Set your preferred locations for a better search. You can sign up here.

Recital fran­çais

Date & Time
Sun, Sep 22, 2024, 11:00
The first chamber concert of the new season, "Recital français," features rare brass and brass/piano works from the French musical tradition. Members of the Essen Philharmonic will perform chamber music by composers such as Théo Charlier, Eugène Brozza, Camille Saint-Saëns, and organist Alexandre Guilmant.

A summary from original text in German | Read the original

Keywords: Chamber Music

Artistic depiction of the event

Musicians

Clemens Stahmer-IlgnerTrumpet
Clara KalmikHorn
Michael HufnagelPosaune
Alexander KritikosTuba
Atsuko OtaPiano

Program

Solo de concours für Trompete und KlavierThéo Charlier
"Morceau symphonique" für Posaune und Klavier, op.88Félix Alexandre Guilmant
Sonatine für Tuba und KlavierJacques Castérède
"En forêt" für Horn und Klavier, op. 40Eugène Bozza
Cavatine für Posaune und Klavier, op. 144Camille Saint-Saëns
Caprice für Trompete und Klavier, op. 47Eugène Bozza
Romance für Horn und Klavier, op. 36Camille Saint-Saëns
Concertino für Tuba und KlavierEugène Bozza
Concertino für Trompete, Posaune und KlavierJacques Castérède
Give feedback
Last update: Tue, Nov 26, 2024, 18:51

Similar events

These events are similar in terms of concept, place, musicians or the program.

Artistic depiction of the event

Piano Recital

Sun, Dec 1, 2024, 19:00
Grigory Sokolov (Piano)
Grigory Sokolov, photo: Mary Slepkova / DG Grigory Sokolov has worked hard to secure privileges that few contemporary musicians can boast. He gives practically no interviews, rarely visits the recording studio, has performed solo for a number of years and compiles his own recital programmes, without particularly hurrying to announce them. He first sat at a piano at the age of five, almost 70 years ago. Ever since he has been reluctant to part with his beloved instrument, especially during his lengthy performances, giving endless encores (at times as long as a separate recital). Paradoxically, he is a rare example of an artist who communicates with the outside world almost exclusively through his performances, which force reviewers into extraordinary, at times quite humorous, verbal gymnastics in search of the right concepts to describe the artistry of his playing and the aura he creates around him. A voluminous anthology of surprising metaphors might be compiled from the texts on Sokolov’s playing, which may suggest that it is impossible to capture the personality of this remarkable pianist, let alone his interpretations, in words. Bartłomiej Gembicki
Artistic depiction of the event

Christmas Recital Regina Albrink

Thu, Dec 26, 2024, 14:15
Regina Albrink (Piano)
For lovers of chamber music the Recital Hall is the venue of choice. You can hear the musicians breathe and you can practically touch them. This hall is also cherished by musicians for its beautiful acoustics and direct contact with the audience. In the Recital Hall you can hear the best musicians of our time. Buy your tickets now and experience the magic of the Recital Hall for yourself!
Artistic depiction of the event

Piano recital with Marie-Ange Nguci

Sun, Nov 24, 2024, 15:00
Marie-Ange Nguci (Piano)
The French-Albanian pianist Marie-Ange Nguci has positioned herself as one of the most exciting young soloists on the world's major stages. The term 'unique' is worn out, but it's difficult to find better words to describe her. Nguci was admitted to the conservatory in Paris at the age of 13 and graduated three years later with top marks. Since then, she has studied both pedagogy and musical analysis in Paris, as well as conducting at the University of Music and Performing Arts in Vienna.In recent years, she has made her debut on virtually all of the world's major stages: Musikverein in Vienna, Concertgebouw in Amsterdam, Suntory Hall in Tokyo, Tonhalle in Zurich, the Sydney Opera House, Philharmonie de Paris. The list could go on. With the concert together with the Royal Stockholm Philharmonic Orchestra in Mozart's Piano Concerto No. 21 (Thursday, November 21) and this recital, she makes her long-awaited debut at Konserthuset Stockholm.We hear her in musically exciting and technically demanding pieces such as Scriabin's fifth piano sonata, which alternates between floating impressionism and explosive chords, Ravel's Gaspard de la Nuit with its cascading soundscapes, and Prokofiev's intense sixth piano sonata.Schumann's Kreisleriana, subtitled Fantasies for Pianoforte, oscillates between feverish nervousness and darkly veiled contemplations. He wrote them for his beloved wife Clara but nevertheless dedicated them to Frédéric Chopin, whom he considered to be a genius.
Artistic depiction of the event

Chopin and Bach / Hayato Sumino’s piano recital

Sun, Oct 6, 2024, 18:00
Hayato Sumino (Piano)
Bach and Chopin. Two worlds, two geniuses, two points of reference for the tradition of the keyboard. The former is the essence of spirituality, the musical structure and the richness of the baroque world. The latter symbolises musical romanticism. Chopin scholars emphasise the fact that he renewed Bach’s mastery of counterpoint and finesse of ornament, using them as foundations upon which he built a musical world of his own, still much beloved everywhere around the world. Their music serves as the basis for a fantasy of one’s own, and as material to be reworked, for artists for whom playing others’ music is not enough. The twenty-nine-year-old Japanese pianist Hayato Sumino follows in the footsteps of the wonderful eccentric, Friedricha Gulda, whose scandalising improvisations opened secret passages between classical music and jazz. On the sidelines, they are supported by the ghost of Maurice Ravel, who defined the concept of stylisation for the 20th century. In this concert’s programme, you can hear the neverending expansion of the musical universe. Adam Suprynowicz Concert duration (intermission included): approximately 100 minutes
Artistic depiction of the event

