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Man's relationship with nature is complex: a place of longing, a role model, and a victim. Nørgård uses Rilke's texts to find this connection in sound. Mason composes based on swarm intelligence, mirroring fish and birds' survival strategies. Staud's choir remembers death marches witnessed by willows. Pagh-Paan tells of Korea's exploitation and societal upheaval leading to a "loss of soul".