Goodnight, Vienna: Sir Mark Elder conducts Mahler’s Das Lied von der Erde, as the BBC Symphony Orchestra brings its season to an unforgettable close.
Keywords: Symphony Concert, Vocal Music, Young Musicians
| BBC Symphony Orchestra | |
| Sir Mark Elder | Conductor |
| Alice Coote | Mezzo-Soprano |
| David Butt Philip | Tenor |
| Chamber Symphony | Franz Schreker |
| Das Lied von der Erde (The Song of the Earth) | Gustav Mahler |
These events are similar in terms of concept, place, musicians or the program.
Throughout the 60-year span of his collaboration with the Berliner Philharmoniker, Daniel Barenboim has never conducted the music of Gustav Mahler. Until now. Two late works can be heard, beginning with the expressive Adagio from the unfinished Tenth Symphony. Painful melancholy prevails here, as it does in Das Lied von der Erde (Songs of the Earth), which looks back on the lost beauty of life. Formally located between a song cycle and a symphony, this work was, according to Mahler, “probably the most personal thing I have done so far”.
Throughout the 60-year span of his collaboration with the Berliner Philharmoniker, Daniel Barenboim has never conducted the music of Gustav Mahler. Until now. Two late works can be heard, beginning with the expressive Adagio from the unfinished Tenth Symphony. Painful melancholy prevails here, as it does in Das Lied von der Erde (Songs of the Earth), which looks back on the lost beauty of life. Formally located between a song cycle and a symphony, this work was, according to Mahler, “probably the most personal thing I have done so far”.
Throughout the 60-year span of his collaboration with the Berliner Philharmoniker, Daniel Barenboim has never conducted the music of Gustav Mahler. Until now. Two late works can be heard, beginning with the expressive Adagio from the unfinished Tenth Symphony. Painful melancholy prevails here, as it does in Das Lied von der Erde (Songs of the Earth), which looks back on the lost beauty of life. Formally located between a song cycle and a symphony, this work was, according to Mahler, “probably the most personal thing I have done so far”.
For sheer sonic splendour, it’s hard to top Janáček’s Sinfonietta – but when Dalia Stasevska and Jean-Efflam Bavouzet perform Bartók and Ravel with the BBC SO, they’ll give it their best shot.
Sakari Oramo conducts Mahler’s playful Fourth Symphony – and plays the violin too, as Kurt Weill retells the myth of Orpheus in his own, utterly original style.
Under conductor Ingo Metzmacher, the Gustav Mahler Jugendorchester combines microtonal orchestral music with cosmic late Romanticism – and, in Anton Bruckner, Richard Wagner and Luigi Nono, three of the most headstrong characters in musical history.
England’s dreaming: Sakari Oramo rediscovers rare and wonderful British masterpieces by Vaughan Williams, Doreen Carwithen and Malcolm Arnold.
»You sometimes need to go against the grain a bit in the music business,« says conductor Ingo Metzmacher. With Beethoven, Shostakovich and Schönberg, he includes three composers on the programme who did just that and wrote music that is still moving and inspiring today. And perhaps this is also an important message to the highly talented youngsters in the Gustav Mahler Jugendorchester, who bring the three revolutionaries to the stage in a young, fresh and certainly a little rebellious way.
Only members of Concertvrienden can visit this rehearsal. More information on Concertvrienden.When Gustav Mahler came to Amsterdam to conduct the Dutch premiere of his First Symphony in 1903, a close collaboration started – so began the Concertgebouw Orchestra’s much-vaunted Mahler tradition. Klaus Mäkelä steps into that tradition with respect and self-confidence. He previously gave stunning interpretations of the Sixth and the Third, now it is time for the First, which he calls Mahler's 'pastoral’ symphony: ‘I’ve always been attracted to its imaginative beauty, and its freshness. The expression is extremely clear, and it contains all the elements of his later work.’Klaus Mäkelä opens the concert with Verklärte Nacht by Mahler's contemporary Arnold Schoenberg, who was born 150 years ago in Vienna. The late-romantic work is based on a poem by Richard Dehmel about a woman who confesses to her loved one that she is carrying someone else’s child. The music closely follows the conversation and draws the listener into an intimate emotional journey leading from fear and guilt to pure happiness.
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