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Opening: ‘Masses’ by Ed Atkins

Date & Time
Mon, Nov 11, 2024, 19:00
Ed Atkins is one of the most versatile British artists of his generation and has attracted international attention as a visual artist, writer, and filmmaker. Atkins lives and works in Copenhagen. Recent institutional solo exhibitions include ‘Refuse’ at Tank, Shanghai (2022), ‘Get Life / Love's Work’ at the New Museum, New York (2021), as well as exhibitions at the Kunsthaus Bregenz and K21 Düsseldorf (both 2019), at the Martin-Gropius-Bau, Berlin, at the MMK Frankfurt and DHC/ART in Montréal (all 2017),... Read full text

Keywords: Exhibition, Opera

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Last update: Tue, Nov 26, 2024, 14:42

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‘Masses’ by Ed Atkins

Sun, Jan 5, 2025, 11:00
Ed Atkins is particularly attracted to the costumes from the Deutsche Oper Berlin's collection: the masses of different fabrics are lined up in dense rows on sober clothes rails like a compressed store of stories and memories. Each individual item of clothing would tell its own story if you took it off the rail: about the opera in which it was used, about the people who wore it and about the dreams it triggers in anyone who looks at it. For him, this analogue part of his installation forms a counterpart to his video installations, which stage fragments of stories from today's flood of images from digital media, some whimsical, some disturbing. This tension between costumes, opera stories and contemporary films forms the narrative core of Ed Atkins‘ work as a visual and narrative artist – at the same time, he is a contributor to the libretto of Rebecca Saunders’ world premiere LASH on 20 June 2025 on the stage of the Deutsche Oper Berlin. Ed Atkins is one of the most versatile British artists of his generation and has attracted international attention as a visual artist, writer, and filmmaker. Atkins lives and works in Copenhagen. Recent institutional solo exhibitions include ‘Refuse’ at Tank, Shanghai (2022), ‘Get Life / Love's Work’ at the New Museum, New York (2021), as well as exhibitions at the Kunsthaus Bregenz and K21 Düsseldorf (both 2019), at the Martin-Gropius-Bau, Berlin, at the MMK Frankfurt and DHC/ART in Montréal (all 2017), at Castello di Rivoli and Fondazione Sandretto Re Rebaudengo in Turin, at The Kitchen New York, SMK Copenhagen (all 2016), Stedelijk Museum Amsterdam (2015), The Serpentine Gallery London (2014), Julia Stoschek Collection Düsseldorf (2013) and MoMA PS1 (2012). Atkins was included in the 56th and 58th Venice Biennales, the 13th Lyon Biennale, and Performa 13 and 19. An anthology of Ed’s texts, ‘A Primer for Cadavers’, was published by Fitzcarraldo in 2016, and an extensive artist’s monograph from Skira was released in 2017. An epic ...
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‘Masses’ by Ed Atkins

Sun, Feb 2, 2025, 11:00
Ed Atkins is particularly attracted to the costumes from the Deutsche Oper Berlin's collection: the masses of different fabrics are lined up in dense rows on sober clothes rails like a compressed store of stories and memories. Each individual item of clothing would tell its own story if you took it off the rail: about the opera in which it was used, about the people who wore it and about the dreams it triggers in anyone who looks at it. For him, this analogue part of his installation forms a counterpart to his video installations, which stage fragments of stories from today's flood of images from digital media, some whimsical, some disturbing. This tension between costumes, opera stories and contemporary films forms the narrative core of Ed Atkins‘ work as a visual and narrative artist – at the same time, he is a contributor to the libretto of Rebecca Saunders’ world premiere LASH on 20 June 2025 on the stage of the Deutsche Oper Berlin. Ed Atkins is one of the most versatile British artists of his generation and has attracted international attention as a visual artist, writer, and filmmaker. Atkins lives and works in Copenhagen. Recent institutional solo exhibitions include ‘Refuse’ at Tank, Shanghai (2022), ‘Get Life / Love's Work’ at the New Museum, New York (2021), as well as exhibitions at the Kunsthaus Bregenz and K21 Düsseldorf (both 2019), at the Martin-Gropius-Bau, Berlin, at the MMK Frankfurt and DHC/ART in Montréal (all 2017), at Castello di Rivoli and Fondazione Sandretto Re Rebaudengo in Turin, at The Kitchen New York, SMK Copenhagen (all 2016), Stedelijk Museum Amsterdam (2015), The Serpentine Gallery London (2014), Julia Stoschek Collection Düsseldorf (2013) and MoMA PS1 (2012). Atkins was included in the 56th and 58th Venice Biennales, the 13th Lyon Biennale, and Performa 13 and 19. An anthology of Ed’s texts, ‘A Primer for Cadavers’, was published by Fitzcarraldo in 2016, and an extensive artist’s monograph from Skira was released in 2017. An epic ...
Artistic depiction of the event

