Măcelaru, Hadelich · Tchaikovsky, Dvořák
Musikverein Wien, Great Hall (Wien)
Valentin Şerban (fot. P. Andrada), Sào Soulez Larivière (fot. J. Reichardt), Tomasz Daroch (photo: Ł. Rajchert), Andrzej Ciepliński (photo: W. Grzędziński), Gabriel Czopka (photo: G. Mart), Tymoteusz Bies (photo: W. Grzędziński) An aubade is a type of love song performed – as opposed to a serenade – in the morning. George Enescu turned to this genre early in his career, in the twilight of the nineteenth century. In Enescu’s piece, three string instruments take part in delightful and lazy morning banter. Also in a mood of playfulness and life affirmation is the D major Quintet for an unusual mixture of forces, composed at the same time by the slightly older Ralph Vaughan Williams. Filled with sweet, charming melody, this work by the famous English folklore scholar was first performed in the new century and was one of the works closest to his heart. It has been several decades since the works of Ernő Dohnányi, a Hungarian immigrant condemned to long years of oblivion in his homeland, were restored to the repertoire. His first compositional achievements enthralled the ageing Johannes Brahms, and as a pianist he quickly conquered the stages of Vienna, London and Paris. His Sextet in C major, Op. 37, full of symphonic grandeur, was completed while the composer recovered from illness and first performed in 1935. Unlike his famous compatriots with folkloristic inclinations – Béla Bartók and Zoltán Kodály – whose works he promoted, Dohnányi turned to the tradition of late German romanticism in his Sextet, which also displays his characteristic humour. Event within the Romania-Poland Cultural Season 2024-2025
You can simply go to a concert at the Philharmonie, spontaneously, during your lunch break – and with free admission: every Wednesday at 13:00 between September and June. The programme lasts 40 to 50 minutes: chamber music, piano works or a percussion duo – everything from Tchaikovsky to tango. Members of the Berliner Philharmoniker and the Karajan Academy regularly perform, as well as guests from the Deutsches Symphonie-Orchester, the Staatskapelle Berlin and the Berlin music conservatories. As can be expected at a lunch concert, catering is available from 12 noon until shortly before the concert begins.
For lovers of chamber music the Recital Hall is the venue of choice. You can hear the musicians breathe and you can practically touch them. This hall is also cherished by musicians for its beautiful acoustics and direct contact with the audience. In the Recital Hall you can hear the best musicians of our time. Buy your tickets now and experience the magic of the Recital Hall for yourself!
Both Klaus Mäkelä and Vilde Frang launched their international careers with the Oslo Philharmonic. The charismatic Finn was appointed chief conductor of the orchestra at the age of 22 and violinist Frang performed as a soloist in her native Oslo at the early age of twelve. Now they join forces in Hamburg to play Igor Stravinsky’s lively violin concerto. This is followed after the interval by Tchaikovsky’s Fourth Symphony. The two pieces could not be more different. Stravinsky’s neoclassical concerto sparkles with humour and joy – it is often seen as a parody of the genre. Tchaikovsky’s Fourth Symphony, on the other hand, deals with life’s great topics. As in the Beethoven, fate descends on listeners with a powerful fanfare at the very beginning. Tchaikovsky did not deny the parallels with his great idol and his »Fate Symphony«: »Basically, my symphony is an imitation of Beethoven’s Fifth Symphony.«
Over the last two centuries, wind instruments were pushed into the background of classical music by strings, which were considered “nobler”. The trumpet is troubled by the stereotype of a “signal” instrument, even though, after all, it would still sing so beautifully in the baroque era. Maybe it is this tradition that the British composer Dani Howard will reference; certainly, we are going to hear the trumpet singing in the lyrical and elevated Legende by George Enescu. Matilda Lloyd has actually sang an entire album with arrangements of operatic arias – it is a must-listen! One of the pieces to be found there is the Song of the rain by Chopin’s friend, the singer and composer Pauline Viardot, taken from her opera The Last Sorcerer. In her Katowice concert, the trumpeter will return to Paris, reaching for arrangements of the well-known works of Debussy and Ravel, as well as for the proud Intrada by Arthur Honegger, in which the trumpet presents itself to us without even the slightest complexes. Adam Suprynowicz Concert duration: approximately 70 minutes
This concert was co-sponsored by the Romanian government: Departmentul Românii de Pretutindeni and Scena Musicala.The SummerConcerts powered by VriendenLoterij present two months of wonderful concerts, from classical to jazz and from pop music to film scores. Top musicians from the Netherlands and around the world bring you all your favourite classical pieces, as well as tributes to Leonard Cohen and The Beatles, and all your favourite film music.We also present a host of young talent in our summer concerts, including youth orchestras from South Africa and Turkey, and top young classical soloists. After many of the concerts, we offer a meet-and-greet with the artists in an informal setting, or an afterparty with DJ in the Entrance Hall. In one of the world’s finest concert halls, there’s something for everyone this summer at The Concertgebouw!
Compared to the string quartet, the string trio is »missing« a violin. This combination of instruments is far rarer, but boasts just as long a tradition as the quartet. Trio Bardo presents three string trios that were composed in the early- to mid-twentieth century, juxtaposed with a famous trio by Ludwig van Beethoven. Gideon Klein wrote his String Trio under tragic circumstances in the Theresienstadt ghetto in September and October 1944. Just a few days later, the 25-year-old Jewish composer was transported to the extermination camp. Echoes of Stravinsky, Bartók and Moravian folk music are blended with Klein’s own powerful and ironic style. Beethoven’s String Trios Op. 9 come from his first creative period in Vienna, and he experiments here with a number of techniques that would later become his trademarks. Although the work is written as a trio, double stops in the viola part sometimes create the impression of a string quartet. Beethoven described the trios, understandably, as »his best compositions so far«. George Enescu composed the morning serenade »Aubade« in 1899. That was a breakthrough year in the Romanian-born composer and violin virtuoso’s career, taking him to music venues across Europe and as far afield as America. It wasn’t until much later that he enjoyed a comparable level of success as a composer. In the first half of the twentieth century, Ernst von Dohnányi – alongside Kodály and Bartók – was among the leading figures in Hungarian musical life. His Serenade in C Major was written in 1903 and plays with a variety of composition techniques and forms.