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Joseph Haydn's Symphony No. 44, known as "Trauer" (Mourning), is surprisingly lively and festive. Isata Kanneh-Mason performs Sergei Prokofiev's Piano Concerto No. 3, and Shiyeon Sung, a prominent South Korean conductor, leads Mussorgsky's Pictures at an Exhibition. The concert introduction begins 30 minutes prior in the Glocke's "Kleinen Saal".
Joseph Haydn's Symphony No. 44, known as "Trauer" (Mourning), is surprisingly lively and festive. Isata Kanneh-Mason performs Sergei Prokofiev's Piano Concerto No. 3, and Shiyeon Sung, a prominent South Korean conductor, leads Mussorgsky's Pictures at an Exhibition. The concert introduction begins 30 minutes prior in the Glocke's "Kleinen Saal".
The Austrian press praised cellist Jeremias Fliedl as a true poet and refined musician. He will perform Dvořák's Cello Concerto alongside Sibelius's Symphony No. 1 with the Bremen Philharmonic Orchestra, conducted by Emmanuel Tjeknavorian. Both composers significantly shaped their respective national music identities. The pre-concert talk starts 30 minutes before the concert.
The Austrian press praised cellist Jeremias Fliedl as a true poet and refined musician. He will perform Dvořák's Cello Concerto alongside Sibelius's Symphony No. 1 with the Bremen Philharmonic Orchestra, conducted by Emmanuel Tjeknavorian. Both composers significantly shaped their respective national music identities. The pre-concert talk starts 30 minutes before the concert.
The 8th Philharmonic Concert celebrates French composer Maurice Ravel's 150th birthday with his Piano Concerto in G major and the Boléro. Ravel's concerto is a virtuoso piece, while the Boléro evolves from a simple theme into an overwhelming sonic feast. The concert also features Schoenberg's Suite for "Pelléas et Mélisande," a work of overflowing expressivity. A pre-concert introduction starts 30 minutes prior in the Glocke's "Kleiner Saal."
The 8th Philharmonic Concert celebrates French composer Maurice Ravel's 150th birthday with his Piano Concerto in G major and the Boléro. Ravel's concerto is a virtuoso piece, while the Boléro evolves from a simple theme into an overwhelming sonic feast. The concert also features Schoenberg's Suite for "Pelléas et Mélisande," a work of overflowing expressivity. A pre-concert introduction starts 30 minutes prior in the Glocke's "Kleiner Saal."
The Bremen Philharmonic's anniversary season presents classical masterpieces, including Beethoven's 5th Piano Concerto and Shostakovich's 5th Symphony. Beethoven's concerto elevates the genre, while Shostakovich's marks a heroic return. Fanny Hensel's Overture in C Major offers a cheerful counterpoint. The concert introduction starts 30 minutes prior in the Glocke's "Kleinen Saal".
The Bremen Philharmonic's anniversary season presents classical masterpieces, including Beethoven's 5th Piano Concerto and Shostakovich's 5th Symphony. Beethoven's concerto elevates the genre, while Shostakovich's marks a heroic return. Fanny Hensel's Overture in C Major offers a cheerful counterpoint. The concert introduction starts 30 minutes prior in the Glocke's "Kleinen Saal".
Lera Auerbach, a prominent composer, pianist, and author, will have her piece, Adam's Lament, premiered at the 10th Philharmonic Concert. Award-winning trumpeter Selina Ott will debut with the Bremen Philharmonic, performing Weinberg's Trumpet Concerto. The concert concludes with Tchaikovsky's Symphony No. 5, also known as the Fate Symphony. A pre-concert introduction starts 30 minutes prior in the Glocke's "Kleinen Saal".
Lera Auerbach, a prominent composer, pianist, and author, will have her piece, Adam's Lament, premiered at the 10th Philharmonic Concert. Award-winning trumpeter Selina Ott will debut with the Bremen Philharmonic, performing Weinberg's Trumpet Concerto. The concert concludes with Tchaikovsky's Symphony No. 5, also known as the Fate Symphony. A pre-concert introduction starts 30 minutes prior in the Glocke's "Kleinen Saal".
Haydn's Symphony No. 83, nicknamed "La poule" (The Hen), features a "cackling" theme. Hindemith's viola concerto, nicknamed "Der Schwanendreher" (The Swan Turner), incorporates folk song themes. Bernd Alois Zimmermann's "Un petit rien" (A Little Nothing) is more than its name suggests. Stravinsky's "Le chant du rossignol" (The Song of the Nightingale) is based on his opera and Andersen's fairy tale. The concert, conducted by Elena Schwarz and featuring violist Tabea Zimmermann, includes a pre-concert talk.
Haydn's Symphony No. 83, nicknamed "La poule" (The Hen), features a "cackling" theme. Hindemith's viola concerto, nicknamed "Der Schwanendreher" (The Swan Turner), incorporates folk song themes. Bernd Alois Zimmermann's "Un petit rien" (A Little Nothing) is more than its name suggests. Stravinsky's "Le chant du rossignol" (The Song of the Nightingale) is based on his opera and Andersen's fairy tale. The concert, conducted by Elena Schwarz and featuring violist Tabea Zimmermann, includes a pre-concert talk.
Gustav Mahler's Symphony No. 8, known as the "Symphony of a Thousand," will be performed by the Bremer Philharmoniker for the first time at the season finale. Premiering in 1910 with over 1000 performers, this massive work set new standards. This performance celebrates the Philharmonic Society Bremen and Bremer Philharmoniker's 200th anniversary. It's a symphonic apotheosis, a modern hymn to joy, and a secular mass, characterized by E-flat major and a dense yet transparent structure.
Gustav Mahler's Symphony No. 8, known as the "Symphony of a Thousand," will be performed by the Bremer Philharmoniker for the first time at the season finale. Premiering in 1910 with over 1000 performers, this massive work set new standards. This performance celebrates the Philharmonic Society Bremen and Bremer Philharmoniker's 200th anniversary. It's a symphonic apotheosis, a modern hymn to joy, and a secular mass, characterized by E-flat major and a dense yet transparent structure.
Gustav Mahler's Symphony No. 8, known as the "Symphony of a Thousand," will be performed by the Bremer Philharmoniker for the first time at the season finale. Premiering in 1910 with over 1000 performers, this massive work set new standards. This performance celebrates the Philharmonic Society Bremen and Bremer Philharmoniker's 200th anniversary. It's a symphonic apotheosis, a modern hymn to joy, and a secular mass, characterized by E-flat major and a dense yet transparent structure.
