CANCELLED: Confessions
This event has had to be cancelled – it will not be rescheduled on an alternative date. Under the following link you can request a refund of your ticket price: Information on tickets refunds
This event has had to be cancelled – it will not be rescheduled on an alternative date. Under the following link you can request a refund of your ticket price: Information on tickets refunds
Kurt Weill composed his Second Symphony in exile in France and the USA, having fled the National Socialists in Germany. In terms of style, he drew inspiration from the great German-speaking composers of the past, which is often interpreted as melancholic retrospection. Around 100 years earlier, a 20-year-old Felix Mendelssohn visited the ruins of an abbey in Edinburgh and wrote to his parents about the experience: »Everything around is broken and mouldering and the bright sky shines in. I believe I have found the beginning of my Scottish symphony.« After this formative journey, almost 13 years would pass in which the musical memories of the country and its people matured into one of Mendelssohn’s most important symphonic works, his Symphony No. 3 in A minor.
On this evening, Hamburg mezzo-soprano Nora Kazemieh juggles a wide variety of styles with feather-light ease. Whether Mozart, Debussy, Strauss, Mendelssohn, Bolcom or Weill: her warm, shimmering timbre combines with the virtuosity of the award-winning Romanian pianist Cosmin Boeru to create a moving listening experience.
»Peace, peace on Earth!« Arnold Schoenberg’s message in his choral work »Friede auf Erden« is unequivocal. But it’s also an illusion: the composer was not the only one to admit as much after he had completed the score. Recent events in the political arena make this plain to us all. But the improbability of achieving peace on earth makes it all the more important to repeat these words as often as possible. And this prompted Alan Gilbert to choose this Late Romantic work to open the Hamburg International Music Festival 2024. »War and Peace« is the motto this time, taken from Leo Tolstoy’s famous and timeless novel. The opening concert with the NDR Elbphilharmonie Orchestra sees the return to the Elbphilharmonie of star baritone Thomas Hampson to sing Kurt Weill’s »Walt Whitman Songs«, which he wrote in American exile in 1941, shortly after the attack on Pearl Harbor. Whitman – whom Weill regarded as the USA’s first original poetic talent – wrote the song texts, some defiant, some moving, during the American Civil War. The concert comes to an end with Charles Ives’s Fourth Symphony, described by Alan Gilbert as the »big bang of modern American music«. With this 1925 work, the great pioneer of musical collages made his boldest dreams come true: how many different tempos, keys and rhythms can be played at the same time without total chaos resulting? Ives’s exciting score supplies a spectacular answer to this question. Performing the symphony is a great challenge for any orchestra – so great that the composer never lived to hear the four-movement piece played in its entirety. Now Alan Gilbert and his musicians join forces with the Prague Philharmonic Choir in this musical adventure.
»Peace, peace on Earth!« Arnold Schönberg’s message in his choral work »Friede auf Erden« is unequivocal. But it’s also an illusion: the composer was not the only one to admit as much after he had completed the score. Recent events in the political arena make this plain to us all. But the improbability of achieving peace on earth makes it all the more important to repeat these words as often as possible. And this prompted Alan Gilbert to choose this Late Romantic work to open the Hamburg International Music Festival 2024. »War and Peace« is the motto this time, taken from Leo Tolstoy’s famous and timeless novel. The opening concert with the NDR Elbphilharmonie Orchestra sees the return to the Elbphilharmonie of star baritone Thomas Hampson to sing Kurt Weill’s »Walt Whitman Songs«, which he wrote in American exile in 1941, shortly after the attack on Pearl Harbor. Whitman – whom Weill regarded as the USA’s first original poetic talent – wrote the song texts, some defiant, some moving, during the American Civil War. The concert comes to an end with Charles Ives’s Fourth Symphony, described by Alan Gilbert as the »big bang of modern American music«. With this 1925 work, the great pioneer of musical collages made his boldest dreams come true: how many different tempos, keys and rhythms can be played at the same time without total chaos resulting? Ives’s exciting score supplies a spectacular answer to this question. Performing the symphony is a great challenge for any orchestra – so great that the composer never lived to hear the four-movement piece played in its entirety. Now Alan Gilbert and his musicians join forces with the Prague Philharmonic Choir in this musical adventure.