Set your preferred locations for a better search. You can sign up here.

Symphoniker Hamburg / Sylvain Cambreling

Date & Time
Mon, Jan 20, 2025, 20:00
Claude Debussy's "Prélude à l'après-midi d'un faune" is his most popular and first significant symphonic work. Its innovative form and synthesis of nature and fantasy make it a key work of its era. Based on a poem by Stéphane Mallarmé, it depicts a faun awakening and recalling a flirtation with two nymphs. Debussy also composed "La Mer," evocative symphonic sketches inspired by the sea, reflecting his love for it and perhaps alluding to deeper metaphorical meanings of flowing and time.

A summary from original text in German | Read the original

Keywords: Symphony Concert

Artistic depiction of the event

Musicians

Symphoniker Hamburg
Sylvain CambrelingConductor

Program

Prélude à l’après-midi d’un fauneClaude Debussy
La mer / Three Symphonic SketchesClaude Debussy
Symphony No. 8 in G major, Op. 88Antonín Dvořák
Give feedback
Last update: Fri, Nov 15, 2024, 21:47

Similar events

These events are similar in terms of concept, place, musicians or the program.

Artistic depiction of the event

Symphoniker Hamburg / Sylvain Cambreling

Thu, May 16, 2024, 19:30
Laeiszhalle, Großer Saal (Hamburg)
Symphoniker Hamburg, Sylvain Cambreling (Conductor)
Kurt Weill composed his Second Symphony in exile in France and the USA, having fled the National Socialists in Germany. In terms of style, he drew inspiration from the great German-speaking composers of the past, which is often interpreted as melancholic retrospection. Around 100 years earlier, a 20-year-old Felix Mendelssohn visited the ruins of an abbey in Edinburgh and wrote to his parents about the experience: »Everything around is broken and mouldering and the bright sky shines in. I believe I have found the beginning of my Scottish symphony.« After this formative journey, almost 13 years would pass in which the musical memories of the country and its people matured into one of Mendelssohn’s most important symphonic works, his Symphony No. 3 in A minor.
Artistic depiction of the event

Symphoniker Hamburg / Sylvain Cambreling

Sun, Jun 16, 2024, 19:00
Laeiszhalle, Großer Saal (Hamburg)
Symphoniker Hamburg, David Kadouch (Piano), Nathalie Forget (Ondes Martenot), Sylvain Cambreling (Conductor)
Tumultuous, iridescent and mystical: the French composer Olivier Messiaen pulls out all the stops in his Turangalîla Symphony. Inspired by the Tristan legend, Messiaen’s work explores and expresses love and passion in all their facets. The title of this unique sound cosmos, Turangalîla, comes from Sanskrit and means »all at the same time, song of love, hymn to joy, time, movement, rhythm, life and death« (Messiaen). In addition to a huge orchestra and piano obligato (a very challenging part!), the full-length work requires a solo ondes Martenot, an electronic keyboard instrument with a sound similar to the human voice. A passionate and moving evening with music that, according to its creator, »knows delicateness and vehemence, love and impetuousness; (…) music of stained glass church windows, a whirl of complementary colours, a theological rainbow«.
Artistic depiction of the event

Symphoniker Hamburg / Sylvain Cambreling

Mon, Jun 17, 2024, 20:00
Elbphilharmonie, Großer Saal (Hamburg)
Symphoniker Hamburg, David Kadouch (Piano), Nathalie Forget (Ondes Martenot), Sylvain Cambreling (Conductor)
Tumultuous, iridescent and mystical: the French composer Olivier Messiaen pulls out all the stops in his Turangalîla Symphony. Inspired by the Tristan legend, Messiaen’s work explores and expresses love and passion in all their facets. The title of this unique sound cosmos, Turangalîla, comes from Sanskrit and means »all at the same time, song of love, hymn to joy, time, movement, rhythm, life and death« (Messiaen). In addition to a huge orchestra and piano obligato (a very challenging part!), the full-length work requires a solo ondes Martenot, an electronic keyboard instrument with a sound similar to the human voice. A passionate and moving evening with music that, according to its creator, »knows delicateness and vehemence, love and impetuousness; (…) music of stained glass church windows, a whirl of complementary colours, a theological rainbow«.
Artistic depiction of the event

