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Daniil Trifonov

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November 24, 2024

Orchestre symphonique de Montréal / Daniil Trifonov / Rafael Payare

Sun, Nov 24, 2024, 20:00

Elbphilharmonie, Großer Saal (Hamburg)

Orchestre symphonique de Montréal, Daniil Trifonov (Piano), Rafael Payare (Conductor)

Quiet, shy, introverted: Daniil Trifonov often seems to be from another world. And perhaps he reveals this world in every one of his concerts. Because when the native Russian now living in New York sits down at the piano, an incomparable magic unfolds, eliciting sounds and feelings from his instrument that seem to defy rational explanation. It is fitting that he plays Robert Schumann’s highly romantic piano concerto in this ProArte concert. With Hector Berlioz’ intoxicating Symphonie fantastique, the Orchestre symphonique de Montréal presents the instrumental counterpart to Schumann’s introverted soundscapes in the second half of the concert.

Info (www.elbphilharmonie.de)

October 4, 2024

NDR Elbphilharmonie Orchestra / Daniil Trifonov / Alan Gilbert

Fri, Oct 4, 2024, 20:00

Elbphilharmonie, Großer Saal (Hamburg)

NDR Elbphilharmonie Orchester, Daniil Trifonov (Piano), Alan Gilbert (Conductor)

He has played his way to the top of the international piano scene in a very short space of time: Daniil Trifonov, born in 1991, has eclipsed many of what was considered great piano art for decades. Martha Argerich has »never heard anything like it before«, for example, who is one of the Russian’s admirers along with other great pianists such as Alfred Brendel. Now the winner of the most important international piano competitions and Grammy award winner returns to perform alongside the NDR Elbphilharmonie Orchestra under the direction of chief conductor Alan Gilbert.

Info (www.elbphilharmonie.de)

October 3, 2024

NDR Elbphilharmonie Orchestra / Daniil Trifonov / Alan Gilbert

Thu, Oct 3, 2024, 20:00

Elbphilharmonie, Großer Saal (Hamburg)

NDR Elbphilharmonie Orchester, Daniil Trifonov (Piano), Alan Gilbert (Conductor)

He has played his way to the top of the international piano scene in a very short space of time: Daniil Trifonov, born in 1991, has eclipsed many of what was considered great piano art for decades. Martha Argerich has »never heard anything like it before«, for example, who is one of the Russian’s admirers along with other great pianists such as Alfred Brendel. Now the winner of the most important international piano competitions and Grammy award winner returns to perform alongside the NDR Elbphilharmonie Orchestra under the direction of chief conductor Alan Gilbert.

Info (www.elbphilharmonie.de)

May 13, 2024

Orchestra dell’Accademia Nazionale di Santa Cecilia / Daniil Trifonov / Jakub Hrůša

Mon, May 13, 2024, 20:00

Elbphilharmonie, Großer Saal (Hamburg)

Orchestra dell’Accademia Nazionale di Santa Cecilia, Daniil Trifonov (Piano), Jakub Hrůša (Conductor)

The unconventional star pianist Daniil Trifonov settled in New York many years ago. And in addition to his place of residence, he also shares his Russian roots with George Gershwin alias Jacob Gershovitz: Gershwin’s parents once emigrated from St Petersburg to America. His famous Concerto in F major contains clear echoes of jazz, but it is set in the classical solo-concerto form, and is the first work to be orchestrated in its entirety by the composer. The 1925 premiere in Carnegie Hall was a bombastic success for Gershwin, who was only 27 at the time. The same applies to Sergei Rachmaninov’s »Symphonic Dances«, which he wrote in 1940 on Long Island as his last work in exile. The solo role given to the saxophone in the first movement is undoubtedly more than a chance reference to jazz, which could be heard all over New York at the time.

Info (www.elbphilharmonie.de)

Orchestre symphonique de Montréal / Daniil Trifonov / Rafael Payare

Sun, Nov 24, 2024, 20:00

Elbphilharmonie, Großer Saal (Hamburg)

Quiet, shy, introverted: Daniil Trifonov often seems to be from another world. And perhaps he reveals this world in every one of his concerts. Because when the native Russian now living in New York sits down at the piano, an incomparable magic unfolds, eliciting sounds and feelings from his instrument that seem to defy rational explanation. It is fitting that he plays Robert Schumann’s highly romantic piano concerto in this ProArte concert. With Hector Berlioz’ intoxicating Symphonie fantastique, the Orchestre symphonique de Montréal presents the instrumental counterpart to Schumann’s introverted soundscapes in the second half of the concert.

NDR Elbphilharmonie Orchestra / Daniil Trifonov / Alan Gilbert

Fri, Oct 4, 2024, 20:00

Elbphilharmonie, Großer Saal (Hamburg)

He has played his way to the top of the international piano scene in a very short space of time: Daniil Trifonov, born in 1991, has eclipsed many of what was considered great piano art for decades. Martha Argerich has »never heard anything like it before«, for example, who is one of the Russian’s admirers along with other great pianists such as Alfred Brendel. Now the winner of the most important international piano competitions and Grammy award winner returns to perform alongside the NDR Elbphilharmonie Orchestra under the direction of chief conductor Alan Gilbert.

NDR Elbphilharmonie Orchestra / Daniil Trifonov / Alan Gilbert

Thu, Oct 3, 2024, 20:00

Elbphilharmonie, Großer Saal (Hamburg)

Orchestra dell’Accademia Nazionale di Santa Cecilia / Daniil Trifonov / Jakub Hrůša

Mon, May 13, 2024, 20:00

Elbphilharmonie, Großer Saal (Hamburg)

The unconventional star pianist Daniil Trifonov settled in New York many years ago. And in addition to his place of residence, he also shares his Russian roots with George Gershwin alias Jacob Gershovitz: Gershwin’s parents once emigrated from St Petersburg to America. His famous Concerto in F major contains clear echoes of jazz, but it is set in the classical solo-concerto form, and is the first work to be orchestrated in its entirety by the composer. The 1925 premiere in Carnegie Hall was a bombastic success for Gershwin, who was only 27 at the time. The same applies to Sergei Rachmaninov’s »Symphonic Dances«, which he wrote in 1940 on Long Island as his last work in exile. The solo role given to the saxophone in the first movement is undoubtedly more than a chance reference to jazz, which could be heard all over New York at the time.