The spectacular and unabashedly extravagant form of choreographic expression known as waacking—a cousin of voguing—is here on full display, in all its facets, with a prolonged intensive disco-funk battle interspersed with shows and jam sessions.
Keywords: Early Music, Show
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These events are similar in terms of concept, place, musicians or the program.
After their acclaimed collaboration on Lassus’s Lagrime di San Pietro, performed at the Philharmonie de Paris in 2019, Peter Sellars, Grant Gershon and the Los Angeles Master Chorale reunite for Schütz’s Musikalische Exequien.
Combining electro and hip-hop, dance duo Mazelfreten draws deeply from their personal life to create a new piece of remarkable corporal sensitivity, the palpitating force of which is further heightened by the intrepid rhythms of drummer Tiss Rodriguez.
This inspired collaboration between dancer Germain Zambi and double bassist Florentin Ginot crafts a surprising blend of early popular music and krumping—the intense, energetic dance style born in Los Angeles in the 2000s.
Around Gesualdo’s Répons, a joint show by Paul Agnew with Les Arts Florissants and choreographer Amala Dianor, who with his company deploys a virtuoso dance style blending forms and techniques.
Around Gesualdo’s Répons, a joint show by Paul Agnew with Les Arts Florissants and choreographer Amala Dianor, who with his company deploys a virtuoso dance style blending forms and techniques.
In Plenum / Anima, a performance celebrating connection, on- and off-stage partners Olivier Latry and Shin-Young Lee take turns and share duets at the Philharmonie de Paris organ, while Idio Chichava, Benjamin Millepied, and Jobel Medina interpret their music through danse.
In Plenum / Anima, a performance celebrating connection, on- and off-stage partners Olivier Latry and Shin-Young Lee take turns and share duets at the Philharmonie de Paris organ, while Idio Chichava, Benjamin Millepied, and Jobel Medina interpret their music through danse.
In Plenum / Anima, a performance celebrating connection, on- and off-stage partners Olivier Latry and Shin-Young Lee take turns and share duets at the Philharmonie de Paris organ, while Idio Chichava, Benjamin Millepied, and Jobel Medina interpret their music through danse.
With En Masse, its show featuring ten acrobats and three musicians, the innovative Australian company Circa has crafted a stunning stage creation about human relationships, musically structured around pieces by Schubert and Stravinsky.
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