Late Night Music for the movie “All the beauty and the bloodshed”

Late Night “Cantando hacia el Sur”

In his music, Lucas Dorado explores the sounds and rhythms of the musical and natural landscapes of Latin America. His compositions tell of the animals, flowers and trees of South America – of their lush diversity and magnificent beauty, and also of the threat to their dwindling habitat, which is a place of melancholic longing. The ensemble interweaves diverse rhythmic structures with jazz harmonies. Vibraphone and cello meet vocals – with Latin American percussion.How to find us, address and more

Tango Late Night

Due to the high demand, we are organising an exclusive Tango Late Night following the chamber concert "Argentinian Tango"! The Argentinian tangos from the first concert will be supplemented by further tangos in a varied line-up.

Science, Talk and Music

In search of the hidden biodiversity of Berlin’s cemeteries: Researchers Katharina and Parm von Oheimb explore the fascinating world of snails. Join the pair as they set off on the trail of the slimy molluscs to examine the peculiar habitat they have found between ivy-covered gravestones and mausoleums. Travel with them as they share insights into their research on the impressive biodiversity of tropical land snails. During the evening's journey, they will report on the endangered diversity of their favourite gastropods, and explain why these creatures are severely affected by the current extinction of species.How to find us, address and more

Late Night: Hinako Omori

»The relationship with ourselves is consistent, and when it’s healed, wonderful things can come from that«, says Japanese composer and singer Hinako Omori. Wonderful music, for example, as her latest album »stillness, softness...« shows. While her previous album »a journey...« focussed on nature, she now turns her attention to the inner self. As casual as the title sounds, listeners sink into the hypnotic stream of synthesiser sounds over which Omori’s gentle voice glides. Perfect for a late night session at the Elbphilharmonie and a relaxed end to the evening. Hinako Omori performs at the invitation of Swiss singer-songwriter Sophie Hunger, who is curating an entire weekend with musical friends in March – Hunger’s »Reflektor« festival. These two artists know each other from Hunger’s album »Halluzinationen«, which they recorded together with other musicians in Omori’s adopted home of London.

Exaudi Late Night: a cappella

Fascinatingly fragile tonal images: Exaudi is one of the world’s leading vocal ensembles with a strong affinity for the outlying margins of new and ancient music. This group of singers can now be experienced at Musikfest Berlin in a late-night concert of chromatically spectacular Renaissance music. In the Papal chapel singer and music theorist Vicente Lusitano an artist is also represented who is now thought likely to be the first Black composer to be published in Europe.

Jewish Music Night

Sacral and spiritual music is the focus of this three-part evening that brings together Jewish singing traditions from several continents. The Piyut Ensemble takes its name from a form of religious Jewish poetry. Synagogue songs and music from North Africa and the Middle East are the sources of inspiration for its spiritual and artistic work, which is deeply rooted in the Jewish faith and Jewish ceremonies. The band Yemen Blues received unanimous acclaim from the audience here back in the Elbphilharmonie’s opening year. Almost seven years later, their singer Ravid Kahalani returns to Hamburg with his equally exciting ensemble Voices of Yemen. Jewish-Yemeni songs intoned with an amazing rawness to the accompaniment of an electric guitar, percussion and the relentlessly pulsating bass of Shanir Blumenkranz promise once more to lead the Hamburg audience to a state of trance, joy and ecstasy. For a number of years now, young Hassidic singers in Brooklyn have been intensively searching together for the synagogue songs of their ancestors. Sound recordings from the pre-war era provide valuable points of reference for producing historically accurate yet individual interpretations. The strong, beautiful singing exudes an uplifting joy and optimism, which probably gave their ancestors strength and solace as they experienced persecution, expulsion and flight, and were forced to start new lives in foreign countries. The Brooklyn Cantors’ programme also includes a song by Yossele Rosenblatt, who worked in Hamburg from 1906 until 1912, before he made it big in the USA. Rosenblatt is still regarded as one of the greatest cantors of all time. This video gives a taste of the Brooklyn Cantors’ impressive singing.

Chamber Music Night

Model Project “Concert for All” 5

Experience music from Humperdinck’s “Mirakel” from a new perspective – together with Andrew Greenwood. The dancer and choreographer has created a very special approach to music with the switch2move method. We invite you to take an active part in the musical events – participation is expressly encouraged.“Concert for All” is a model project in which the RSB designs offers that enable participation for deaf and hard-of-hearing people as well as people with cognitive impairments in order to eventually integrate them permanently into the orchestra’s concert programme. During the four-year term of the project, methods and concepts are to be tested in close cooperation with associations, affected people and their relatives, pilot events are to be held and ultimately new, inclusive formats are to be created that meet the needs of the target groups and yet are open to all visitors.The wheelchair spaces are full. Unfortunately, further registration for wheelchair users is no longer possible.

Model project “Concert for All” 6

Music can draw pictures, express itself in movement and tell of emotions. Together with the sign actor Jan Sell, the RSB will present the music of Igor Stawinsky’s Petrushka in a very unique way.“Concert for All” is a model project in which the RSB designs offers that enable participation for deaf and hard-of-hearing people as well as people with cognitive impairments, in order to eventually integrate them permanently into the orchestra’s concert programme. During the four-year term of the project, methods and concepts are to be tested in close cooperation with associations, affected people and their relatives, pilot events are to be held and ultimately new, inclusive formats are to be created that meet the needs of the target groups and yet are open to all visitors.

University concert & for all under 30s