Set your preferred locations for a better search. You can sign up here.

Nicholas Carter & MultiPiano

Date & Time
Wed, May 28, 2025, 20:00

Keywords: Symphony Concert

Artistic depiction of the event

Musicians

MultiPianoEnsemble, Piano
Nicholas CarterConductor
Tomer LevPiano
Berenika GlixmanPiano
Nimrod Haftel-MeiriPiano
Lior LifshitzPiano
Rundfunk-Sinfonieorchester Berlin

Program

"In the South" (Alassio) - Concert Overture op. 50Edward Elgar
“Duo concertant & Variations brillantes” on a theme from Weber’s “Preziosa” for two pianos four hands and orchestra op. 87bIgnaz Moscheles & Felix Mendelssohn Bartholdy
“Les Contrasts” – Grand Duo for two pianos, eight hands op. 115Ignaz Moscheles
Symphony No. 4 in A major, op. 90 (“Italian Symphony”)Felix Mendelssohn Bartholdy
Give feedback
Last update: Fri, Nov 22, 2024, 12:41

Similar events

These events are similar in terms of concept, place, musicians or the program.

Artistic depiction of the event

St Nicholas concert

Sun, Dec 8, 2024, 11:00
Konzerthalle Bamberg, Joseph-Keilberth-Saal (Bamberg)
Markus Mester (Trumpet), Johannes Trunk (Trumpet), William Tuttle (Horn), Stefan Lüghausen (Trombone), Heiko Triebener (Tuba), Karin Meissl (Concept), Karin Meissl (Moderator)
CHRISTMAS MUSIC WITH A HOSTChristmas is just around the corner, and the appropriate music can really get us into the festive spirit during the Advent season. Nobody knows this better than the brass quintet of the Bamberg Symphony: at today’s St Nicholas concert, the musicians bring both big and small sounds to life with such ease, making them dance through the air and inviting us all to join in. Be there when they present their instruments together with music mediator Karin Meissl and make the Bamberg concert hall ring with Christmas cheer!
Artistic depiction of the event

Aurora Orchestra / Abel Selaocoe / Nicholas Collon

Sat, Mar 1, 2025, 20:00
Elbphilharmonie, Großer Saal (Hamburg)
Aurora Orchestra, Abel Selaocoe (Cello), Abel Selaocoe (Voice), Bernhard Schimpelsberger (Percussion), Nicholas Collon (Conductor)
The South African cellist and composer Abel Selaocoe has an irrepressible energy and stage presence that has propelled him from a township near Johannesburg to the top of the music world. Together with London’s Aurora Orchestra, whose Elbphilharmonie debut was hailed by the press as a »boldly creative orchestra« with »extravagantly sparkling interpretation«, an explosive evening is guaranteed. Selaocoe transcends genre boundaries with ease in his Cello Concerto. He combines Western music from classical to soul with the sounds and traditions of his homeland – including intense, throaty singing, which plays just as big a role in the concerto as the cello does. In the second half of the concert, the Aurora Orchestra presents its trademark: a major symphonic work, played entirely from memory without sheet music. Beethoven’s Seventh Symphony, which the composer himself described as a »sheer expression of joy, happiness and the affirmation of life«, should be a perfect fit for the enthusiastic young orchestra.
Artistic depiction of the event

