Explore Show concerts by keywords associated with it.
These Show concerts became visible lately at ConcertPulse.
Nothing found for now.
Show concerts in season 2024/25 or later
The legendary ensemble from the Luxor region, Les Musiciens du Nil, offer a sumptuous concert-show that recreates the ambiance of an evening in a village of Upper Egypt, like that where Umm Kulthum was born.
South African choreographer Robyn Orlin and French singer Camille, two of the most intrepid and unclassifiable female figures on today’s music scene, here tackle the burning issue of water in a hybrid and unbridled stage creation.
South African choreographer Robyn Orlin and French singer Camille, two of the most intrepid and unclassifiable female figures on today’s music scene, here tackle the burning issue of water in a hybrid and unbridled stage creation.
South African choreographer Robyn Orlin and French singer Camille, two of the most intrepid and unclassifiable female figures on today’s music scene, here tackle the burning issue of water in a hybrid and unbridled stage creation.
In Plenum / Anima, a performance celebrating connection, on- and off-stage partners Olivier Latry and Shin-Young Lee take turns and share duets at the Philharmonie de Paris organ, while Idio Chichava, Benjamin Millepied, and Jobel Medina interpret their music through danse.
South African choreographer Robyn Orlin and French singer Camille, two of the most intrepid and unclassifiable female figures on today’s music scene, here tackle the burning issue of water in a hybrid and unbridled stage creation.
In Plenum / Anima, a performance celebrating connection, on- and off-stage partners Olivier Latry and Shin-Young Lee take turns and share duets at the Philharmonie de Paris organ, while Idio Chichava, Benjamin Millepied, and Jobel Medina interpret their music through danse.
South African choreographer Robyn Orlin and French singer Camille, two of the most intrepid and unclassifiable female figures on today’s music scene, here tackle the burning issue of water in a hybrid and unbridled stage creation.
In Plenum / Anima, a performance celebrating connection, on- and off-stage partners Olivier Latry and Shin-Young Lee take turns and share duets at the Philharmonie de Paris organ, while Idio Chichava, Benjamin Millepied, and Jobel Medina interpret their music through danse.
The spectacular and unabashedly extravagant form of choreographic expression known as waacking—a cousin of voguing—is here on full display, in all its facets, with a prolonged intensive disco-funk battle interspersed with shows and jam sessions.
From Ravel’s Bolero and its heady rhythms, choreographer Olivier Dubois fashions a spellbinding electro reading of the piece, interpreted by amateur dancers.
Combining electro and hip-hop, dance duo Mazelfreten draws deeply from their personal life to create a new piece of remarkable corporal sensitivity, the palpitating force of which is further heightened by the intrepid rhythms of drummer Tiss Rodriguez.
This inspired collaboration between dancer Germain Zambi and double bassist Florentin Ginot crafts a surprising blend of early popular music and krumping—the intense, energetic dance style born in Los Angeles in the 2000s.
With her piece dedicated to krumping—the intense dance style that emerged in the 2000s—choreographer Nach is joined by surprising guests, both soloists from the Ensemble Intercontemporain: clarinettist Martin Adamek and cellist Éric-Maria Couturier.
Benjamin Millepied and his company L.A. Dance Project combine the classicism of ballet with contemporary dance to celebrate a “ritual” with the orchestra based on three seminal scores of musical modernity. Benjamin Millepied's choreography for Rituel is commissioned by Orchestre de Paris - Philharmonie, Los Angeles Philharmonic and New York Philharmonic.
Benjamin Millepied and his company L.A. Dance Project combine the classicism of ballet with contemporary dance to celebrate a “ritual” with the orchestra based on three seminal scores of musical modernity. Benjamin Millepied's choreography for Rituel is commissioned by Orchestre de Paris - Philharmonie, Los Angeles Philharmonic and New York Philharmonic.
Performed here for the first time in France, the musical Gypsy—based on the memoirs of Gypsy Lee Rose—is presented in a version created by one of the great masters in musical and opera staging, Laurent Pelly.
Performed here for the first time in France, the musical Gypsy—based on the memoirs of Gypsy Lee Rose—is presented in a version created by one of the great masters in musical and opera staging, Laurent Pelly.
Performed here for the first time in France, the musical Gypsy—based on the memoirs of Gypsy Lee Rose—is presented in a version created by one of the great masters in musical and opera staging, Laurent Pelly.
Performed here for the first time in France, the musical Gypsy—based on the memoirs of Gypsy Lee Rose—is presented in a version created by one of the great masters in musical and opera staging, Laurent Pelly.
With Carnacion, Spanish dancer and choreographer Rocío Molina, an icon of contemporary flamenco, delivers a fiery variation on desire—the flames fanned as much by the dancing as by the music, led by master singer Niño de Elche.
Around Gesualdo’s Répons, a joint show by Paul Agnew with Les Arts Florissants and choreographer Amala Dianor, who with his company deploys a virtuoso dance style blending forms and techniques.
With Carnacion, Spanish dancer and choreographer Rocío Molina, an icon of contemporary flamenco, delivers a fiery variation on desire—the flames fanned as much by the dancing as by the music, led by master singer Niño de Elche.
Around Gesualdo’s Répons, a joint show by Paul Agnew with Les Arts Florissants and choreographer Amala Dianor, who with his company deploys a virtuoso dance style blending forms and techniques.
With Carnacion, Spanish dancer and choreographer Rocío Molina, an icon of contemporary flamenco, delivers a fiery variation on desire—the flames fanned as much by the dancing as by the music, led by master singer Niño de Elche.
With Carnacion, Spanish dancer and choreographer Rocío Molina, an icon of contemporary flamenco, delivers a fiery variation on desire—the flames fanned as much by the dancing as by the music, led by master singer Niño de Elche.
Oscillating freely between circus, dance and theatre, François Chat practices the art of juggling like a true magician. With Métamorphoses, he creates a series of captivating moving tableaux on stage, based on solo piano pieces by Philip Glass.
With En Masse, its show featuring ten acrobats and three musicians, the innovative Australian company Circa has crafted a stunning stage creation about human relationships, musically structured around pieces by Schubert and Stravinsky.
ConcertPulse
