Set your preferred locations for a better search. You can sign up here.

Portrait Sofia Gubaidulina

Date & Time
Thu, May 30, 2024, 19:30
Many phases in her extensive oeuvre betray Sofia Gubaidulina’s fascination with the sound of a large string section playing the low registers. She has written several pieces for cello ensemble, and the double bass also plays a prominent role in a number of her works. So the idea seemed to suggest itself of devoting a concert to this special preference of the now 92-year-old composer, who lives near Hamburg, thus producing a special »Portrait of Sofia Gubaidulina«. The centrepiece of... Read full text

Keywords: Contemporary, Recital

Artistic depiction of the event

Musicians

David SprangerBassoon
Christopher FranziusCello
Andreas GrünkornCello
Yuri ChristiansenCello
Christoph RochollCello
Valentin PriebusCello
Phillip WentrupCello
Filip MikulskiCello
Fabian DiederichsCello, Aquaphone
Katharina KühlCello, Aquaphone
Ekkehard BeringerDouble bass
Jens BomhardtDouble bass
Benedikt KanyDouble bass
Marin AlsopConductor

Program

Am Rande des Abgrunds for seven violoncelli and two aquaphonesSofia Gubaidulina
Mirage: Die tanzende Sonne (Fata Morgana)Sofia Gubaidulina
Concerto for Bassoon and Low StringsSofia Gubaidulina
Give feedback
Last update: Sat, Nov 23, 2024, 10:27

Similar events

These events are similar in terms of concept, place, musicians or the program.

Artistic depiction of the event

Portrait Pascal Dusapin

Fri, Apr 25, 2025, 20:00
Ariane Matiakh (Conductor), Christel Loetzsch (Soprano), Renaud Capuçon (Violin), Symphonieorchester des Bayerischen Rundfunks
Adventurous, inquisitive, independent, and principled in his approach – Pascal Dusapin has retained these qualities to this day, which explains why he is one of the most important composers of his generation. For his artfully crafted cycle of seven “orchestral solos,” he pondered for almost two decades the “question of the pure line” – which, according to the composer, is attained only in the sixth solo, entitled Reverso. Uncut concludes the collection of seven solos, and, with its iridescent prisms of color, is inspired by the legacy of Messiaen and Boulez. Conductor Ariane Matiakh will also include the Scenes from Penthesilea on the programme – a dramatic suite with three central roles interpreted by one singer, who in this concert will be the wonderful Christel Loetzsch. Another highlight is Dusapin’s Violin Concerto, characterized by sophisticated timbral changes, and performed by Renaud Capuçon.
Artistic depiction of the event

Portrait Concert Sir András Schiff

Wed, Jun 26, 2024, 20:00
Elbphilharmonie, Großer Saal (Hamburg)
Sir András Schiff (Piano), Ema Nikolovska (Mezzo-Soprano), Julian Prégardien (Tenor), Marie-Luise Neunecker (French horn), Stephen Waarts (Violin), Timothy Ridout (Viola), Julia Hagen (Cello)
One of András Schiff’s maxims is: »It’s important to be able to listen.« This principle applies especially to chamber music, which has always been a matter close to his heart. Because it is precisely this togetherness, and this listening and responding to each other, that are for him the most beautiful form of making music. Schiff now delivers precisely those kinds of moments of musical bliss with close musical friends such as the tenor Julian Prégardien and the cellist Julia Hagen. For the programme, Schiff has selected Romantic works by his favourite composers. These include Franz Schubert the prince of song and Robert Schumann, whose 1840 »Eichendorff« lieder cycle is on the programme. The programme also features Schumann’s Violin Sonata No. 2, which was premiered in Leipzig in 1852, and the Piano Quartet No. 1 by Schumann’s friend Brahms, which was premiered in Hamburg in 1861.
Artistic depiction of the event

Rakhi Singh

Mon, Jun 24, 2024, 19:30
Elbphilharmonie, Kleiner Saal (Hamburg)
Rakhi Singh (Violin)
Rakhi Singh is one of the leading figures on Great Britain’s contemporary instrumental scene. Composer, ensemble founder, violinist – there seems to be nothing that the English musician with Welsh-Indian roots cannot tackle. She fills each of her roles with a passion that casts a spell on the audience without fail, and her violin recitals, where she makes no bones about crossing genre boundaries, are usually sold out. For tonight’s solo recital, Singh has made new arrangements of Baroque works for solo violin, which she juxtaposes with music by contemporary New York composers like Michael Gordon and Julia Wolfe as well as with two leading lights of today’s British music scene, Alex Groves and Edmund Finnis. Discount for all under 30: Exclusively for this concert, anyone under 30 can book the REDticket. This means that even the best available seats only cost € 12. Proof of age must be shown when attending the concert, otherwise the difference to the original price will have to be paid.
Artistic depiction of the event