Symphoniker Hamburg / Sylvain Cambreling

Sun, Mar 30, 2025, 11:00
Laeiszhalle, Großer Saal (Hamburg)
Symphoniker Hamburg, Sylvain Cambreling (Conductor)
Christoph Willibald Gluck's opera "Alceste" deeply impressed the young Wolfgang Amadeus Mozart. Years later, Mozart completed a symphonic trio. Franz Liszt, inspired by a drawing, revisited his symphonic poem form two decades later. Richard Wagner's "Tristan" prelude encapsulates the struggle of hopeless love.
Artistic depiction of the event

Symphoniker Hamburg / Sylvain Cambreling

Sun, Oct 13, 2024, 19:00
Laeiszhalle, Großer Saal (Hamburg)
Symphoniker Hamburg, Slowakischer Philharmonischer Chor, Catriona Morison (Alto), Cyrille Dubois (Tenor), Luca Pisaroni (Bass), Sylvain Cambreling (Conductor)
What a love-struck score: »Roméo et Juliette, dramatic symphony, with chorus, vocal solos and prologue as choral recitative, after Shakespeare’s tragedy, dedicated to Niccolò Paganini« – what a wealth of lyrical tones, what enchanting moments, even bizarre, irrational ones, what lush harmonies and ravishing melodic arcs! Its creator Hector Berlioz himself was in an exceptional state: »What a passionate life I led during this whole time! With what vigour I swam in this vast sea of poetry, caressed by the exuberant breeze of fantasy, under the warm rays of Shakespeare’s sun of love, and trusting in my strength to reach the wonderful island where the temple of pure art rises.« With »Roméo et Juliette«, Berlioz had – after a long search – finally created his symphonic theatre of dreams.
Artistic depiction of the event

Symphoniker Hamburg / Sylvain Cambreling

Thu, Jun 5, 2025, 19:30
Laeiszhalle, Großer Saal (Hamburg)
Symphoniker Hamburg, Sylvain Cambreling (Conductor)
Toru Takemitsu's "Signals from Heaven" (1987) for wind ensemble evokes a dialogue reminiscent of Venetian church music, drawing inspiration from nature and Duke Ellington. A Divertimento, attributed to Mozart but actually containing works by Starzer and Gluck, inspired Dvorak's Serenade in D minor after his 1877 Vienna visit. Composed in just two weeks, the Serenade premiered in 1878 to great acclaim. Rodion Shchedrin's popular Carmen Suite (1967), based on Bizet's opera, was written for his wife, Bolshoi ballerina Maya Plisetskaya, after Shostakovich and Khachaturian declined. She performed the role over 350 times, even at age 65.
Artistic depiction of the event

Symphoniker Hamburg / Alexander Malofeev / Sylvain Cambreling

Sun, Nov 10, 2024, 19:00
Laeiszhalle, Großer Saal (Hamburg)
Symphoniker Hamburg, Alexander Malofeev (Piano), Sylvain Cambreling (Conductor)
Antonín Dvořák loved his new summer residence in Vysoká, a refreshing retreat made possible by the success of his first trip to England. He led »a happy life« there, was able to »gather new strength« and »enjoy God’s beautiful nature« every day. In August 1889, he began his Eighth Symphony, a light, cheerful counterpart to the difficult, serious Symphony No. 7 in D minor that preceded it in 1885. Dvořák now returned to his beloved Czech folk music in a veritable melodic roundelay of summery joie de vivre. The basic mood of the work led Eduard Hanslick to say that »the sun always shines in Dvořák’s music«. And it shines in an enchanting abundance of natural moods and sounds, with bird calls for which Dvořák, a bird lover, found wonderful woodwind solos.
Artistic depiction of the event

Symphoniker Hamburg / Elina Vähälä / Sylvain Cambreling

Thu, May 8, 2025, 19:30
Laeiszhalle, Großer Saal (Hamburg)
Symphoniker Hamburg, Elina Vähälä (Violin), Sylvain Cambreling (Conductor)
In 1829, 20-year-old Felix Mendelssohn sketched the Hebrides Overture while in Scotland. Years later, it premiered in London after revisions. Benjamin Britten's Violin Concerto, influenced by Alban Berg, premiered in New York in 1940 after revisions. Beethoven's Second Symphony, despite being composed during a difficult period, is surprisingly bright and unconventional, challenging traditional forms.