‘Masses’ by Ed Atkins

Sun, Mar 2, 2025, 11:00
Ed Atkins is particularly attracted to the costumes from the Deutsche Oper Berlin's collection: the masses of different fabrics are lined up in dense rows on sober clothes rails like a compressed store of stories and memories. Each individual item of clothing would tell its own story if you took it off the rail: about the opera in which it was used, about the people who wore it and about the dreams it triggers in anyone who looks at it. For him, this analogue part of his installation forms a counterpart to his video installations, which stage fragments of stories from today's flood of images from digital media, some whimsical, some disturbing. This tension between costumes, opera stories and contemporary films forms the narrative core of Ed Atkins‘ work as a visual and narrative artist – at the same time, he is a contributor to the libretto of Rebecca Saunders’ world premiere LASH on 20 June 2025 on the stage of the Deutsche Oper Berlin. Ed Atkins is one of the most versatile British artists of his generation and has attracted international attention as a visual artist, writer, and filmmaker. Atkins lives and works in Copenhagen. Recent institutional solo exhibitions include ‘Refuse’ at Tank, Shanghai (2022), ‘Get Life / Love's Work’ at the New Museum, New York (2021), as well as exhibitions at the Kunsthaus Bregenz and K21 Düsseldorf (both 2019), at the Martin-Gropius-Bau, Berlin, at the MMK Frankfurt and DHC/ART in Montréal (all 2017), at Castello di Rivoli and Fondazione Sandretto Re Rebaudengo in Turin, at The Kitchen New York, SMK Copenhagen (all 2016), Stedelijk Museum Amsterdam (2015), The Serpentine Gallery London (2014), Julia Stoschek Collection Düsseldorf (2013) and MoMA PS1 (2012). Atkins was included in the 56th and 58th Venice Biennales, the 13th Lyon Biennale, and Performa 13 and 19. An anthology of Ed’s texts, ‘A Primer for Cadavers’, was published by Fitzcarraldo in 2016, and an extensive artist’s monograph from Skira was released in 2017. An epic ...
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Gluck: Orfeo ed Euridice

Fri, Nov 22, 2024, 20:00
Mélissa Petit (Soprano), Cecilia Bartoli (Mezzo-Soprano), Il Canto di Orfeo, Les Musiciens du Prince – Monaco (Ensemble), Gianluca Capuano (Conductor)
To bring his beloved Eurydice back to life, Orpheus moved even the underworld gods with his singing. Cecilia Bartoli embodies Orpheus in Christoph Willibald Gluck's Orfeo ed Euridice, revised in 1769. The title role was transposed to brilliant heights, a feast for Bartoli and soprano Mélissa Petit as Eurydice and Amor.
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Liedstadt Hamburg – Opening Concert

Thu, Oct 3, 2024, 20:00
Julian Prégardien (Tenor), Mari Kodama (Piano), Yule Post (Vocals), Tom Gatza (Piano), Mais Harb (Vocals), Faleh Khaless (Oud), Arne-Christian Pelz (Cello), Hanni Liang (Piano), Mitglieder des NDR Vokalensembles, Lucy De Butts (Soprano), Alexandra Hebart (Mezzo-Soprano), Christian Georg (Tenor), Dávid Csizmár (Bariton), Mischa Kreiskott (Moderator)
Songs connect people and tell stories. They provide insights into special moments along lifelines and into every conceivable human relationship. Songs in as many forms as possible are the focus of the new »Liedstadt Hamburg« festival, which starts on 3 October 2024. In the afternoon, a wide variety of Liedstadt artists will be out and about in Hamburg, performing 50 pop-up concerts. The opening concert at NDR’s Rolf-Liebermann-Studio will present a selection of the artists on stage and live on NDR Kultur. They combine their songs with their own stories, feelings and experiences. Classical piano songs can be heard alongside Syrian music, contemporary songs and »songs without words«. An evening that tells stories with songs and about songs.
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Season Opening with Blomstedt

