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Die Orchestergesellschaft

Sat, Mar 8, 2025, 15:00
Konzerthaus Berlin, Großer Saal (Berlin)
Konzerthausorchester Berlin, Publikum, Leonie Hentschel (Workshop-Leitung), Dorothee Kalbhenn (Concept), Dorothee Kalbhenn (Moderator)
Do you ever wonder during a symphony concert im Großen Saal how the Konzerthausorchester actually manages to play together so perfectly? What does a conductor and the individual musicians in the instrumental groups contribute? Successful orchestral playing, like successful coexistence in a democratic society, is based on listening to each other and creating polyphony together. In our workshop, you can literally experience this for yourself - even without any previous musical knowledge. First, the Konzerthausorchester and conductor will perform a symphonic piece. In a moderated discussion, the musicians and conductor Sarah Ioannides demonstrate the skills required to play together. Under the guidance of a music teacher and coaches from the orchestra, you will form a workshop orchestra and gradually work on important skills of ensemble playing in subgroups: passages of the piece will be broken down to its musical essence and precisely imitated using body percussion, gestures and simple conducting techniques. In the finale, the Konzerthaus orchestra and workshop participants sit opposite each other in orchestral formation and create the music together. The orchestra plays the original unaltered, while the workshop orchestra intervenes at the appropriate points with its imitations. Experience how important each individual is for the overall success and what it means to be part of the orchestra.
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Familienkonzert mit dem Konzerthausorchester

Sun, Sep 8, 2024, 15:00
Konzerthaus Berlin, Großer Saal (Berlin)
Konzerthausorchester Berlin, Joana Mallwitz (Conductor), Sheku Kanneh-Mason (Cello), Leonie Hentschel (Presenter)
Does the cello have so many fans because it is most similar to the human voice? At least that's what cellists like to say about their instrument, which became the new star in string heaven during the Romantic period. Since the Baroque era, the violin had been the undisputed queen, with the cello relegated to the continuo with the double bass. Antonín Dvořák also had to make friends with the cello, which was sometimes derided as a “sorrow box” due to its pronounced melancholic qualities. As a guest in the USA, he finally wrote a great dance-like concerto for the instrument, which became a favorite piece from his pen around the world, rich in melody and virtuoso. The family concert title “Hello Cello!” is a greeting with which we and our audience aged 8 and over welcome artist in residence Sheku Kanneh-Mason, his wonderful instrument and the Dvořák concert. And an exclamation of surprised admiration: Hello - what this cello can do!
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Expeditionskonzert mit Joana Mallwitz

Sun, Sep 22, 2024, 15:00
Konzerthaus Berlin, Großer Saal (Berlin)
Konzerthausorchester Berlin, Joana Mallwitz (Conductor)
‘The expedition concerts are all about the pure joy of listening. We approach the great masterpieces of classical music from different directions, listen to the details, combine background stories and anecdotes with musical discoveries and take the audience on this journey,’ says Joana Mallwitz, describing the format. She first shares her enthusiasm at the piano, then switches to conducting the Konzerthausorchester. The entire work is then performed together - in this case, Bela Bartók's brilliantly orchestrated Concerto for Orchestra from 1943, in whose five movements the composer combines Western musical tradition with Hungarian folk music.
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Konzerthausorchester Berlin, Iván Fischer

Sun, Oct 6, 2024, 16:00
Konzerthaus Berlin, Großer Saal (Berlin)
Konzerthausorchester Berlin, Iván Fischer (Conductor)
Of light and shadow: The 19-year-old Franz Schubert's third symphony in D major, which is cheerful and at times like a folk song, was written for a private circle in 1815 and probably premiered there, is followed by Anton Bruckner's tragic last work, his unfinished ninth in D minor. He worked on the finale of this symphony, which continues the weighty tradition of its eight predecessors, until his death in 1896. He fervently hoped to be able to finish the last movement and even spoke of it to his doctor. Because the apartment was sealed too late after his death, all kinds of authorized and unauthorized persons immediately pounced on the existing manuscript pages. Its creator, however, had finally realized that his strength and time would not be enough to complete it. He therefore decreed that his “Te Deum”, completed twelve years earlier, should be played instead of the fourth movement. However, the symphony is often simply performed unfinished. Incidentally, Iván Fischer and the Konzerthausorchester already played Bruckner's monumental Ninth in 2013.
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Konzerthausorchester Berlin, Stephanie Childress

