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Vater und Sohn

Date & Time
Mon, Feb 2, 2026, 20:00
Erfolgreiche Vater-Sohn-Beziehungen gibt es in der Musikgeschichte einige. Man denke nur an die Bach-Dynastie. Im Fall der Mozarts hingegen verlief alles anders. So litt Franz Xaver, der fünf Monate vor dem Tod von Wolfgang Amadeus geboren wurde, sein Leben lang an einem Vaterkomplex. Trotzdem ist sein schmales Schaffen unbedingt hörenswert, wie das Freiburger Barockorchester mit Kristian Bezuidenhout zeigt. Die Gesangspartien übernimmt das berühmte Vater-Sohn-Duo Christoph und Julian Prégardien.Im Wechsel sind Vokal- und Instrumentalwerke der Mozarts zu hören. Der für seine... Read full text

Keywords: Vocal Music

Info & Ticket (www.koelner-philharmonie.de)
Artistic depiction of the event

Musicians

Christoph PrégardienTenor
Julian PrégardienTenor
Freiburger BarockorchesterEnsemble
Kristian BezuidenhoutPianoforte, Director

Program

Vater und Sohn
Franz Xaver MozartAllegro maestoso aus: Konzert für Klavier und Orchester Nr. 1 C-Dur op. 14
Wolfgang Amadeus Mozart"Vedrommi intorno". Arie des Idomeneo, 1. Akt aus: Idomeneo KV 366 Dramma per musica in drei Akten. Libretto von Giambatista Varesco
Wolfgang Amadeus Mozart»Cieli! che veggo?« Rezitativ Idomeneo, Idamante aus: Idomeneo KV 366 Dramma per musica in drei Akten. Libretto von Giambatista Varesco
Wolfgang Amadeus Mozart»Il padre adorato« Arie Idamante aus: Idomeneo KV 366 Dramma per musica in drei Akten. Libretto von Giambatista Varesco
Franz Xaver MozartAdagio aus: Konzert für Klavier und Orchester Nr. 1 C-Dur op. 14
Wolfgang Amadeus MozartAbendempfindung an Laura KV 523 für Singstimme und Klavier. Textdichter unbekannt
Wolfgang Amadeus Mozart»Padre mio caro padre« Akt III, Rezitaiv Idamante, Idomeneo aus: Idomeneo KV 366 Dramma per musica in drei Akten. Libretto von Giambatista Varesco
Wolfgang Amadeus Mozart»No, la mort io non pavento e« Arie Idamante aus: Idomeneo KV 366 Dramma per musica in drei Akten. Libretto von Giambatista Varesco
Wolfgang Amadeus Mozart»Ma che piu tardi« Rezitativ Idamante, Idomeneo aus: Idomeneo KV 366 Dramma per musica in drei Akten. Libretto von Giambatista Varesco
Franz Xaver MozartDas Klavier FXWM IIIb:13 Text von Friedrich Wilhelm Zachariä aus: Acht deutsche Lieder op. 5
Franz Xaver MozartRondo. Allegretto aus: Konzert für Klavier und Orchester Nr. 1 C-Dur op. 14
Wolfgang Amadeus MozartSerenade G-Dur (»Eine kleine Nachtmusik«) KV 525 für zwei Violinen, Viola, Violoncello und Kontrabass
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Last update: Sat, Mar 29, 2025, 18:05

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Artistic depiction of the event
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“WELCOME TO US! GREET US!” - HOW ART AND WE OURSELVES COULD FIND A ROLE IN OUR CRISIS-RIDDEN WORLD The Peri - an angelic mythical creature. Fallen from paradise and thrown into the world, she is denied a return to heaven. It takes three attempts before the gates open for her again: It takes more than the drop of blood of a young man, martyred in war, and the last sigh of a girl who died because she did not want to leave her lover, who was sick with the plague, alone. Only the last gift, the tear of an old man who bitterly regrets his own life's sins at the sight of a child, will enable Peri to enter the kingdom of heaven. Robert Schumann's secular oratorio Paradise and the Peri is based on the oriental epic poem by the Irish poet Thomas Moore. In Hamburg, the Persian myth narrative becomes a panopticon of the very recent past. The narrative thread of our present day strings together global crises like pearls on a necklace: pandemic, war, climate change. The world is under threat. Art, which often tells of moments of redemption, cannot save us, but it does bring with it the possibility of insight. And empathy. Paradise and the Peri opens the artistic direction of Tobias Kratzer, who welcomes the Hamburg audience with this great choral work: “Welcome to us!” The evening is not an opera, but it reflects what musical theater can be. And where it reaches its limits. Musical direction: Omer Meir Wellber, Felix Hornbachner (17.10.) Production: Tobias Kratzer Stage and costumes: Rainer Sellmaier Video: Manuel Braun Lighting: Michael Bauer Choir: Alice Meregaglia Dramaturgy: Christopher Warmuth Secular oratorio in three parts (1843) Libretto: Emil Flechsig, after the poem Lalla Rookh by Thomas Moore
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