NDR Elbphilharmonie Orchestra / Kirill Gerstein / Omer Meir Wellber

Thu, Apr 18, 2024, 20:00
Elbphilharmonie, Großer Saal (Hamburg)
NDR Elbphilharmonie Orchester, Kirill Gerstein (Piano), Omer Meir Wellber (Conductor)
Omer Meir Wellber’s conducting is »a miracle of transparency and rigour« according to the Süddeutsche Zeitung. The Israeli conductor has held a number of posts, including chief conductor of the BBC Philharmonic Orchestra, and he will be assuming the position of general music director at the Hamburg State Opera in 2025. Those who’d like to see the globetrotter in action in the Hanseatic city before then now have their chance. The unconventional conductor – who once inserted a techno interlude into an acclaimed Verdi production at the Bavarian State Opera – gave his debut with the NDR Elbphilharmonie Orchestra in 2019. And he is now back on the conductor’s stand here for the third time. As an introduction to the programme, Wellber has chosen a work that was originally conceived as incidental music for a play: Gabriel Fauré’s »Pelléas et Mélisande«. Shortly after composing it, Fauré revised his opulent music for Maeterlinck’s Symbolist fairy-tale to create an independent orchestral work. The suite featuring the famous »Sicilienne« is followed by Maurice Ravel’s Piano Concerto in G major, which »was written in the spirit of Mozart’s and Saint-Saënsʼs concertos,« as the composer himself emphasised. That, however, does not mean that Ravel neglected his own tonal language – he opens the concerto with a spirited lash of the whip and Spanish sounds. Jazz harmonies and rhythms then increasingly come to the foreground. The soloist tasked with performing this virtuosic score is the American pianist Kirill Gerstein – a popular guest with the NDR Elbphilharmonie Orchestra for many years now. The concert comes to a close with Franz Schubert’s Third Symphony. Schubert composed the masterpiece in just a few days when he was only 18 years old. With that level of productivity, it is no surprise that the composer, despite his early death at the age of 31, still managed to leave behind an impressive oeuvre. The theatre critic Eduard Hanslick described Schubert’s Symphony No. 3 as »a work of youth and of youth’s gleefully raucous zeal «.
Artistic depiction of the event

NDR Elbphilharmonie Orchestra / Kirill Gerstein / Omer Meir Wellber

Sun, Apr 21, 2024, 11:00
Elbphilharmonie, Großer Saal (Hamburg)
NDR Elbphilharmonie Orchester, Kirill Gerstein (Piano), Omer Meir Wellber (Conductor)
Omer Meir Wellber’s conducting is »a miracle of transparency and rigour« according to the Süddeutsche Zeitung. The Israeli conductor has held a number of posts, including chief conductor of the BBC Philharmonic Orchestra, and he will be assuming the position of general music director at the Hamburg State Opera in 2025. Those who’d like to see the globetrotter in action in the Hanseatic city before then now have their chance. The unconventional conductor – who once inserted a techno interlude into an acclaimed Verdi production at the Bavarian State Opera – gave his debut with the NDR Elbphilharmonie Orchestra in 2019. And he is now back on the conductor’s stand here for the third time. As an introduction to the programme, Wellber has chosen a work that was originally conceived as incidental music for a play: Gabriel Fauré’s »Pelléas et Mélisande«. Shortly after composing it, Fauré revised his opulent music for Maeterlinck’s Symbolist fairy-tale to create an independent orchestral work. The suite featuring the famous »Sicilienne« is followed by Maurice Ravel’s Piano Concerto in G major, which »was written in the spirit of Mozart’s and Saint-Saënsʼs concertos,« as the composer himself emphasised. That, however, does not mean that Ravel neglected his own tonal language – he opens the concerto with a spirited lash of the whip and Spanish sounds. Jazz harmonies and rhythms then increasingly come to the foreground. The soloist tasked with performing this virtuosic score is the American pianist Kirill Gerstein – a popular guest with the NDR Elbphilharmonie Orchestra for many years now. The concert comes to a close with Franz Schubert’s Third Symphony. Schubert composed the masterpiece in just a few days when he was only 18 years old. With that level of productivity, it is no surprise that the composer, despite his early death at the age of 31, still managed to leave behind an impressive oeuvre. The theatre critic Eduard Hanslick described Schubert’s Symphony No. 3 as »a work of youth and of youth’s gleefully raucous zeal «.
Artistic depiction of the event

Igor Levit / Berliner Barock Solisten

Tue, Apr 23, 2024, 20:00
Elbphilharmonie, Großer Saal (Hamburg)
Igor Levit (Piano), Berliner Barock Solisten
When Igor Levit takes his seat at the keyboard, one thing is for sure: you’ll hear the pieces on the programme as never before. The German-Russian pianist makes his very own mark, often as unexpected as it is brilliant, on every work he plays, whisking even veteran repertoire warhorses into the here and now. In this concert Levit is accompanied by the Berliner Barock Solisten in music by two composers who can be described without exaggeration as pinnacles of music history: Johann Sebastian Bach and his son Carl Philipp Emanuel Bach. The most famous of the Bach sons made a no less illustrious career for himself than his father, and was admired by fellow composers like Mozart, Beethoven and Haydn. In this cleverly thought-out programme, Levit and the Berlin ensemble create a father-son dialogue along entirely modern lines.
Artistic depiction of the event