Beautiful like a storm / Lukas Sternath’s piano recital

Sat, Oct 26, 2024, 18:00
Lukas Sternath (Piano)
Robert Schumann composed his last piano piece communicating with his fears. He claimed that ghosts were playing music that was both most beautiful and repulsing especially for him, revealing their secrets and threatening him with hell. As the artist left us used to his music being interpreted through the lens of his private life, excessive interpretations and negations of this unusual and beautiful cycle of variations’ worth are not uncommon. It is just as “mad” as Franz Liszt’s Sonata in B minor is “sane”, the latter being a striking drama of symphonic breadth, enclosed within a single-movement form, destructive and beautiful like a storm. How will this background work together with a new piece by Patricia Kopatchinskaya, composer known for playing with classics, finding hidden meanings and enlivening concert programmes? Let us learn. Adam Suprynowicz Concert duration: approximately 80 minutes
Artistic depiction of the event

Virtuosity and charm / ECHO Rising Stars Recital (cancelled)

Sun, Dec 8, 2024, 19:30
Carlos Ferreira (Clarinet), Pedro Emanuel Pereira (Piano)
The concert has been cancelled. Refunds for tickets purchased online will be made automatically. Tickets purchased at NOSPR box offices can be refunded by visiting NOSPR box offices.While Charles-Marie Widor remains best known among organ music aficionados, clarinetists owe to him the Introduction et Rondo – a piece, in which they can show both virtuosity and a lyrical charm. Debussy’s Première rhapsodie, in turn, is a product made to a commission from the Paris Conservatoire: a school piece which exceeded expectations to such a degree that the composer was later happy to arrange in for the clarinet and orchestra. While doing so, he retained the characteristic fogged-up sound, thanks to which the solo instrument cannot be mistaken f other. The young virtuoso Carlos Ferreira finds satisfaction both in his work with the prestigious Orchestre National de France and in chamber music – in a duo with the pianist and composer Pedro Emanuel Pereira, who wrote the suite Duas Igrejas, ringing with the nostalgia of the Portuguese fado, especially for him. On their joint album, we can also find the neoclassical Sonatina by Joseph Horovitz. What else are they going to surprise us with? This we will learn from the concert... Adam Suprynowicz Concert duration: 80 minutes
Artistic depiction of the event

Mahler Festival: Song recital Alma Mahler and friends

Sat, May 17, 2025, 13:00
Axelle Fanyo (Soprano), Raoul Steffani (Bariton), Julius Drake (Piano)
For four days, the Recital Hall is dedicated to Mahler's most beautiful songs. A special recital is dedicated to his wife Alma, combining pieces by her with those by friends. Perhaps today's most important Lieder accompanist, pianist Julius Drake, flanks his favourite vocalists during all these concerts. Today you will hear French soprano Axelle Fanyo, a 'true storyteller' according to Forum Opéra. She shares the stage with one of the greatest Dutch talents, baritone Raoul Steffani.Austrian Alma Maria Schindler was introduced to her future husband, Gustav Mahler, by her composition teacher Zemlinsky. Under Mahler's name, she would become known - but never primarily as a composer. Mahler did not want his wife to write any more music, and Alma herself also had doubts about her work. Although most of it has been lost, her late-romantic, often melancholic songs are still widely performed. Here today in the Recital Hall, they alternate with pieces by friends and acquaintances. Axelle Fanyo and Raoul Steffani perform songs by Ernst Krenek, Mahler's son-in-law. You will also hear works by Berg, Korngold and Stravinsky.
Artistic depiction of the event

Violin Recital

Tue, Mar 25, 2025, 19:00
Filharmonia Narodowa, Concert Hall (ground floor) (Warszawa)
Augustin Hadelich (Violin)
Augustin Hadelich, photo: Suxiao_Yang Augustin Hadelich used the time of the Covid-19 pandemic to study solo works by Johann Sebastian Bach. He has the good fortune to play on a unique violin called ‘Leduc’, once owned by the famous virtuoso Henryk Szeryng and considered by some to be the last work of the Cremonese lutenist Giuseppe Guarneri del Gesù. On this instrument, he recorded a two-CD album of Bach sonatas and partitas. Hadelich matched a copy of a Baroque bow to an eighteenth-century violin, but without completely abandoning the ‘modern’ aesthetic in which he grew up. Two Bach partitas will open and close his recital at the Warsaw Philharmonic, consisting of varied examples of solo violin music. In his Blue/s Forms, Coleridge Taylor Perkinson drew on intervals characteristic of blues and jazz that are lowered for expressive purposes (so-called blue notes). David Lang’s Mystery Sonatas, a cycle premiered in 2014 by Augustin Hadelich, is a conscious (albeit distant) reference to the famous work of the brilliant Baroque violinist Heinrich Ignaz Biber. As for Eugène Ysaÿe’s showstopping Sonata No. 3, dedicated to Romanian composer George Enescu, it ranks alongside Bach’s sonatas and partitas among the greatest and most popular challenges of the solo violin repertoire. The concert will take place in the Concert Hall, and not, as previously planned, in the Chamber Music Hall.