Set your preferred locations for a better search. You can sign up here.

La bohème

Date & Time
Wed, Dec 11, 2024, 19:30
About the work A garret in Paris on a cold winter’s day around Christmas. Rodolfo, a writer, and Marcello, a painter, are working on their masterpieces. They have no money to buy food, pay the rent or fuel the stove. Colline, a philosopher, returns from the pawn shop empty handed, having failed to get rid of some books. Only Schaunard, a musician, has managed to come up with some victuals, kindling, cigars and cash, so off they go to Café... Read full text

Keywords: Opera

Artistic depiction of the event

Musicians

Information not provided

Program

Information not provided
Give feedback
Last update: Tue, Nov 26, 2024, 14:42

Similar events

These events are similar in terms of concept, place, musicians or the program.

Artistic depiction of the event

La Bohème

Sun, Dec 1, 2024, 16:00
Ramón Tebar (Musical Director), Christian Günther (Chorleitung), Freddie de Tommaso (Rodolfo), Nicholas Mogg (Schaunard), Gyula Orendt (Marcello), Han Kim (Colline), Grzegorz Pelutis (Benoît), Yaritza Véliz (Mimì), Katrina Galka (Musetta), Aaron Godfrey-Mayes (Parpignol), Keith Klein (Alcindoro), Alsterspatzen – Kinder- und Jugendchor der Hamburgischen Staatsoper (Childrens’ choir), Chor der Hamburgischen Staatsoper (Chorus), Philharmonisches Staatsorchester Hamburg (Orchestra)
“How ice-cold is this little hand” – a hand held by the poet Rodolfo in the darkness of his artists’ commune! The ice-cold hand belongs to the seamstress Mimì – with whom he proceeds to throw himself into the Christmas season in Paris. Only a few months later, though, she finds living with Rodolfo torturous. It is not jealousy, however, which explains Rodolfo’s behaviour: he knows that Mimì will not last the year. "La Bohème" was based on Henri Murger’s extremely successful novel "Les scènes de la vie de bohème", which had entranced Puccini when he first read it. His wish to set the tale to music was so strong that he even risked ruining his friendship with Ruggero Leoncavallo, who was also working on a opera version of it. Today, the opera premiered in 1896 is considered one of the most popular stage works of all times – thanks to an overabundance of melodies and Puccini’s genius for character portraits. Director: Guy Joosten Set Designer: Johannes Leiacker Costume Designer: Jorge Jara Lighting Designer: Davy Cunningham Premiere: 05.11.2006
Artistic depiction of the event

La Bohème

Thu, Dec 12, 2024, 19:30
Ramón Tebar (Musical Director), Christian Günther (Chorleitung), Freddie de Tommaso (Rodolfo), Nicholas Mogg (Schaunard), Gyula Orendt (Marcello), Han Kim (Colline), Grzegorz Pelutis (Benoît), Yaritza Véliz (Mimì), Katrina Galka (Musetta), Aaron Godfrey-Mayes (Parpignol), Keith Klein (Alcindoro), Alsterspatzen – Kinder- und Jugendchor der Hamburgischen Staatsoper (Childrens’ choir), Chor der Hamburgischen Staatsoper (Chorus), Philharmonisches Staatsorchester Hamburg (Orchestra)
“How ice-cold is this little hand” – a hand held by the poet Rodolfo in the darkness of his artists’ commune! The ice-cold hand belongs to the seamstress Mimì – with whom he proceeds to throw himself into the Christmas season in Paris. Only a few months later, though, she finds living with Rodolfo torturous. It is not jealousy, however, which explains Rodolfo’s behaviour: he knows that Mimì will not last the year. "La Bohème" was based on Henri Murger’s extremely successful novel "Les scènes de la vie de bohème", which had entranced Puccini when he first read it. His wish to set the tale to music was so strong that he even risked ruining his friendship with Ruggero Leoncavallo, who was also working on a opera version of it. Today, the opera premiered in 1896 is considered one of the most popular stage works of all times – thanks to an overabundance of melodies and Puccini’s genius for character portraits. Director: Guy Joosten Set Designer: Johannes Leiacker Costume Designer: Jorge Jara Lighting Designer: Davy Cunningham Premiere: 05.11.2006
Artistic depiction of the event

