Drummer and composer Sebastian Rochford—a creative fixture in the contemporary British jazz scene—brings to the stage A Short Diary, a superb album of mourning and tribute recorded for ECM with pianist Kit Downes.
Keywords: Early Music
| Sebastian Rochford | Composition, Drum kit |
| Kit Downes | Piano |
Information not provided |
These events are similar in terms of concept, place, musicians or the program.
Bach's Christmas Oratorio, with its festive choruses, catchy arias, and Christmas chorales, illuminates the Christmas story. The Kantorei am Weinberg and the Collegium Musicum Sophiense, conducted by Julia Hedtfeld and Maximilian Schnaus, will perform it at the Sophienkirche on the second Sunday of Advent.
Kit Armstrong, hailed as a "musician of the century" and praised by Alfred Brendel, stands out in today's music scene. A pianist, organist, composer, and author, his vast repertoire spans historical and modern instruments. He translates his profound knowledge into captivating sound.
For Easter Monday, Bach’s Oratorio for the holiday written exactly 300 years ago. Conductor Christophe Rousset leads Les Talens Lyriques in a score they know well.
Powerful, syncretic if we take the Credo in its most universal sense, the Mass in B minor is one of the most profound and hermetic monuments in the history of music. As Cioran once cheekily opined, “If anyone owes everything to Bach, it's God!”
Powerful, syncretic if we take the Credo in its most universal sense, the Mass in B minor is one of the most profound and hermetic monuments in the history of music. As Cioran once cheekily opined, “If anyone owes everything to Bach, it's God!”
How is the house built? When are the roof, walls and floors added? And will the structure be able to support itself? These are the questions of an architect – but they can also be the questions of conductors when they approach musical structures with their very own style and passion. It is therefore hardly surprising that Bertrand de Billy, who was already fantasising about becoming a conductor at the age of four, once said: »If it hadn’t worked out with music, I would probably have been an architect.« From an early age, he carefully observed the movements of conductors – whether from the choirboy's perspective or as an orchestral musician. Today, he conducts numerous renowned orchestras himself. His specialities include classics and key works of the 20th century and, as a native of Paris, time and again declarations of love for French music. With us, he combines Gershwin and Ravel, two composers who knew each other well and both absorbed the other’s idiom. Ravel’s dazzling piece »Daphnis et Chloé« is a fairytale story about two foundlings, which premiered in the French metropolis in 1912. Gershwin’s pulsating piano concerto also has something to do with the city of love: although it was composed in 1925 in the jazzy melting pot that is New York, large parts of it were later woven into the film »An American in Paris«. As a congenial sound designer, Bertrand de Billy will work with us and the pianist Kit Armstrong to delicately emphasise the different currents and similarities of the compositions like a musical architect: Because he never wants to be an overbearing chef d'orchestre, but simply to be an artist among artists: »The fulfilment of creating something together is indescribably beautiful.«
The Echo Klassik award-winning work »ÜberBach« is coming to the stage of the Elbphilharmonie. Sebastian Knauer has already celebrated great success worldwide with the piano concerto composed for him by Arash Safaian. The continuation of Johann Sebastian Bach’s music into today’s world of sound fascinates, touches and inspires. The second soloist on stage alongside Sebastian Knauer is the Danish vibraphonist Morten Friis, who recently stormed the international charts with his hit »Cynical« as the founder of the band Safri Duo. The two soloists will be accompanied by the internationally acclaimed Vienna Chamber Orchestra. Also on the programme are the 5th Brandenburg Concerto BWV 1050 and the Piano Concerto BWV 1052, two original works by J.S. Bach, as well as excerpts from »Souvenir de Florence« by Peter Tchaikovsky, the »Holberg Suite« by Edvard Grieg and the Serenade op. 20 by Edward Elgar.
Two stars, two worlds, one vision: Classical pianist Sebastian Knauer and Revolverheld lead singer Johannes Strate are going on their first joint "Classical meets Pop Tour 2024" in Germany this fall. They'll perform virtuosic interpretations of pieces like Gershwin's "Rhapsody in Blue" alongside Revolverheld's top 10 hits, accompanied by a five-piece string ensemble, creating a unique fusion of classical and pop music. Tickets for the 12 concerts are available now.
Sebastian Knauer, ein erfolgreicher Klassik-Pianist, und Johannes Strate, Leadsänger der Band Revolverheld, gehen im Herbst auf ihre erste gemeinsame »Klassik meets Pop Tour 2024«. Beide haben Musikgeschichte geschrieben und füllen die Konzertsäle und Arenen. Nach ihrem umjubelten Konzert-Debüt in Hamburg im letzten Jahr sind sie jetzt auch in der Kölner Philharmonie zu erleben. Mit virtuos interpretierten Stücken und Hits von Revolverheld sowie exklusiven Arrangements verspricht ihre Verschmelzung von Klassik und Pop ein unvergleichliches Konzerterlebnis.
Two stars, two worlds, one vision: Sebastian Knauer, one of the most successful classical pianists, and Johannes Strate, lead singer of Revolverheld, can be seen at the Laeiszhalle this autumn on their first joint »Klassik meets Pop Tour 2024«.
ConcertPulse