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New Music Orchestra / Journeys into the unknown

The contemporary music concert cycle presented by the OMN Ensemble is a chance to immerse oneself in a world of new sounds and compositions. Established in 1996, for nearly three decades the Ensemble has been presenting contemporary works, always following its mission of exploring and promoting those of particular significance for Polish and global musical culture. Their experimental performances lead audiences through the complexity, diversity, ambiguity and polyphonicity of contemporary music. Every year, tens of thousands of new pieces of... Read full text

Keywords: New music, Subscription Concert

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Musicians

Szymon BywalecConductor
Orkiestra Muzyki Nowej

Program

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Last update: Fri, Nov 22, 2024, 12:16

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Orkiestra Muzyki Nowej / Minimal music / Journeys into the unknown

Sun, Jan 19, 2025, 18:00
Szymon Bywalec (Conductor), Orkiestra Muzyki Nowej, Jakob Kullberg (Cello)
Overture – solo concerto – symphony. Every melomaniac has probably participated in an evening composed in this manner at least once. Nevertheless, some of them are certainly unaware of their indebtedness to Felix Mendelssohn-Bartholdy in this area. It was he who proposed the simple pattern in 1835, when he became music director of the Gewandhaus in Leipzig, and his fame soon helped it to become accepted throughout Europe. Does it, however, remain effective to this day – after Anton Webern’s aphorisms, Morton Feldman’s six-hour string concerto and Zygmunt Krauze’s infinite sonic installations?History shows that there are forms which easily accept content and functions typical for highly varied eras, thus standing the test of time brilliantly. One of those is the literary novel, known as early as in ancient Rome, another one being… the contemporary technique of tying shoelaces, patented five years after the “Mendelssohnian concert”. Since all the three heroes of our concert – Lutosławski, Ligeti and Reich – enjoyed musical explorations based on well-established solutions, it is likely that they would not feel offended at such an attempt at classicising their work.Let us, then, begin with an overture, but one that replaces the decisiveness and clarity characteristic for the genre with a pinch of uncertainty and instability so typical for mature Lutosławski. After the Venetian games comes the time for Ligeti’s Piano concerto, a feat of virtuosity, but one with West-African roots. Eventually, there is Reich’s symphony of the big city, reconciling the mechanical rhythms and hectic noises of New York with melodies and harmonies that often reach back as far as to the days of Stravinsky’s youth.It would be interesting to learn whether Mendelssohn would enjoy our concert…Michał MendykConcert duration: approximately 80 minutes
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Nature, water, wilderness / Meditation music

Sun, Oct 20, 2024, 18:00
Szymon Bywalec (Conductor), Orkiestra Muzyki Nowej
According to the ancient philosophers, water is the element that governs the world. As for physicists, they claim that it 'listens' and resonates with everything around it. Its internal structure changes not only according to its location or the degree of pollution, but it is affected by everything that happens in its immediate surroundings, including acoustic factors, i.e., sounds and music. For centuries, its constant flow has fascinated artists and composers. The October evening is a musical meditation on water and its sounds in the symbolic context of nature and human existence. Peter Ablinger's Regenstück takes us on a musical journey through the world of rain. The composition is a complex dialogue between the instruments and the sounds of water running down the membranes and resonating in the space. In Rain Coming, Tōru Takemitsu reflects on water as a source of life and infinite inspiration. The piece belongs to the Waterscape collection, in which water is not the only theme. The composer explores ideas of fluidity, harmony and tonality that unfold like streams falling into a river and flowing towards the sea. In contrast, Katarzyna Szwed's I, the Wilderness introduces us directly into the depths of the forest, where the whisper of water and the rustle of trees form a harmonious wholeness that encourages us to immerse ourselves in nature and contemplate it. Alexandra KozowiczConcert duration: approximately 70 minutes
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Arditti Quartet / The quartet and modern masterpieces / cancelled

Fri, Oct 25, 2024, 19:30
Jake Arditti (Counter-tenor), Arditti Quartet
The Arditti Quartet is a chamber music legend. Half a century ago, the violinist Irvine Arditti invited three friends of his, students at London’s Royal Academy of Music, to perform Krzysztof Penderecki’s String quartet No. 2 together. Since then, the ensemble has premiered hundreds of contemporary pieces, released over 200 albums and traveled all the world with new music. The Arditti Quartet will perform a 20th-century masterpiece by Witold Lutosławski, music by Lucia Dlugoszewski, an American composer with Polish roots who is still little known here, and a piece by James Dillon, the quartet’s collaborator since the 80s. Adam Suprynowicz Concert duration: approximately 100 minutes
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Into the New Year with Beethoven's Ninth

