Originalklang Jean Rondeau: “Sisyphus”

Thomas Dunford & Jean Rondeau: Virtuoso Interpretations

For lovers of chamber music the Recital Hall is the venue of choice. You can hear the musicians breathe and you can practically touch them. This hall is also cherished by musicians for its beautiful acoustics and direct contact with the audience. In the Recital Hall you can hear the best musicians of our time. Buy your tickets now and experience the magic of the Recital Hall for yourself!

Isabelle Faust / Tabea Zimmermann / Jean-Guihen Queyras

After the piano trio of the previous day, a string trio takes the spotlight with Mozart’s Divertimento K 563, in counterpoint to which the musicians, Isabelle Faust, Tabea Zimmermann and Jean-Guihen Queyras, offer a selection of solo pieces.

Anastasia Kobekina Jean-Sélim Abdelmoula

Cellist Anastasia Kobekina captivates audiences with her emotional depth and versatility, pushing boundaries and exploring diverse musical eras. Praised for her stunning musicality and technique, she performs with pianist Jean-Sélim Abdelmoula, promising an evening of beauty and musical fireworks.

Concertgebouw Orchestra with Jean-Yves Thibaudet

The Estonian conductor Paavo Järvi is in his element with repertoire from Northern and Eastern Europe, and this programme features three such works. Vesper (Poem) by his compatriot Ester Mägi (b. 1922, d. 2021), ‘the first lady of Estonian music’, is a poetic work for strings inspired by St John’s Church in Tallinn.The Khachaturian Piano Concerto is proof that colourful, vibrant music was indeed written in the Soviet era. The work is imbued with the influence of Armenian folk music. And to add to the exotic atmosphere, the piano is accompanied by a musical saw in the middle movement! The work is grist to Jean-Yves Thibaudet’s mill, a pianist who for decades has excelled in original repertoire.Stravinsky’s PetrushkaFinally, there’s Petrushka, Stravinsky’s exuberant ballet music about a marionette who comes to life, falls in love and wreaks havoc on a Russian carnival. Listeners need no sets or dancers to see the story unfold before them, and the colourful music lets all the members of the orchestra shine.

Concertgebouw Orchestra with Jean-Yves Thibaudet

The Estonian conductor Paavo Järvi is in his element with repertoire from Northern and Eastern Europe, and this programme features three such works. Vesper (Poem) by his compatriot Ester Mägi (b. 1922, d. 2021), ‘the first lady of Estonian music’, is a poetic work for strings inspired by St John’s Church in Tallinn.The Khachaturian Piano Concerto is proof that colourful, vibrant music was indeed written in the Soviet era. The work is imbued with the influence of Armenian folk music. And to add to the exotic atmosphere, the piano is accompanied by a musical saw in the middle movement! The work is grist to Jean-Yves Thibaudet’s mill, a pianist who for decades has excelled in original repertoire.Stravinsky’s PetrushkaFinally, there’s Petrushka, Stravinsky’s exuberant ballet music about a marionette who comes to life, falls in love and wreaks havoc on a Russian carnival. Listeners need no sets or dancers to see the story unfold before them, and the colourful music lets all the members of the orchestra shine.

Concertgebouw Orchestra with Jean-Yves Thibaudet

The Estonian conductor Paavo Järvi is in his element with repertoire from Northern and Eastern Europe, and this programme features three such works. Vesper (Poem) by his compatriot Ester Mägi (b. 1922, d. 2021), ‘the first lady of Estonian music’, is a poetic work for strings inspired by St John’s Church in Tallinn.The Khachaturian Piano Concerto is proof that colourful, vibrant music was indeed written in the Soviet era. The work is imbued with the influence of Armenian folk music. And to add to the exotic atmosphere, the piano is accompanied by a musical saw in the middle movement! The work is grist to Jean-Yves Thibaudet’s mill, a pianist who for decades has excelled in original repertoire.Stravinsky’s PetrushkaFinally, there’s Petrushka, Stravinsky’s exuberant ballet music about a marionette who comes to life, falls in love and wreaks havoc on a Russian carnival. Listeners need no sets or dancers to see the story unfold before them, and the colourful music lets all the members of the orchestra shine.

Ensemble Resonanz / Jean-Guihen Queyras / Johannes Fischer

»›I can’t remember things before they happen,‹ remarked Alice. ›It’s a poor sort of memory that only works backwards,‹ the Queen remarked.« (Lewis Carroll, Through the Looking-Glass and What Alice Found There) Ligeti’s Cello Concerto rises out of nowhere, without a red carpet for the soloist’s performance, but rather as a journey through the interstices of silence and the barely audible, of sound and noise, to explore the extreme subtleties of timbre and emotion. An anti-concert with a hypnotic effect that challenges boundaries and laws. Anton Kraft was also fond of playing with what was possible, which had already impressed his contemporaries Haydn and Beethoven. The Monkey Mountains, also known as the Krkonoše Mountains, inspired the Czech composer Pavel Haas almost exactly a century ago. At a time of great political unrest and personal turmoil, he created an expressive work full of emotions and contrasts: peaks rise up like sleeping giants, dancing on tiptoe to mazurkas and polkas to catchy melodies, only to fall out of time and form with drums at the end. From delicate, lyrical passages to explosive, rhythmic outbursts, this piece offers a variety of impressions that resonate long after you leave the concert hall. Banned at the time, but not forgotten.

Ensemble Resonanz / Jean-Guihen Queyras / Johannes Fischer

»›I can’t remember things before they happen,‹ remarked Alice. ›It’s a poor sort of memory that only works backwards,‹ the Queen remarked.« (Lewis Carroll, Through the Looking-Glass and What Alice Found There) Ligeti’s Cello Concerto rises out of nowhere, without a red carpet for the soloist’s performance, but rather as a journey through the interstices of silence and the barely audible, of sound and noise, to explore the extreme subtleties of timbre and emotion. An anti-concert with a hypnotic effect that challenges boundaries and laws. Anton Kraft was also fond of playing with what was possible, which had already impressed his contemporaries Haydn and Beethoven. The Monkey Mountains, also known as the Krkonoše Mountains, inspired the Czech composer Pavel Haas almost exactly a century ago. At a time of great political unrest and personal turmoil, he created an expressive work full of emotions and contrasts: peaks rise up like sleeping giants, dancing on tiptoe to mazurkas and polkas to catchy melodies, only to fall out of time and form with drums at the end. From delicate, lyrical passages to explosive, rhythmic outbursts, this piece offers a variety of impressions that resonate long after you leave the concert hall. Banned at the time, but not forgotten.

Organ matinee In memory of Jean Guillou

Slovakian organist Zuzana Ferjenčíková dedicates her debut concert on the organ of the Berlin Philharmonie Berlin to her teacher Jean Guillou, who died in 2019. Guillou performed on the the Philharmonie’s organ several times himself. His speciality: his own arrangements of famous orchestral works, with which he created unexpected orchestral timbres on the organ. Zuzana Ferjenčíková plays some of Guillou's most impressive arrangements, including the delicate “Dance of the Sugar Plum Fairy” from Tchaikovsky's ballet The Nutcracker and Mussorgsky's powerful cycle Pictures at an Exhibition.

Récital Schubert – Liszt de Jean-Michel Kim