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Orchestres Démos

Date & Time
Sat, Jun 21, 2025, 14:00
Founded in 2010, Démos promotes cultural democratisation through the performance of orchestra music. It trains the future citizens of the 21st century by putting music at the heart of their personal development, and by giving a central place to social work. As part of an overall educational and artistic program, Démos teaches classical music to children who, for economic, social or geographical reasons, would normally not have access to this genre. The project is aimed at children aged 7 to... Read full text

Keywords: Early Music, Symphony Concert

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Last update: Sat, Mar 29, 2025, 19:07

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Founded in 2010, Démos promotes cultural democratisation through the performance of orchestra music. It trains the future citizens of the 21st century by putting music at the heart of their personal development, and by giving a central place to social work. As part of an overall educational and artistic program, Démos teaches classical music to children who, for economic, social or geographical reasons, would normally not have access to this genre. The project is aimed at children aged 7 to 12 living in designated urban (“QPV”) or rural (“ZRR”) areas. Every child is given a musical instrument for three years. The different groups of children who make up an orchestra take weekly classes (lasting three and a half hours on average) divided by instrument families and given by music professionals and staff working in the social sector. They regularly come together for an orchestral rehearsal (tutti). The success of the program is, in no small part, attributable to the customised educational framework, cooperation between cultural and social players, the development of a specific collective teaching approach and the ongoing training of all parties involved. Since 2010, over 11,000 children, from all over France, have taken part in Démos. The project, initially focused on the greater Paris area, was rolled out nationally from 2015 and now has around 50 orchestras across France, including overseas territories.
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Sat, Jun 21, 2025, 20:00
Philharmonie de Paris, Grande salle Pierre Boulez (Paris)
Orchestre Démos Metz Moselle Est, Antoine Dutaillis (Conductor), Orchestre Démos Toulouse Métropole Département de la Haute-Garonne, Christophe Mangou (Conductor), Lamar Elias (Conductor), Orchestre Démos - Orchestre de Paris, Nicholas McRoberts (Conductor)
Founded in 2010, Démos promotes cultural democratisation through the performance of orchestra music. It trains the future citizens of the 21st century by putting music at the heart of their personal development, and by giving a central place to social work. As part of an overall educational and artistic program, Démos teaches classical music to children who, for economic, social or geographical reasons, would normally not have access to this genre. The project is aimed at children aged 7 to 12 living in designated urban (“QPV”) or rural (“ZRR”) areas. Every child is given a musical instrument for three years. The different groups of children who make up an orchestra take weekly classes (lasting three and a half hours on average) divided by instrument families and given by music professionals and staff working in the social sector. They regularly come together for an orchestral rehearsal (tutti). The success of the program is, in no small part, attributable to the customised educational framework, cooperation between cultural and social players, the development of a specific collective teaching approach and the ongoing training of all parties involved. Since 2010, over 11,000 children, from all over France, have taken part in Démos. The project, initially focused on the greater Paris area, was rolled out nationally from 2015 and now has around 50 orchestras across France, including overseas territories.
Artistic depiction of the event
This season
In Paris

Orchestres Démos

Sun, Jun 22, 2025, 14:00
Philharmonie de Paris, Grande salle Pierre Boulez (Paris)
Orchestre Démos Metz Moselle Nord, Alizé Léhon (Conductor), Orchestre Démos Hauts-de-Seine, Julien Leroy (Conductor)
Founded in 2010, Démos promotes cultural democratisation through the performance of orchestra music. It trains the future citizens of the 21st century by putting music at the heart of their personal development, and by giving a central place to social work. As part of an overall educational and artistic program, Démos teaches classical music to children who, for economic, social or geographical reasons, would normally not have access to this genre. The project is aimed at children aged 7 to 12 living in designated urban (“QPV”) or rural (“ZRR”) areas. Every child is given a musical instrument for three years. The different groups of children who make up an orchestra take weekly classes (lasting three and a half hours on average) divided by instrument families and given by music professionals and staff working in the social sector. They regularly come together for an orchestral rehearsal (tutti). The success of the program is, in no small part, attributable to the customised educational framework, cooperation between cultural and social players, the development of a specific collective teaching approach and the ongoing training of all parties involved. Since 2010, over 11,000 children, from all over France, have taken part in Démos. The project, initially focused on the greater Paris area, was rolled out nationally from 2015 and now has around 50 orchestras across France, including overseas territories.
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Sun, Jun 22, 2025, 20:00
Philharmonie de Paris, Grande salle Pierre Boulez (Paris)
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Founded in 2010, Démos promotes cultural democratisation through the performance of orchestra music. It trains the future citizens of the 21st century by putting music at the heart of their personal development, and by giving a central place to social work. As part of an overall educational and artistic program, Démos teaches classical music to children who, for economic, social or geographical reasons, would normally not have access to this genre. The project is aimed at children aged 7 to 12 living in designated urban (“QPV”) or rural (“ZRR”) areas. Every child is given a musical instrument for three years. The different groups of children who make up an orchestra take weekly classes (lasting three and a half hours on average) divided by instrument families and given by music professionals and staff working in the social sector. They regularly come together for an orchestral rehearsal (tutti). The success of the program is, in no small part, attributable to the customised educational framework, cooperation between cultural and social players, the development of a specific collective teaching approach and the ongoing training of all parties involved. Since 2010, over 11,000 children, from all over France, have taken part in Démos. The project, initially focused on the greater Paris area, was rolled out nationally from 2015 and now has around 50 orchestras across France, including overseas territories.
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Igor Levit / Berliner Barock Solisten

Tue, Apr 23, 2024, 20:00
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Dresden – Prag – Wien