Wed, Sep 11, 2024, 19:00
Royal Stockholm Philharmonic Orchestra, Herbert Blomstedt (Conductor), Susanne Rydén (Presenter)
Herbert Blomstedt is Sweden's internationally most recognized conductor – ever. Among the orchestras he has worked with are the Gewandhaus Orchestra in Leipzig, the Berlin Philharmonic, the Orchestre de Paris, and notably the San Francisco Symphony, where Blomstedt was chief conductor for ten years. Blomstedt has also conducted the Royal Stockholm Philharmonic Orchestra on well over 200 occasions, and on the occasion of his 90th birthday in 2017, Konserthuset named its grand conductor's dressing room after him.It has been 70 years since Herbert Blomstedt first conducted the Royal Stockholm Philharmonic Orchestra at a public concert, and already two years before that, in 1952, he conducted the orchestra during a radio broadcast.As he makes another cherished visit to the Royal Stockholm Philharmonic Orchestra, it is with two favorites, Franz Berwald and Brahms. Memories from the Norwegian mountains came to him after a visit to Norway, and Berwald described the Nordic-sounding music as orchestral tonal painting. The restlessly bustling Sinfonie capricieuse is surrounded by mystique, for shortly after Berwald's death, the score disappeared under mysterious circumstances. The music was later reconstructed by Nils Castegren based on Berwald's remaining sketches.Johannes Brahms's first symphony is undoubtedly a masterpiece. The symphony was crafted over many years, with Brahms at times almost paralyzed by the performance demands of his idol Beethoven. However, the end result is magnificent and shaped with precision, intense emotion, and great beauty.
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International Composer Festival – Opening

Thu, Nov 14, 2024, 19:00
Royal Stockholm Philharmonic Orchestra, Ryan Bancroft (Conductor), Peter Moore (Trombone), Susanne Rydén (Presenter)
This year's International Composer Festival at Konserthuset Stockholm is dedicated to the Scottish composer James MacMillan. His music combines raw emotional power with spiritual focus, rooted in his Catholic faith.MacMillan often draws inspiration from traditional Scottish music and culture, and the tone poem The Death of Oscar is based on one of the legends of the Celtic poet Ossian. These ancient stories have had a significant influence on the image of Scotland, inspiring composers such as Mendelssohn-Bartholdy when he wrote The Hebrides, and Goethe in The Sorrows of Young Werther.The trombone concerto oscillates between darkness and light, with dance-like episodes and meditative calm. At times, it is incredibly beautiful and poignant. MacMillan composed it in memory of his granddaughter Sara Maria MacMillan, who died at the young age of five from an incurable brain disease.James MacMillan shares his strong Catholic faith with Olivier Messiaen (1908–92), and both composers' music contains spiritually meditative elements. Messiaen's Les offrandes oubliées – The Forgotten Offerings – was his very first published orchestral piece. It is subtitled Méditation symphonique, symphonic meditation. This is music in which Messiaen gives us his own glimpse of eternity.The Concerto for Orchestra, ”Ghosts”, is the Royal Stockholm Philharmonic Orchestra's co-commissioned work for the festival. The piece was premiered a few months ago in London. The Guardian wrote about “a remarkably effective work” and noted its “energy and thrilling drama.” The title Ghosts is a reference to Beethoven's Ghost Trio, and because the music “seems to be haunted by other, earlier musical spirits and memories,” as MacMillan puts it.Read our interview with James MacMillan (in Swedish)Learn more about Chief Conductor Ryan Bancroft
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Opening Concert in Bamberg