Sun, Oct 20, 2024, 16:00
Konzerthaus Berlin, Großer Saal (Berlin)
Konzerthausorchester Berlin, Stephanie Childress (Conductor), Noa Wildschut (Violin)
A very British evening: Stephanie Childress, a young conductor from London, performs works by three of her fellow countrymen. For a five-movement work commissioned by the Rural School Music Association in 1950, Ralph Vaughan Williams took on a baroque concerto grosso in his very own musical language. This allowed him to divide the musicians taking part in the concerto - mostly beginners, some advanced players and only a few who had mastered their string instrument to a high standard - into the groups “concertino”, “ripiendo” and “ad lib”. The latter group only played on empty strings, which, according to the composer, could be omitted if necessary. The soloist in Britten's highly demanding Violin Concerto from 1939 is 23-year-old Dutch violinist Noa Wildschut, who our audience already celebrated in the Great Hall in 2016 and 2019. Edward Elgar's famous “Enigma Variations”, premiered in 1899, characterize thirteen people from his circle and ultimately himself. But their identity is not the original “Enigma”. According to the composer, the structure conceals a kind of musical riddle, about which various theories have been put forward to date.
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Konzerthausorchester Berlin, Iván Fischer

Sun, Nov 10, 2024, 16:00
Konzerthaus Berlin, Großer Saal (Berlin)
Konzerthausorchester Berlin, Iván Fischer (Conductor), Vocalconsort Berlin, Samuel Mariño (Soprano), Deniz Uzun (Mezzo-Soprano)
Mozart's “Magic Flute” is a masterpiece of the 18th century that reflects the moral concepts of the time with regard to the roles of men and women. Iván Fischer wants to confront parts of this favorite opera with 21st century values. He concentrates on well-known arias and scenes: Reversed gender roles of central characters invite an unexpected new listening experience as well as reflection. For example, a King of the Night, interpreted by the outstanding countertenor Samuel Mariño, appears as the antagonist of the powerful Sarastra, sung by Deniz Uzun. Iván Fischer also plays with the music itself, for example when he has the famous overture performed not only by the Konzerthausorchester but also by the Vocalconsort Berlin.
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Expeditionskonzert mit Joana Mallwitz

Sun, Dec 1, 2024, 15:00
Konzerthaus Berlin, Großer Saal (Berlin)
Konzerthausorchester Berlin, Joana Mallwitz (Conductor)
‘The expedition concerts are all about the pure joy of listening. We approach the great masterpieces of classical music from different directions, listen to the details, combine background stories and anecdotes with musical discoveries and take the audience on this journey,’ says Joana Mallwitz, describing the format. She first shares her enthusiasm at the piano, then switches to conducting the Konzerthausorchester. The entire work is then performed together - in this case Ludwig van Beethoven's Fifth Symphony from 1807/08, the first four notes of which are among the most famous beginnings of works in music history. Its universe, according to a popular interpretation, is the individual and his/her fate. This is why it unofficially bears the German nickname ‘Fate Symphony’, which was not given to it by Beethoven. The composer struggled with his early onset of deafness. He found the strength not to despair in composing and also wanted to uplift his fellow human beings in distress: ‘Anyone who knows my music cannot become completely despondent.’
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Konzerthausorchester Berlin, Thomanerchor Leipzig

Sun, Dec 8, 2024, 16:00
Konzerthaus Berlin, Großer Saal (Berlin)
Konzerthausorchester Berlin, Thomanerchor Leipzig, Andreas Reize (Conductor), Christina Germolus (Soprano), Marie Claude Chappuis (Alto), Patrick Grahl (Tenor), Peter Harvey (Bass)
What would the Advent season be without Johann Sebastian Bach's music, especially the Weihnachts-Oratorium (Christmas Oratorio) that all the musicians in Germany simply call ‘WO’? The Konzerthausorchester Berlin, the traditional boys' choir of the Leipzig Thomaner - founded in 1212 and thus one of the oldest choirs of all - and renowned soloists fill the Great Hall with the familiar sounds and festive atmosphere.
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Neujahrskonzert

Wed, Jan 1, 2025, 16:00
Konzerthaus Berlin, Großer Saal (Berlin)
Konzerthausorchester Berlin, Joana Mallwitz (Conductor), Nicolas Altstaedt (Cello)
Begin 2025 in a musical way with us in the Great Hall - with the Konzerthausorchester, our chief conductor Joana Mallwitz, cello soloist Nicoas Altstaedt and festive and cheerful orchestral pieces from Johann Strauss' rousing Fledermaus Overture to Antonín Dvořák's turbulent “Carnival” and Ottorino Respighi's tone poem “Roman Festivals”.