Bergen Philharmonic Orchestra / Alexej Gerassimez / Edward Gardner

Wed, Apr 24, 2024, 20:00
Elbphilharmonie, Großer Saal (Hamburg)
Bergen Philharmonic Orchestra, Alexej Gerassimez (Percussion), Edward Gardner (Conductor)
Percussion as a solo instrument is still a newcomer to the traditional classical repertoire – and at the same time it is a cosmos entirely its own, shimmering in a thousand colours. The young musician Alexej Gerassimez from Essen, Germany, brings this cosmos impressively to life. The award-winning percussionist is a true all-rounder, switching genres effortlessly with an equal command of jazz grooves and of the complex rhythms of contemporary music. A perfect candidate for Finnish composer Kalevi Aho’s sparkling percussion concerto, which was first performed in 2012. Aho called the work »Sieidi«, the Sami word for a sacred rock or mountain. After the interval, the Bergen Philharmonic Orchestra climbs an orchestral summit in the shape of Dvořák’s »New World« Symphony. Since its New York premiere in 1893, the composer’s Ninth has been an absolute audience favourite.
Artistic depiction of the event

NDR Elbphilharmonie Orchestra / Thomas Hampson / Alan Gilbert

Fri, Apr 26, 2024, 20:00
Elbphilharmonie, Großer Saal (Hamburg)
NDR Elbphilharmonie Orchester, Prager Philharmonischer Chor, Thomas Hampson (Bariton), Lukáš Vasilek (Choir rehearsal), Alan Gilbert (Conductor)
»Peace, peace on Earth!« Arnold Schönberg’s message in his choral work »Friede auf Erden« is unequivocal. But it’s also an illusion: the composer was not the only one to admit as much after he had completed the score. Recent events in the political arena make this plain to us all. But the improbability of achieving peace on earth makes it all the more important to repeat these words as often as possible. And this prompted Alan Gilbert to choose this Late Romantic work to open the Hamburg International Music Festival 2024. »War and Peace« is the motto this time, taken from Leo Tolstoy’s famous and timeless novel. The opening concert with the NDR Elbphilharmonie Orchestra sees the return to the Elbphilharmonie of star baritone Thomas Hampson to sing Kurt Weill’s »Walt Whitman Songs«, which he wrote in American exile in 1941, shortly after the attack on Pearl Harbor. Whitman – whom Weill regarded as the USA’s first original poetic talent – wrote the song texts, some defiant, some moving, during the American Civil War. The concert comes to an end with Charles Ives’s Fourth Symphony, described by Alan Gilbert as the »big bang of modern American music«. With this 1925 work, the great pioneer of musical collages made his boldest dreams come true: how many different tempos, keys and rhythms can be played at the same time without total chaos resulting? Ives’s exciting score supplies a spectacular answer to this question. Performing the symphony is a great challenge for any orchestra – so great that the composer never lived to hear the four-movement piece played in its entirety. Now Alan Gilbert and his musicians join forces with the Prague Philharmonic Choir in this musical adventure.
Artistic depiction of the event

Orchestra Leonore / Natalie Clein / Daniele Giorgi

Sat, Apr 27, 2024, 11:00
Elbphilharmonie, Großer Saal (Hamburg)
Orchestra Leonore, Natalie Clein (Cello), Daniele Giorgi (Conductor)
Top musicians from the most important European orchestras and outstanding chamber ensembles united in an elite orchestra: Orchestra Leonore, founded and directed by Daniele Giorgi. The programme includes Brahms and Mendelssohn as well as the First Cello Concerto by Camille Saint-Saëns, with international soloist Natalie Clein.