Keywords: Symphony Concert, Vocal Music
| Petr Popelka | Conductor |
| Hera Hyesang Park | Soprano |
| Barbara Rett | Presentation |
| Wiener Symphoniker |
| "Bella mia fiamma, addio - Resta, o cara", Scene for Soprano and Orchestra K. 528 | Wolfgang Amadeus Mozart |
| Symphony No. 38 in D major KV 504 "Prague" | Wolfgang Amadeus Mozart |
| Symphony No. 4 in G major | Gustav Mahler |
These events are similar in terms of concept, place, musicians or the program.
Three choirs, eight starry singers and one of the largest orchestras ever put on stage: there’s a reason why Mahler’s Eighth is often called the ‘Symphony of a Thousand’. The form of the piece, setting the candescent medieval poem Veni Creator Spiritus alongside the lyrical last scene of Goethe’s Faust is in itself radical and mysterious.At the core of the piece is a vast choir who seem to represent the whole human race in a passionate prayer for change but Mahler imagined they stood for something even greater: ‘Try to imagine the whole universe beginning to ring and resound,’ he challenged.‘There are no longer human voices, but planets and suns revolving.’ Exaggeration? Judge for yourself. Mahler’s Eighth Symphony is quite simply one of the most overwhelming experiences that music has to offer.This concert has been specially developed with the Southbank Centre, with further details to be announced. It is commissioned and produced by the Southbank Centre and London Philharmonic Orchestra
Pavel Haas (1899–1944) and Gustav Mahler (1860–1911) emerged from similar roots in the Bohemia that is now Czechia: Haas from Brno and Mahler from Kaliste, 120 kilometers away. Both were Jewish, but Haas hailed from a Moravian-Jewish family and Mahler from an Austrian-Jewish one.Pavel Haas was deported during World War II to the Theresienstadt concentration camp, later to be murdered in Auschwitz. His only symphony remained unfinished. It wasn't until half a century later that the remaining material was orchestrated, and the work premiered in 1998. Haas' creative output is characterized by Bohemian and Jewish influences, with elements of folk music and jazz. The symphony is a remarkable, staggering piece.If darkness pervades Haas' symphony, Mahler's fourth symphony is brighter, lyrical, and playful. It's been dubbed "sky blue" at times, and the fourth movement features a soprano solo: "Wir geniessen die himmlischen Freuden," "We enjoy the heavenly pleasures."The soloist is our latest soprano star in the international music scene, Christina Nilsson. Conducting this captivating program with the Royal Stockholm Philharmonic Orchestra is the American conductor Joshua Weilerstein, noted for his championing of rare works.
Pavel Haas (1899–1944) and Gustav Mahler (1860–1911) emerged from similar roots in the Bohemia that is now Czechia: Haas from Brno and Mahler from Kaliste, 120 kilometers away. Both were Jewish, but Haas hailed from a Moravian-Jewish family and Mahler from an Austrian-Jewish one.Pavel Haas was deported during World War II to the Theresienstadt concentration camp, later to be murdered in Auschwitz. His only symphony remained unfinished. It wasn't until half a century later that the remaining material was orchestrated, and the work premiered in 1998. Haas' creative output is characterized by Bohemian and Jewish influences, with elements of folk music and jazz. The symphony is a remarkable, staggering piece.If darkness pervades Haas' symphony, Mahler's fourth symphony is brighter, lyrical, and playful. It's been dubbed "sky blue" at times, and the fourth movement features a soprano solo: "Wir geniessen die himmlischen Freuden," "We enjoy the heavenly pleasures."The soloist is our latest soprano star in the international music scene, Christina Nilsson. Conducting this captivating program with the Royal Stockholm Philharmonic Orchestra is the American conductor Joshua Weilerstein, noted for his championing of rare works.
The concert begins with Demon by the British-American composer Freya Waley-Cohen (born 1989) – a co-commissioned work by the Royal Stockholm Philharmonic Orchestra premiered in 2023 by the City of Birmingham Symphony Orchestra. She found inspiration in old folk tales from the British Isles, chilling stories where a demon can manifest anywhere - here as both menacing and playful orchestral music.Menacing indeed. Mahler's heartbreaking Kindertotenlieder – Songs on the Death of Children – has tragic points of connection with Mahler's own life, and the composition would also come to seem like a premonition: a few years later, Mahler's eldest daughter Maria died. The poems by Friedrich Rückert that Mahler chose deal with the parents' grieving process and the slow reconciliation with a painful reality. The world-renowned Nina Stemme is the soloist in this poignant music.Royal Stockholm Philharmonic Orchestra's chief conductor Ryan Bancroft leads the orchestra in this program, which concludes with Carl Nielsen. Nielsen's Fourth Symphony is subtitled "Det uudslukkelige" (The Inextinguishable). It's dramatic music written in the midst of the First World War, famous in part for its duel between two timpanists.Read more about chief conductor Ryan Bancroft
The concert begins with Demon by the British-American composer Freya Waley-Cohen (born 1989) – a co-commissioned work by the Royal Stockholm Philharmonic Orchestra premiered in 2023 by the City of Birmingham Symphony Orchestra. She found inspiration in old folk tales from the British Isles, chilling stories where a demon can manifest anywhere - here as both menacing and playful orchestral music.Menacing indeed. Mahler's heartbreaking Kindertotenlieder – Songs on the Death of Children – has tragic points of connection with Mahler's own life, and the composition would also come to seem like a premonition: a few years later, Mahler's eldest daughter Maria died. The poems by Friedrich Rückert that Mahler chose deal with the parents' grieving process and the slow reconciliation with a painful reality. The world-renowned Nina Stemme is the soloist in this poignant music.Royal Stockholm Philharmonic Orchestra's chief conductor Ryan Bancroft leads the orchestra in this program, which concludes with Carl Nielsen. Nielsen's Fourth Symphony is subtitled "Det uudslukkelige" (The Inextinguishable). It's dramatic music written in the midst of the First World War, famous in part for its duel between two timpanists.Read more about chief conductor Ryan Bancroft
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