Thu, May 25, 2023, 19:00
Sharon Kam (Clarinet), Václav Luks (Conductor)
Known as the "Bohemian Bach," Baroque master Jan Dismas Zelenka made his career at the Dresden court. Conductor Václav Luks considers him Bach's equal. This concert presents Zelenka alongside works by Pisendel, Weber, and Koželuh. Czech early music specialist Luks frames the program with Zelenka and Leopold Koželuh, who succeeded Mozart at the Salzburg court. Koželuh's works are reminiscent of Beethoven and Schubert. Clarinetist Sharon Kam performs Weber's Clarinet Concerto No. 2.
Artistic depiction of the event
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Dresden – Prag – Wien

Fri, May 26, 2023, 20:00
Sharon Kam (Clarinet), Václav Luks (Conductor)
Known as the "Bohemian Bach," Baroque master Jan Dismas Zelenka made his career at the Dresden court. Conductor Václav Luks considers him Bach's equal. This concert presents Zelenka alongside works by Pisendel, Weber, and Koželuh. Czech early music specialist Luks frames the program with Zelenka and Leopold Koželuh, who succeeded Mozart at the Salzburg court. Koželuh's works are reminiscent of Beethoven and Schubert. Clarinetist Sharon Kam performs Weber's Clarinet Concerto No. 2.
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Bach à la française

Thu, Sep 28, 2023, 19:00
Laura Vukobratović (Trumpet), Tabea Debus (Blockflöte), José Luis García Vegara (Oboe), Florin Iliescu (Violin), Masaaki Suzuki (Conductor)
»HINWEIS:Der japanische Bach-Spezialist Masaaki Suzuki hat die Leitung des Konzerts dankenswerterweise kurzfristig für den erkrankten französischen Dirigenten Raphaël Pichon übernommen. Das Programm bleibt unverändert.»Ein feste Burg ist unser Gott.« Wer dabei nur an Bach denkt, hat nicht mit Felix Mendelssohn gerechnet. Denn dieser Luther-Choral ist auch in dessen 5. Sinfonie prominent vertreten, die Reformations-Hymne ist geradezu der Schlüssel zum Werk. Und den wird hier nun nicht wie geplant ein Franzose, sondern ein Japaner in Händen halten – neben den für die Werke Bachs. Masaaki Suzuki ist Gründer und Musikalischer Leiter des Bach Collegium Japan und hat sich seit dessen Gründung im Jahr 1990 weltweit als eine Autorität in Sachen Bach etabliert. Bis heute führt er sein Collegium zu den wichtigsten Konzertsälen und Festivals in Europa und den USA. Zusätzlich zu seiner Arbeit mit Ensembles historisch orientierter Aufführungspraxis wie dem Orchestra of the Age of Enlightenment und Philharmonia Baroque Orchestra dirigiert er als Gast aber auch Orchester mit modernen Instrumenten und einem breiten Repertoire von Brahms, Britten, Fauré, Mahler, Mendelssohn und Strawinsky. Suzukis Diskografie enthält Bachs große Chorwerke sowie sein komplettes Werk für Cembalo, teils ausgezeichnet mit dem Preis der Deutschen Schallplattenkritik, einem Diapason d’Or de l’Année 2010 sowie einem BBC Music Magazine Award 2011. 2014 schloss er die Aufnahmen von Bachs vollständigen Kirchenkantaten mit dem Bach Collegium Japan ab, die 1995 begonnen wurde und 65 CDs enthält.Konzertdauer: ca. 105 Minuten – inklusive Pause
Artistic depiction of the event
Finished

Bach à la française

Fri, Sep 29, 2023, 20:00
Laura Vukobratović (Trumpet), Tabea Debus (Blockflöte), José Luis García Vegara (Oboe), Florin Iliescu (Violin), Masaaki Suzuki (Conductor)
»HINWEIS:Der japanische Bach-Spezialist Masaaki Suzuki hat die Leitung des Konzerts dankenswerterweise kurzfristig für den erkrankten französischen Dirigenten Raphaël Pichon übernommen. Das Programm bleibt unverändert.»Ein feste Burg ist unser Gott.« Wer dabei nur an Bach denkt, hat nicht mit Felix Mendelssohn gerechnet. Denn dieser Luther-Choral ist auch in dessen 5. Sinfonie prominent vertreten, die Reformations-Hymne ist geradezu der Schlüssel zum Werk. Und den wird hier nun nicht wie geplant ein Franzose, sondern ein Japaner in Händen halten – neben den für die Werke Bachs. Masaaki Suzuki ist Gründer und Musikalischer Leiter des Bach Collegium Japan und hat sich seit dessen Gründung im Jahr 1990 weltweit als eine Autorität in Sachen Bach etabliert. Bis heute führt er sein Collegium zu den wichtigsten Konzertsälen und Festivals in Europa und den USA. Zusätzlich zu seiner Arbeit mit Ensembles historisch orientierter Aufführungspraxis wie dem Orchestra of the Age of Enlightenment und Philharmonia Baroque Orchestra dirigiert er als Gast aber auch Orchester mit modernen Instrumenten und einem breiten Repertoire von Brahms, Britten, Fauré, Mahler, Mendelssohn und Strawinsky. Suzukis Diskografie enthält Bachs große Chorwerke sowie sein komplettes Werk für Cembalo, teils ausgezeichnet mit dem Preis der Deutschen Schallplattenkritik, einem Diapason d’Or de l’Année 2010 sowie einem BBC Music Magazine Award 2011. 2014 schloss er die Aufnahmen von Bachs vollständigen Kirchenkantaten mit dem Bach Collegium Japan ab, die 1995 begonnen wurde und 65 CDs enthält.Konzertdauer: ca. 105 Minuten – inklusive Pause