Ravel’s oeuvre includes only a few pieces written for choir, but his music seems to call to the voice. Many a composer have dabbled in the vocal transcription of his works—allowing us to rediscover them in a new light.
Keywords: Early Music, Participatory Concert
| Les Métaboles | |
| Léo Warynski | Conductor |
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These events are similar in terms of concept, place, musicians or the program.
Alexandre Tharaud’s great passion for the music of Maurice Ravel is well-known, having notably produced his recording of the complete piano works in 2003, and the two concertos some twenty years later, with the Orchestre national de France.
Walking barefoot, enjoying the sun, playing outside in the evening ... not yet. Not quite yet. But very soon. Winter really will soon be over at the beginning of April. Let's see if we can speed things up a bit with the right music. The small chorus of the children's chorus and the generational chorus invite you to a spring sing-along in the foyer, where everyone will have the opportunity to sing along.
Bertrand Chamayou’s early fondness for Ravel continues to mature and blossom with time, giving us his 2016 recording of the composer’s complete works for piano in 2016, and reflected in his co-direction of the Saint-Jean-de-Luz Ravel Festival since 2020.
Brahms wrote the Sonata in E minor for instruments close to his heart, i.e., piano and cello. At the premiere, the composer played very loudly, and when the cellist, a talented amateur, remarked to him, he replied: "lucky for you". Such a cover-up will not be necessary during the Katowice concert by the young virtuosos; we will be able to focus on the breathtaking dramatic nature of this work, which culminates in a fugal finale based on Contrapunctus 13 from Bach's Kunst der Fuge. Nadia Boulanger stopped composing after the untimely death of her sister Lili, whom she considered more talented than herself. Although, as a pedagogue, she later educated a considerable group of composers of the neo-classical movement, her music can also bring to mind the work of Debussy. In Three Pieces, we find a masterful combination of these tendencies. Sally Beamish enjoys singing the cello, so we can expect a new song for this instrument. Adam Suprynowicz Concert duration: approximately 70 minutes
School choirs, amateur choirs, and professional choirs—one thing unites them all: the passion for choral singing! The WDR Rundfunkchor and Simon Halsey invite you to a grand choral event in Luxembourg this season.
At this concert, the RSB is supported by two choirs from the Händelgymnasium. The audience is also cordially invited to sing along to the classics of the Christmas season: from festive and contemplative to classical and upbeat. You can look forward to a musical Advent with well-known and new Christmas compositions.To prepare for the sing-along concert, you can download the sheet music for the sing-along piece and listen to recordings here.Recordings with vocals:Il est né Ding-Dong Bells We wish you a merry christmas Stille Nacht In dulci jubiloPlayback:Il est né Ding-Dong Bells We wish you a merry christmas Stille Nacht In dulci jubiloEnjoy practicing!
In Monday at Last, violinist Cecilia Zilliacus and cellist Kati Raitinen invite guest artists to perform both newer and older music. The guests this time are Swedish pianist Peter Friis Johansson and South African violist, composer, and overtone singer Gareth Lubbe.We get to hear the incredible possibilities and resources of the voice in Lubbe's Miniatures, where he uses a special singing technique to create a whole range of resonant overtones. It's a completely unique sound world that conveys the feeling of something magical and primal.British-American composer Rebecca Clarke (1886–1979) was a highly skilled violist and a pioneer among female composers. Her Morpheus for viola and piano was first performed in 1918 at Carnegie Hall and was her first major success. After Schnittke's both wild and contemplative string trio, and Mozart's lively Duo, "Finally Monday" concludes with the rarely performed ecstatically charged piano quartet by Finnish composer Helvi Leiviskä in a late romantic style.
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