Viola d’amore

Viola

Watch this space | Viola, Viola

Spotlight on the viola(s)! The composer and viola player Klaus-Peter Werani has assembled an all-viola programme with his BRSO colleagues Tobias Reifland, Anja Kreynacke, Giovanni Menna and German Tcakulov. It consists entirely of works from the modern era to the present day, all devoted to the deep and rich tone of the viola in combinations ranging from duo to string quintet. Founded during the covid pandemic, Watch This Space has evolved into a chamber music series that focuses not only on the new performance arena in Munich’s Werksviertel-Mitte district, but also on rarely heard works in smaller formats.

Echo Rising Stars with viola

The French-Dutch violist Sào Soulez Larivière is trained at the Hanns Eisler School of Music in Berlin, where he now resides. He has received numerous awards for his brilliant playing and is also praised for his exciting programs. Since 2023, Sào Soulez Larivière has been teaching at the Mozarteum in Salzburg.Together with pianist Annika Treutler, Sào Soulez Larivière released his first album, Impressions, in 2021. Now they begin the concert with Robert Schumann's enchanting Märchenbilder (Fairy Tales) for viola and piano and conclude with Shostakovich's Sonata for Viola and Piano, his very last composition. In between, a newly written piece by American composer Julia Wolfe, who was once involved in founding the almost cult-favorite music collective Bang on a Can.Rising Stars is a unique and forward-looking collaboration between 24 of Europe’s leading concert halls, all members of the European Concert Hall Organisation (ECHO). A handful of young musicians and ensembles from various countries are selected each year and given the opportunity to tour the concert halls and perform before international audiences. Experience shows that those who are selected as Rising Stars also have internationally successful careers.

Twinkle Concert XS / Elfi Baby Concert

Parents with babies up to one year old and expectant mothers can make themselves comfortable on round baby blankets, and listen to the string sounds of Ensemble Resonanz. Familiar melodies invite the audience to sing along. Pram parking spaces and baby changing units are available both in the city districts and in the Elbphilharmonie. »Twinkle Concerts« is the series of children’s concerts at the Elbphilharmonie that brings the most successful productions from all over Europe to Hamburg. At times funny and playful, at others thoughtful and reflective, the series introduces children to the world of music in a special and unique way.

Twinkle Concert XS / Elfi Baby Concert

Parents with babies up to one year old and expectant mothers can make themselves comfortable on round baby blankets, and listen to the string sounds of Ensemble Resonanz. Familiar melodies invite the audience to sing along. Pram parking spaces and baby changing units are available both in the city districts and in the Elbphilharmonie. »Twinkle Concerts« is the series of children’s concerts at the Elbphilharmonie that brings the most successful productions from all over Europe to Hamburg. At times funny and playful, at others thoughtful and reflective, the series introduces children to the world of music in a special and unique way.

Twinkle Concert XS / Elfi Baby Concert

Parents with babies up to one year old and expectant mothers can make themselves comfortable on round baby blankets, and listen to the string sounds of Ensemble Resonanz. Familiar melodies invite the audience to sing along. Pram parking spaces and baby changing units are available both in the city districts and in the Elbphilharmonie. »Twinkle Concerts« is the series of children’s concerts at the Elbphilharmonie that brings the most successful productions from all over Europe to Hamburg. At times funny and playful, at others thoughtful and reflective, the series introduces children to the world of music in a special and unique way.

Twinkle Concert XS / Elfi Baby Concert

Parents with babies up to one year old and expectant mothers can make themselves comfortable on round baby blankets, and listen to the string sounds of Ensemble Resonanz. Familiar melodies invite the audience to sing along. Pram parking spaces and baby changing units are available both in the city districts and in the Elbphilharmonie. »Twinkle Concerts« is the series of children’s concerts at the Elbphilharmonie that brings the most successful productions from all over Europe to Hamburg. At times funny and playful, at others thoughtful and reflective, the series introduces children to the world of music in a special and unique way.

Monteverdi: Vespro della Beata Vergine

It takes some confidence to dedicate a sacred work personally to the Pope. But Claudio Monteverdi was keen to reach as large an audience as possible when he published his »Vespro della Beata Vergine« in 1610. With the work, he sought to express all the facets of his compositional prowess, and the »Vespers for the Blessed Virgin« remains one of the greatest works of sacred music to this day. In 13 movements, Monteverdi demonstrates his mastery and his ability to integrate all the contrasting stylistic influences of his time into one diverse whole. The six-strong Flemish instrumental ensemble Les Cornets Noirs specialises in the music of Monteverdi’s time. Together with the singers of the Delectus Cantionum ensemble, they present a historically informed and musically expressive performance of this legendary work.

Ensemble Resonanz / Ilya Gringolts / Riccardo Minasi

In his twelve famous Concerti grossi, Arcangelo Corelli translated the coexistence and interweaving of single parts and the whole into Baroque orchestral music that was to become highly influential. Ilya Gringolts counters this with capricious poses on the solo violin, celebrating the birth of virtuosity. Ensemble pieces encounter islands of calculated walks along the dividing line between the collective and the individual. Arcangelo Corelli marked the pinnacle of the Baroque concerto grosso. His instrumental music travelled beyond Italy to influence composers all over Europe, in both his own and succeeding generations. If we listen to the dialogue structure of Corelli’s Concerti grossi, where a group of soloists is juxtaposed with the supporting sound of the whole orchestra, it is clear why the Baroque is referred to as the era of the concertante style. However, this was soon to become a thing of the past in the 18th century, as the soloist moved more and more into the limelight. The individual began to outstrip the collective. Capricious – a word denoting something or someone whimsical, unconventional, even bizarre… The Caprices for Solo Violin written by Pietro Locatelli, Giuseppe Tartini, Niccolò Paganini and Salvatore Sciarrino are dominated by virtuoso elements that express the soloist’s individuality.

Ensemble Resonanz / Ilya Gringolts / Riccardo Minasi

In his twelve famous Concerti grossi, Arcangelo Corelli translated the coexistence and interweaving of single parts and the whole into Baroque orchestral music that was to become highly influential. Ilya Gringolts counters this with capricious poses on the solo violin, celebrating the birth of virtuosity. Ensemble pieces encounter islands of calculated walks along the dividing line between the collective and the individual. Arcangelo Corelli marked the pinnacle of the Baroque concerto grosso. His instrumental music travelled beyond Italy to influence composers all over Europe, in both his own and succeeding generations. If we listen to the dialogue structure of Corelli’s Concerti grossi, where a group of soloists is juxtaposed with the supporting sound of the whole orchestra, it is clear why the Baroque is referred to as the era of the concertante style. However, this was soon to become a thing of the past in the 18th century, as the soloist moved more and more into the limelight. The individual began to outstrip the collective. Capricious – a word denoting something or someone whimsical, unconventional, even bizarre… The Caprices for Solo Violin written by Pietro Locatelli, Giuseppe Tartini, Niccolò Paganini and Salvatore Sciarrino are dominated by virtuoso elements that express the soloist’s individuality.