Fri, Sep 22, 2023, 20:00
Konzerthalle Bamberg, Joseph-Keilberth-Saal (Bamberg)
Jakub Hrůša (Conductor), Christian Schmitt (Organ), Kristina Fialová (Viola), Kateřina Kněžíková (Soprano), Jarmila Vantuchová (Mezzo Soprano), Eduard Martyniuk (Tenor), Jan Šťáva (Bass), Tschechischer Philharmonischer Chor Brno
»Adorn yourself, O beloved soul, forsake this dark den of sin, enter into the bright light, and begin to gleam gloriously!« Thus goes a favorite hymn for the Lord’s Supper centuries ago, from which Bach created a wonderfully tranquil organ work – about which Mendelssohn commented, »If life had taken everything from me, this piece would bring me comfort again.« After this, our opening concert is all about the city of Brno, the home of our Principal Conductor. Also Petr Fiala, founder of the famous Czech Philharmonic Choir Brno and composer himself, was born here in 1943. It was his heart’s desire for Jakub Hrůša to conduct his »Stabat Mater« one day: A colourful setting of the medieval poem, focusing on the mother of Jesus in her mourning for her crucified son. We will also perform Janáček's highly original »Glagolitic Mass«, premiered in Brno in 1927: when the composer, aged 72, wrote the piece shortly before his death, he deliberately wanted to distinguish himself from Western practices and therefore spoke of a »joyful mass« – inspired by the nature spectacle of a thunderstorm and spreading an utterly secular atmosphere. And while the traditional ordinarium from Kyrie to Agnus Dei is adhered to here, the text is not in Latin but in the old Church Slavonic from the 9th century – for Janáček loved to occupy himself with different types of human tonality, which he described as his »little windows to the soul«. Musically, the agitated events are sometimes contrasted with tender passages – and just before the finale there is a brilliant organ solo, which brings this unique mass to an end like a joyful celebration.
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Season opening in Bamberg

Sat, Sep 21, 2024, 20:00
Konzerthalle Bamberg, Joseph-Keilberth-Saal (Bamberg)
Jakub Hrůša (Conductor), Isabelle Faust (Violin)
»This must be love!« These words were heard at the joyous announcement that the journey with Jakub Hrůša will continue for several more wonderful years. And he sums it up perfectly, because our Chief Conductor is completely happy with his »friendly and harmonious home«: he loves the city Bamberg, the amicable atmosphere in the orchestra and the whole team behind the scenes, the magnificent hall and the enthusiastic audiences – who return his love in such a way that the concerts with him have been constantly sold out for years. And since fate has been particularly kind to this close relationship since 2016, Jakub Hrůša has fittingly included the Beethoven symphony on the programme for our season opener, with its world-famous tones revolving around the much-invoked Fatum – and about which it was said early on that it is a »living image of great passion«. This symphonic blockbuster is combined with favourites from the heart of our Chief Conductor: With compositions from his and our Bohemian homeland, which he regularly familiarises us with on our journey together. And in doing so, we are always moving on to lesser-known repertoire. Dvořák's Violin Concerto, for example, is not heard very often, even though it is in no way inferior in quality to the great Romantic concertos of his colleagues: it is »original, full of cantilenas and written for accomplished violinists« – including Isabelle Faust, whose wish it was to play the solo part with us one day. However, before that, we should first congratulate this year's birthday boy, Smetana: With his fascinating tone poem »Wallenstein's Camp«, which for Jakub Hrůša is a »fantastic opener« for concerts – which makes the piece a perfect opening for the new season themed »What we love«.
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Josef Mysliveček: Abramo ed Isacco

Sat, Oct 19, 2024, 13:30
Collegium Vocale 1704, Václav Luks (Conductor), Michele Angelini (Abramo), Kateryna Kasper (Isacco), Paula Murrihy (Sara), Eleonora Bellocci (Angelo), Matthias Winckhler (Gamari)
The Concertgebouw’s famous Main Hall is one of the best concert halls in the world, well-known for its exceptional acoustics and special atmosphere. In the Main Hall, you will feel history. Here, Gustav Mahler conducted his own compositions, as did Richard Strauss and Igor Stravinsky. Sergei Rachmaninoff played his own piano concertos in the Main Hall. This is also where musicians such as Leonard Bernstein, Vladimir Horowitz and Yehudi Menuhin gave legendary performances. Right up to now, the Main Hall offers a stage to the world’s best orchestras and musicians. Buy your tickets now and experience the magic of the Main Hall for yourself!