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George Enescu
composer
George Enescu
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Noa Wildschut / Elisabeth Brauß

Tue, Mar 25, 2025, 19:30
Elbphilharmonie, Kleiner Saal (Hamburg)
Noa Wildschut (Violin), Elisabeth Brauß (Piano)
With violinist Noa Wildschut and pianist Elisabeth Brauß, two of the best musicians of their generation return to the Elbphilharmonie. As the youngest scholarship holder of the Anne-Sophie Mutter Foundation, Noa Wildschut has already played with world-renowned orchestras, such as the Pittsburgh Symphony Orchestra and Cologne’s Gürzenich Orchester. And Elisabeth Brauß was on the keys as a former member of the BBC New Generation Artist Scheme with orchestras such as the Deutsche Kammerphilharmonie Bremen and the hr-Sinfonieorchester. They both know each other well and get together regularly for joint chamber music evenings despite their busy schedules. In 2020, you could experience them at the »Rising Stars« Festival at the Elbphilharmonie; now, they return to the Recital Hall in the Fast Lane series. With Clara Schumann’s Three Romances and Johannes Brahms’ Sonata in G major, they perform two of the most romantic pieces of all for violin and piano. After the sophisticated sounds of George Enescu’s Violin Sonata No. 3, they top off their programme with an entertaining showpiece by American pianist and composer Paul Schoenfield, which transforms the concert hall into a dancehall with a lively samba, a raunchy tango, a swinging Tin Pan Alley and an energetic square dance.
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Teatime Classics

Sat, Feb 8, 2025, 16:00
Laeiszhalle, Kleiner Saal (Hamburg)
Guido Sant’Anna (Violin), Martina Consonni (Piano)
Guido Sant’Anna »has charisma, stage presence and an astonishing maturity and depth in his playing,« wrote the Frankfurter Allgemeine Zeitung after the young Brazilian violinist had opened the Rheingau Music Festival in 2023 together with the hr-Sinfonieorchester. Be it large concert stages or prestigious competitions – at not even 20 years old, Guido Sant’Anna wins over audiences, the press and judges equally. With Martina Consonni, sponsored by star pianist Sir András Schiff, who celebrated her debut at the Elbphilharmonie in 2024, he presents a programme from Schubert to Ravel, which entertains both with breakneck virtuosity and expansive melody arcs – and even blues. Both Guido Sant’Anna and Martina Consonni study at the prestigious Kronberg Academy. Guido Sant’Anna was born in São Paulo, Brazil, in 2005. He achieved international recognition when he was the first South American violinist to win the prestigious International Fritz Kreisler Competition in 2022. A historic success had already preceded this triumph in Vienna in 2018 when he was the first Brazilian violinist to be invited to the International Yehudi Menuhin Competition in Geneva and won both the audience prize and the chamber music prize. In October 2022, he filled in for Christian Tetzlaff at the Deutsche Kammerphilharmonie Bremen in São Paulo for which he received rave reviews. Praised for her innate musicality and overwhelming sensitivity, combined with exceptional instrumental technique and brilliant sound, Martina Consonni has established herself as one of the most promising young pianists of her generation. Born in Como in 1997, she achieved two Masters degrees at the Pavia Conservatory and at the HMTM in Hanover. She also received a Masters degree in chamber music at the National Academy »Santa Cecilia« in Rome and an Artist Diploma at the Barenboim-Said Akademie in Berlin under Sir András Schiff. She has been selected to participate in several master classes where she encountered musicians of international standing, such as Daniel Barenboim, Kirill Gerstein, Steven Isserlis and Christoph Eschenbach.
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Oslo Philharmonic / Vilde Frang / Klaus Mäkelä

Sat, Nov 2, 2024, 20:00
Elbphilharmonie, Großer Saal (Hamburg)
Oslo Philharmonic, Vilde Frang (Violin), Klaus Mäkelä (Conductor)
Both Klaus Mäkelä and Vilde Frang launched their international careers with the Oslo Philharmonic. The charismatic Finn was appointed chief conductor of the orchestra at the age of 22 and violinist Frang performed as a soloist in her native Oslo at the early age of twelve. Now they join forces in Hamburg to play Igor Stravinsky’s lively violin concerto. This is followed after the interval by Tchaikovsky’s Fourth Symphony. The two pieces could not be more different. Stravinsky’s neoclassical concerto sparkles with humour and joy – it is often seen as a parody of the genre. Tchaikovsky’s Fourth Symphony, on the other hand, deals with life’s great topics. As in the Beethoven, fate descends on listeners with a powerful fanfare at the very beginning. Tchaikovsky did not deny the parallels with his great idol and his »Fate Symphony«: »Basically, my symphony is an imitation of Beethoven’s Fifth Symphony.«
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NDR Chamber Music Concert: String Trio

Tue, Apr 16, 2024, 19:30
Elbphilharmonie, Kleiner Saal (Hamburg)
Alina Petrescu (Violin), Laura Escanilla Rivera (Viola), Benedikt Loos (Cello)
Compared to the string quartet, the string trio is »missing« a violin. This combination of instruments is far rarer, but boasts just as long a tradition as the quartet. Trio Bardo presents three string trios that were composed in the early- to mid-twentieth century, juxtaposed with a famous trio by Ludwig van Beethoven. Gideon Klein wrote his String Trio under tragic circumstances in the Theresienstadt ghetto in September and October 1944. Just a few days later, the 25-year-old Jewish composer was transported to the extermination camp. Echoes of Stravinsky, Bartók and Moravian folk music are blended with Klein’s own powerful and ironic style. Beethoven’s String Trios Op. 9 come from his first creative period in Vienna, and he experiments here with a number of techniques that would later become his trademarks. Although the work is written as a trio, double stops in the viola part sometimes create the impression of a string quartet. Beethoven described the trios, understandably, as »his best compositions so far«. George Enescu composed the morning serenade »Aubade« in 1899. That was a breakthrough year in the Romanian-born composer and violin virtuoso’s career, taking him to music venues across Europe and as far afield as America. It wasn’t until much later that he enjoyed a comparable level of success as a composer. In the first half of the twentieth century, Ernst von Dohnányi – alongside Kodály and Bartók – was among the leading figures in Hungarian musical life. His Serenade in C Major was written in 1903 and plays with a variety of composition techniques and forms.