannes Fischer (Conductor), Annette Kurz (Scenography)

In everyday life, the city is more than just a background, a collective experiment in the social laboratory, a place for life and stories, for memories and longing: Ensemble Resonanz accompanies Copland to nighttime New York, and Tchaikovsky to an Italian summer; it lets Vito Zuraij serve up a surprise or two, then travels on to Rome and joins forces with Vivier to look behind the scenes at ourselves and at a foreign environment. A melancholy trumpet tune rises from the nocturnal solitude, gently underscored by shimmering strings, and fantasises about people’s nighttime thoughts in a city that never sleeps. This concert opens with Aaron Copland’s ode to New York »Quiet Cities«, which captures the feeling of space and the American spirit even in this huge metropolis. By way of contrast, Claude Vivier immerses himself in the sphere of mystery and longing with a work at once accessible and yet enigmatic, full of free-floating melodies that bring to life recollections of foreign places, people and musical traditions. In his »Souvenir de Florence«, Tchaikovsky blends his personal memories of an Italian summer with Russian folk music, while Ensemble Resonanz combines Tchaikovsky with Andrew Norman’s »Companion Guide to Rome«, each part of which consists of a study of Roman buildings. Can floor decoration be audible? Can music be turned into wallpaper?

Info (www.elbphilharmonie.de)

March 5, 2024

Ensemble Resonanz / Jeroen Berwaerts

Tue, Mar 5, 2024, 19:30

Elbphilharmonie, Kleiner Saal (Hamburg)

Ensemble Resonanz, Jeroen Berwaerts (Trumpet), Alexander Krimer (Cor anglais), Johannes Fischer (Conductor), Annette Kurz (Scenography)

In everyday life, the city is more than just a background, a collective experiment in the social laboratory, a place for life and stories, for memories and longing: Ensemble Resonanz accompanies Copland to nighttime New York, and Tchaikovsky to an Italian summer; it lets Vito Zuraij serve up a surprise or two, then travels on to Rome and joins forces with Vivier to look behind the scenes at ourselves and at a foreign environment. A melancholy trumpet tune rises from the nocturnal solitude, gently underscored by shimmering strings, and fantasises about people’s nighttime thoughts in a city that never sleeps. This concert opens with Aaron Copland’s ode to New York »Quiet Cities«, which captures the feeling of space and the American spirit even in this huge metropolis. By way of contrast, Claude Vivier immerses himself in the sphere of mystery and longing with a work at once accessible and yet enigmatic, full of free-floating melodies that bring to life recollections of foreign places, people and musical traditions. In his »Souvenir de Florence«, Tchaikovsky blends his personal memories of an Italian summer with Russian folk music, while Ensemble Resonanz combines Tchaikovsky with Andrew Norman’s »Companion Guide to Rome«, each part of which consists of a study of Roman buildings. Can floor decoration be audible? Can music be turned into wallpaper?

Info (www.elbphilharmonie.de)

October 13, 2023

musica viva: Sir Simon Rattle

Fri, Oct 13, 2023, 20:00

Isarphilharmonie (München)

Sir Simon Rattle (Conductor), Bavarian Radio Chorus, Symphonieorchester des Bayerischen Rundfunks

Simon Rattle’s conducting career is characterized by openness and renewal – and modern music has also played an important role in this. No surprise, then, that when Rattle takes up his post as Chief Conductor of the Chor and Symphonieorchester des BR, he will also conduct a musica viva concert. On the programme: the world premiere of Automatones, written by Vito Žuraj and commissioned by Bavarian Radio’s musica viva series. Extraordinary things are to be expected, since the Rihm student, born in Maribor, Slovenia, in 1979, is always causing a stir: “Contemporary music can be a lot of fun.” (Offenbach-Post) After the intermission, Rattle will conduct Coro for Choir and Orchestra by Luciano Berio: a confessional work in a “tragic mood” (Berio) that has lost none of its relevance today.

Info (www.brso.de)

François-Xavier Roth with Bruckner’s Third and a world premiere

Sun, May 19, 2024, 20:00

Philharmonie Berlin, Main Auditorium (Berlin)

The Third Symphony is considered Anton Bruckner’s problem child. The three versions of this hymn-like and at the same time mysterious work show how much the composer struggled with it. François-Xavier Roth, conductor of this performance, considers the first version from 1873 to be the most successful – because it shows the original Bruckner. Roth has made a name for himself as a Bruckner interpreter who brings not only the sonic power of this music to life, but also its nuances. The programme also includes the world premiere of a work by the Slovenian Vito Žuraj.

François-Xavier Roth with Bruckner’s Third and a world premiere

Sat, May 18, 2024, 19:00

Philharmonie Berlin, Main Auditorium (Berlin)

Ensemble Resonanz / Jeroen Berwaerts

Wed, Mar 6, 2024, 19:30

Elbphilharmonie, Kleiner Saal (Hamburg)

In everyday life, the city is more than just a background, a collective experiment in the social laboratory, a place for life and stories, for memories and longing: Ensemble Resonanz accompanies Copland to nighttime New York, and Tchaikovsky to an Italian summer; it lets Vito Zuraij serve up a surprise or two, then travels on to Rome and joins forces with Vivier to look behind the scenes at ourselves and at a foreign environment. A melancholy trumpet tune rises from the nocturnal solitude, gently underscored by shimmering strings, and fantasises about people’s nighttime thoughts in a city that never sleeps. This concert opens with Aaron Copland’s ode to New York »Quiet Cities«, which captures the feeling of space and the American spirit even in this huge metropolis. By way of contrast, Claude Vivier immerses himself in the sphere of mystery and longing with a work at once accessible and yet enigmatic, full of free-floating melodies that bring to life recollections of foreign places, people and musical traditions. In his »Souvenir de Florence«, Tchaikovsky blends his personal memories of an Italian summer with Russian folk music, while Ensemble Resonanz combines Tchaikovsky with Andrew Norman’s »Companion Guide to Rome«, each part of which consists of a study of Roman buildings. Can floor decoration be audible? Can music be turned into wallpaper?

Ensemble Resonanz / Jeroen Berwaerts

Tue, Mar 5, 2024, 19:30

Elbphilharmonie, Kleiner Saal (Hamburg)

musica viva: Sir Simon Rattle

Simon Rattle’s conducting career is characterized by openness and renewal – and modern music has also played an important role in this. No surprise, then, that when Rattle takes up his post as Chief Conductor of the Chor and Symphonieorchester des BR, he will also conduct a musica viva concert. On the programme: the world premiere of Automatones, written by Vito Žuraj and commissioned by Bavarian Radio’s musica viva series. Extraordinary things are to be expected, since the Rihm student, born in Maribor, Slovenia, in 1979, is always causing a stir: “Contemporary music can be a lot of fun.” (Offenbach-Post) After the intermission, Rattle will conduct Coro for Choir and Orchestra by Luciano Berio: a confessional work in a “tragic mood” (Berio) that has lost none of its relevance today.