Keywords: Chamber Music, Symphony Concert, Vocal Music
| Liza Ferschtman | Violin |
| Ivan Karizna | Cello |
| Maria Warenberg | Mezzo-Soprano |
| Mark Braafhart | Percussion |
| Slava Poprugin | Piano |
| Dmitri Shostakovich | Symphony No. 15 in A major, op. 141 |
| Dmitri Shostakovich | Zeven romances op teksten van Aleksander Blok |
These events are similar in terms of concept, place, musicians or the program.
For lovers of chamber music the Recital Hall is the venue of choice. You can hear the musicians breathe and you can practically touch them. This hall is also cherished by musicians for its beautiful acoustics and direct contact with the audience. In the Recital Hall you can hear the best musicians of our time. Buy your tickets now and experience the magic of the Recital Hall for yourself!
For lovers of chamber music the Recital Hall is the venue of choice. You can hear the musicians breathe and you can practically touch them. This hall is also cherished by musicians for its beautiful acoustics and direct contact with the audience. In the Recital Hall you can hear the best musicians of our time. Buy your tickets now and experience the magic of the Recital Hall for yourself!
For lovers of chamber music the Recital Hall is the venue of choice. You can hear the musicians breathe and you can practically touch them. This hall is also cherished by musicians for its beautiful acoustics and direct contact with the audience. In the Recital Hall you can hear the best musicians of our time. Buy your tickets now and experience the magic of the Recital Hall for yourself!
For lovers of chamber music the Recital Hall is the venue of choice. You can hear the musicians breathe and you can practically touch them. This hall is also cherished by musicians for its beautiful acoustics and direct contact with the audience. In the Recital Hall you can hear the best musicians of our time. Buy your tickets now and experience the magic of the Recital Hall for yourself!
For lovers of chamber music the Recital Hall is the venue of choice. You can hear the musicians breathe and you can practically touch them. This hall is also cherished by musicians for its beautiful acoustics and direct contact with the audience. In the Recital Hall you can hear the best musicians of our time. Buy your tickets now and experience the magic of the Recital Hall for yourself!
For lovers of chamber music the Recital Hall is the venue of choice. You can hear the musicians breathe and you can practically touch them. This hall is also cherished by musicians for its beautiful acoustics and direct contact with the audience. In the Recital Hall you can hear the best musicians of our time. Buy your tickets now and experience the magic of the Recital Hall for yourself!
For lovers of chamber music the Recital Hall is the venue of choice. You can hear the musicians breathe and you can practically touch them. This hall is also cherished by musicians for its beautiful acoustics and direct contact with the audience. In the Recital Hall you can hear the best musicians of our time. Buy your tickets now and experience the magic of the Recital Hall for yourself!
Four soloists from the Berliner Philharmoniker and the pianist Eric Le Sage take us on a foray through the chamber-music repertoire from Viennese Classical to Modern. Along with such famous works as Beethoven’s “Gassenhauer” Piano Trio, there will also be discoveries – for example, the charming Sicilienne, which was long attributed to Mozart's contemporary Maria Theresia von Paradis, and the young Anton Webern’s highly-romantic pieces for cello and piano. The climax of the programme comes with its concluding work, Schoenberg’s visionary Chamber Symphony No. 1.
Antonello Manacorda and the Mahler Chamber Orchestra open our International Chamber Orchestra series with music from the “New World”. Anton Dvorak’s Ninth Symphony, written in New York, clearly expresses the influences of both indigenous and African American melodies – although the work is also unmistakably Bohemian in colour. 2024 marks the 150th birthday of the brilliant Charles Ives, the first American composer to gain truly global recognition. Anna Prohaska sings selected songs by Ives, juxtaposed with songs by Gustav Mahler, his European contemporary.
The NDR’s chamber concert season comes to a close with the ultimate genre in chamber music: the programme selected by the Noah Quartet – which is made up of musicians from the NDR Elbphilharmonie Orchestra – features three string quartets. The enigmatic standalone Quartet Movement in C minor is one of the numerous scattered pieces of individual movements that Franz Schubert never completed. Its tragic, shimmering energy makes it impossible not to lament Schubert’s failure to go further than this single movement. Beethoven’s Three Quartets Op. 59 were nothing less than a revolution for the string quartet genre. Never before had such density of motivic combination, polyphonic sleekness and thematic finesse been achieved in the form. Despite their complexity, the works were immediately successful: »In Vienna, Beethoven’s latest ¬– difficult yet tasteful – quartets are enjoying increasing popularity; their admirers hope to see them in print soon,« reported one enthusiastic reviewer. Although now very popular with artists and audiences alike, Maurice Ravel’s String Quartet was initially met not only with bafflement and amazement, but also with disapproval and hostility. Ravel had delivered an abundance of melodic and harmonic surprises for which the time was apparently not ripe. Gabriel Fauré, as a teacher and dedicatee, like many other composers, was very reserved about the work. It took some clear words from Claude Debussy to gradually pave the way for the work’s acceptance.
Concert Pulse