Kronos Quartet

Tue, May 14, 2024, 20:00
Elbphilharmonie, Großer Saal (Hamburg)
David Harrington (Violin), John Sherba (Violin), Hank Dutt (Viola), Paul Wiancko (Cello)
According to the New York Times, »the Kronos Quartet has broken the boundaries of what string quartets do.« And it’s true: the quartet led by founder David Harrington has given this traditional genre a thorough update. From minimal music by Steve Reich and Jimi Hendrix arrangements to world-music expeditions to Afghanistan and Brazil, the Kronos Quartet’s sound atlas is a broad and expansive one. The fab four now celebrate their 50th birthday in the Elbphilharmonie. In their »Five Decades« world tour, the Kronos Quartet will be appearing in a line-up that has remained virtually unchanged since 1978. Alongside a work by this year’s spotlight composer Sofia Gubaidulina, the programme also includes »Different Trains« by the minimal music legend Steve Reich, which Kronos premiered many years ago. The piece – which was composed more than 40 years after the Second World War – is a musical reflection on the National Socialists’ deadly deportations of Europe’s Jewish population. The quartet also presents other highlights from their enormous library of music, which includes 1,000 commissions alone, and they also perform brand-new works and arrangements. Even after half a century, the kronometer just keeps ticking.
Artistic depiction of the event

Orchester im Treppenhaus

Mon, Sep 23, 2024, 19:30
Elbphilharmonie, Kleiner Saal (Hamburg)
Orchester im Treppenhaus
People flock together. Lovers, the curious, the odd fantasist. A tingling community. High-percentage stimulation in the hall too. Rimsky-Korsakov’s enchanting orchestral poem Scheherazade. Anna Clyne’s turbulent »Fractured Time«. A wave runs through the crowd. Some even dance. The orchestra strikes a chord. The clapping, the rhythm, a magical moment. Everyone together. Everyone now. Everything mega, everything KULT.
Artistic depiction of the event

Johanna Vargas / Ilya Gringolts

Mon, Dec 9, 2024, 19:30
Elbphilharmonie, Kleiner Saal (Hamburg)
Johanna Vargas (Soprano), Ilya Gringolts (Violin)
»Once I broke my leg, it was the best experience of my life« – such sentences that make you smile and are yet extremely serious are to be found in the heaps of diaries and letters left behind by Franz Kafka. The Hungarian composer György Kurtág set 40 of such fragments to music in 1985 for a cycle for soprano and violin – a really intimate line-up, which has found two acclaimed interpreters of contemporary music in Johanna Vargas and Ilya Gringolts in this concert. »It is a fantastic economy: singing with a single violin and how this instrument is used technically and expressively,« this is how Kurtág’s friend and composer colleague György Ligeti once described it. Simply poignant to your ears, the »Kafka Fragments« are nevertheless a heavyweight of music’s modern age, an immense challenge to the musicians which demands everything of them – in expression, virtuosity and sensitivity.
Artistic depiction of the event

Tabea Zimmermann / Lilya Zilberstein

Tue, Dec 10, 2024, 19:30
Elbphilharmonie, Kleiner Saal (Hamburg)
Tabea Zimmermann (Viola), Lilya Zilberstein (Piano)
The film »Dmitri Shostakovich. The Viola Sonata« tells the story of Shostakovich’s life in archive footage and relates it to the political events in the Soviet Union. The two directors skilfully edited their material exclusively with music by the composer, spanning all creative phases and genres. The film, which was initially banned and confiscated by the censors, bears witness to Dmitri Shostakovich’s conflict-ridden, difficult existence in his totalitarian homeland. The movie is shown in Russian language with German subtitles. The viola sonata op. 147 that follows the film was completed by the gravely ill composer shortly before his death. He did not live to see its first performance (1975) – a musical document of his farewell to the world. With star violist Tabea Zimmermann and Lilya Zilberstein at the piano, this impressive work is in the very best of hands.
Artistic depiction of the event

Stefanovich & SDLW

Thu, May 8, 2025, 19:30
Elbphilharmonie, Kleiner Saal (Hamburg)
Tamara Stefanovich (Piano), Christopher Dell (Vibraphone), Christian Lillinger (Drums), Jonas Westergaard (Double bass)
It’s about logic, thematic work and the highest artistic demands: the sonata is to the solo instrument what the symphony is to the orchestra and the string quartet to chamber music – the king among genres. »And this is precisely what interests me,« declares star pianist Tamara Stefanovich. »Why do we take this one form for centuries and redress it time and again?« In her concert in the Elbphilharmonie Recital Hall, she contrasts two piano sonatas from the 20th century by Dmitri Shostakovich and Pierre Boulez before she rounds off the evening by improvising together with her jazz ensemble SDLW – an exciting piece of bridge building between form and freedom. Shostakovich’s former piano teacher described his first piano sonata as a »sonata for metronome to the accompaniment of piano«. Experimental, harsh and dissonant, this virtuoso work conveys a feeling of constant movement and, at the same time, grapples with the Russian and western avant-garde. It was a showpiece of the then 20 year old, who repeatedly played it in concert himself. Pierre Boulez’s Second Piano Sonata also fits the »Future« theme of the Hamburg International Music Festival: it is not only extremely demanding, but also includes aleatory elements – composing by chance. Boulez thereby forever departs from the traditional form because, after this work, he was never again to refer back to musical forms of the past in his compositions.