Set your preferred locations for a better search. You can sign up here.

Piano recital Mitsuko Uchida plays Beethoven and Schubert

Date & Time
Wed, May 21, 2025, 20:00
Mitsuko Uchida is the grande dame of the piano – and one of the Berliner Philharmoniker’s close artistic companions. Her elegant, gripping and sensitive playing makes her an ideal interpreter of the piano works of Ludwig van Beethoven and Franz Schubert. In the final concert of our piano series, we will hear her perform Beethoven's Piano Sonata in E minor, which journeys between contemplative calm and passionate forward momentum, as well as Schubert's last sonata - a work full of... Read full text
Info & Ticket (www.berliner-philharmoniker.de)
Artistic depiction of the event

Musicians

Mitsuko UchidaPiano

Program

Piano Sonata No. 27 in E minor, op. 90Ludwig van Beethoven
Piano Sonata in B flat major, D 960Franz Schubert
Give feedback
Last update: Thu, Nov 21, 2024, 18:47

Similar events

These events are similar in terms of concept, place, musicians or the program.

Artistic depiction of the event

Piano Recital

Sun, Dec 1, 2024, 19:00
Filharmonia Narodowa, Concert Hall (Warszawa)
Grigory Sokolov (Piano)
Grigory Sokolov, photo: Mary Slepkova / DG Grigory Sokolov has worked hard to secure privileges that few contemporary musicians can boast. He gives practically no interviews, rarely visits the recording studio, has performed solo for a number of years and compiles his own recital programmes, without particularly hurrying to announce them. He first sat at a piano at the age of five, almost 70 years ago. Ever since he has been reluctant to part with his beloved instrument, especially during his lengthy performances, giving endless encores (at times as long as a separate recital). Paradoxically, he is a rare example of an artist who communicates with the outside world almost exclusively through his performances, which force reviewers into extraordinary, at times quite humorous, verbal gymnastics in search of the right concepts to describe the artistry of his playing and the aura he creates around him. A voluminous anthology of surprising metaphors might be compiled from the texts on Sokolov’s playing, which may suggest that it is impossible to capture the personality of this remarkable pianist, let alone his interpretations, in words. Bartłomiej Gembicki
Info (filharmonia.pl)