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March 21, 2025
March 22, 2025
May 3, 2025
Konzerthausorchester Berlin, Anja Bihlmaier
Konzerthaus Berlin, Großer Saal (Berlin)
„The 'Concert Românesc' reflects my deep love for Romanian folk music and Romanian-speaking culture as such. The piece was immediately banned and only performed many decades later,“ says Ligeti about his 1951 work, which was banned at the time due to some dissonances that were considered undesirable. The Russian pianist Alexander Melnikov then takes his place among the Konzerthausorchester. In the Piano Concerto in G major from 1784, Mozart leaves old formal principles behind, including the fact that the winds are already frequently entrusted with solo tasks. The concert, conducted by Anja Bihlmaier, ends with Antonín Dvořák's Symphony No. 8, which beautifully showcases the orchestral instruments in a lyrical and melodic manner - from the waltz-loving strings to the virtuoso flute dancing along in the last movement.
May 4, 2025
Mozart-Matinee
Konzerthaus Berlin, Großer Saal (Berlin)
The Konzerthausorchester invites families to the Great Hall on Sundays at 11.00 - croissants and hot chocolate included! A musician always leads through the program. They reveal secrets from everyday life in the orchestra and invite you to join in. Meanwhile, younger siblings between the ages of 3 and 6 are very welcome at the “Musical childcare”.
Konzerthausorchester Berlin, Anja Bihlmaier
Konzerthaus Berlin, Großer Saal (Berlin)
„The 'Concert Românesc' reflects my deep love for Romanian folk music and Romanian-speaking culture as such. The piece was immediately banned and only performed many decades later,“ says Ligeti about his 1951 work, which was banned at the time due to some dissonances that were considered undesirable. The Russian pianist Alexander Melnikov then takes his place amog the Konzerthausorchester. In the Piano Concerto in G major from 1784, Mozart leaves old formal principles behind, including the fact that the winds are already frequently entrusted with solo tasks. The concert, conducted by Anja Bihlmaier, ends with Antonín Dvořák's Symphony No. 8, which beautifully showcases the orchestral instruments in a lyrical and melodic manner - from the waltz-loving strings to the virtuoso flute dancing along in the last movement.