Sun, Dec 31, 2023, 18:00
Konzerthalle Bamberg, Joseph-Keilberth-Saal (Bamberg)
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Into the New Year with Beethoven's Ninth

Sun, Dec 31, 2023, 15:00
Konzerthalle Bamberg, Joseph-Keilberth-Saal (Bamberg)
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Into the Distance

Sat, Jan 11, 2025, 20:00
Anu Komsi (Soprano), Gürzenich-Orchester Köln, Sakari Oramo (Conductor)
26 years old, and just married to a woman who is an avowed Fennoman (a Finland enthusiast), young Jean Sibelius starts composing his first tone poem. Rather than following a specific musical road map, his En saga is more of a fairy tale of mystic landscapes. It shows vast surfaces of sound, subdued melancholy, and here and there, cheerful trolls pop up for a perky little dance. Incidentally, the first sketches to this piece were made in Austria, where Sibelius, the composer with the Swedish accent, spent his time in Viennese coffee houses, reading the Finnish national epic, the Kalewala. »I never felt more Finnish than in Vienna, Italy and Paris.« In Kaija Saariaho’s case, the musical approach to the five poems by her compatriot Pentti Saarikoski had little to do with Finnish national romanticism but more with the urge to explore the art of composing. Saariaho, who passed away in 2023, had originally set the work for soprano and piano, and the Gürzenich Orchestra now examines the orchestral version. In the very first poem, The Face of Nature, the composer’s musical language builds bridges to Jean Sibelius, while Sumun läpi – Through the mist – explores impenetrable, mysterious worlds of sound. The soloist in this performance is a longtime artistic companion of Saariaho, the singer Anu Komsi. Whoever tries to spot British sounding melodies in Dvořák’s »English« symphony, his 8th, will most certainly be disappointed. The Czech composer merely switched to a British publisher for this buoyant work, hence the misleading title. The symphony is bold, and vigorously joyful. It has an introspective beginning, but after less than a minute, the atmosphere takes a turn for the jubilant, culminating in a finale with festive, beaming fanfares. Antonín Dvořák is on the fast lane to success: »You want to know what I do? My head is full – if only one could write everything down immediately! […] The ease exceeds all expectations and the melodies just keep coming.
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Into the Distance

Sun, Jan 12, 2025, 11:00
Anu Komsi (Soprano), Gürzenich-Orchester Köln, Sakari Oramo (Conductor)
26 years old, and just married to a woman who is an avowed Fennoman (a Finland enthusiast), young Jean Sibelius starts composing his first tone poem. Rather than following a specific musical road map, his En saga is more of a fairy tale of mystic landscapes. It shows vast surfaces of sound, subdued melancholy, and here and there, cheerful trolls pop up for a perky little dance. Incidentally, the first sketches to this piece were made in Austria, where Sibelius, the composer with the Swedish accent, spent his time in Viennese coffee houses, reading the Finnish national epic, the Kalewala. »I never felt more Finnish than in Vienna, Italy and Paris.« In Kaija Saariaho’s case, the musical approach to the five poems by her compatriot Pentti Saarikoski had little to do with Finnish national romanticism but more with the urge to explore the art of composing. Saariaho, who passed away in 2023, had originally set the work for soprano and piano, and the Gürzenich Orchestra now examines the orchestral version. In the very first poem, The Face of Nature, the composer’s musical language builds bridges to Jean Sibelius, while Sumun läpi – Through the mist – explores impenetrable, mysterious worlds of sound. The soloist in this performance is a longtime artistic companion of Saariaho, the singer Anu Komsi. Whoever tries to spot British sounding melodies in Dvořák’s »English« symphony, his 8th, will most certainly be disappointed. The Czech composer merely switched to a British publisher for this buoyant work, hence the misleading title. The symphony is bold, and vigorously joyful. It has an introspective beginning, but after less than a minute, the atmosphere takes a turn for the jubilant, culminating in a finale with festive, beaming fanfares. Antonín Dvořák is on the fast lane to success: »You want to know what I do? My head is full – if only one could write everything down immediately! […] The ease exceeds all expectations and the melodies just keep coming.
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Joel Sandelson (Conductor), Christian Schruff (Moderator), Deutsches Symphonie-Orchester Berlin
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Mahler Chamber Orchestra: Music from the New World

Thu, Sep 5, 2024, 20:00
Philharmonie Berlin, Main Auditorium (Berlin)
Mahler Chamber Orchestra (Orchestra), Antonello Manacorda (Conductor), Anna Prohaska (Soprano)
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Music of the Vasa times

Sat, Mar 29, 2025, 19:30
Polish Radio Choir - Lusławice, Maria Piotrowska-Bogalecka (Conductor), Andrzej Zawisza (Positive organ)
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