La Bohème

Sat, Dec 14, 2024, 19:00
Ramón Tebar (Musical Director), Christian Günther (Chorleitung), Freddie de Tommaso (Rodolfo), Nicholas Mogg (Schaunard), Gyula Orendt (Marcello), Han Kim (Colline), Grzegorz Pelutis (Benoît), Yaritza Véliz (Mimì), Katrina Galka (Musetta), Aaron Godfrey-Mayes (Parpignol), Keith Klein (Alcindoro), Alsterspatzen – Kinder- und Jugendchor der Hamburgischen Staatsoper (Childrens’ choir), Chor der Hamburgischen Staatsoper (Chorus), Philharmonisches Staatsorchester Hamburg (Orchestra)
“How ice-cold is this little hand” – a hand held by the poet Rodolfo in the darkness of his artists’ commune! The ice-cold hand belongs to the seamstress Mimì – with whom he proceeds to throw himself into the Christmas season in Paris. Only a few months later, though, she finds living with Rodolfo torturous. It is not jealousy, however, which explains Rodolfo’s behaviour: he knows that Mimì will not last the year. "La Bohème" was based on Henri Murger’s extremely successful novel "Les scènes de la vie de bohème", which had entranced Puccini when he first read it. His wish to set the tale to music was so strong that he even risked ruining his friendship with Ruggero Leoncavallo, who was also working on a opera version of it. Today, the opera premiered in 1896 is considered one of the most popular stage works of all times – thanks to an overabundance of melodies and Puccini’s genius for character portraits. Director: Guy Joosten Set Designer: Johannes Leiacker Costume Designer: Jorge Jara Lighting Designer: Davy Cunningham Premiere: 05.11.2006
Artistic depiction of the event

La Bohème

Tue, Dec 17, 2024, 19:00
Ramón Tebar (Musical Director), Christian Günther (Chorleitung), Freddie de Tommaso (Rodolfo), Nicholas Mogg (Schaunard), Gyula Orendt (Marcello), Han Kim (Colline), Grzegorz Pelutis (Benoît), Yaritza Véliz (Mimì), Katrina Galka (Musetta), Aaron Godfrey-Mayes (Parpignol), Keith Klein (Alcindoro), Alsterspatzen – Kinder- und Jugendchor der Hamburgischen Staatsoper (Childrens’ choir), Chor der Hamburgischen Staatsoper (Chorus), Philharmonisches Staatsorchester Hamburg (Orchestra)
“How ice-cold is this little hand” – a hand held by the poet Rodolfo in the darkness of his artists’ commune! The ice-cold hand belongs to the seamstress Mimì – with whom he proceeds to throw himself into the Christmas season in Paris. Only a few months later, though, she finds living with Rodolfo torturous. It is not jealousy, however, which explains Rodolfo’s behaviour: he knows that Mimì will not last the year. "La Bohème" was based on Henri Murger’s extremely successful novel "Les scènes de la vie de bohème", which had entranced Puccini when he first read it. His wish to set the tale to music was so strong that he even risked ruining his friendship with Ruggero Leoncavallo, who was also working on a opera version of it. Today, the opera premiered in 1896 is considered one of the most popular stage works of all times – thanks to an overabundance of melodies and Puccini’s genius for character portraits. Director: Guy Joosten Set Designer: Johannes Leiacker Costume Designer: Jorge Jara Lighting Designer: Davy Cunningham Premiere: 05.11.2006
Artistic depiction of the event

La bohème

Fri, Dec 6, 2024, 19:30
About the work A garret in Paris on a cold winter’s day around Christmas. Rodolfo, a writer, and Marcello, a painter, are working on their masterpieces. They have no money to buy food, pay the rent or fuel the stove. Colline, a philosopher, returns from the pawn shop empty handed, having failed to get rid of some books. Only Schaunard, a musician, has managed to come up with some victuals, kindling, cigars and cash, so off they go to Café Momus - without Rodolfo, who’s trying to work. Mimì, the embroiderer from next door, arrives to ask for a match to light her candle with. She collapses and loses her key; cue for Rodolfo to fall in love with Mimì, who is terminally ill with TB, although he dumps her two months later because the prospect of her ailment getting steadily worse in her freezing home is too much for him. Six months go by. Musetta, Marcello’s ex, arrives with Mimì, whose condition is grave. Musetta sells some earrings with a view to buying medicine; Colline gives up his coat. Gratitude and happiness for a short while. Rodolfo thinks Mimì is sleeping and her body regenerating, …but in fact she’s dead. With his EDGAR [1889] and MANON LESCAUT Puccini had already made his name as a maestro of musical colour, but it was not until LA BOHÈME that he achieved the marriage of material and score that moved Claude Debussy to raptures: »No one in my mind has captured the essence of Paris so well as Puccini in LA BOHÈME«. Puccini’s impressionistic style is a blend of subjective feeling and objective tonal painting. From the very beginning the music is working its charm, be it through the sound painting, atmospheric touches or local colour conveyed by the score: Rodolfo and Marcello burning the script; the poet flicking water on Mimì’s unconscious brow to cool her down; in Act 2 the chorus representing the crowd in contrast to the orchestra embodying the military parade; in Act 3 the restrained, austere music conveying the atmosphere of a chilly winter’s morning. About ...
Artistic depiction of the event

La bohème

Mon, Dec 9, 2024, 18:00
About the work A garret in Paris on a cold winter’s day around Christmas. Rodolfo, a writer, and Marcello, a painter, are working on their masterpieces. They have no money to buy food, pay the rent or fuel the stove. Colline, a philosopher, returns from the pawn shop empty handed, having failed to get rid of some books. Only Schaunard, a musician, has managed to come up with some victuals, kindling, cigars and cash, so off they go to Café Momus - without Rodolfo, who’s trying to work. Mimì, the embroiderer from next door, arrives to ask for a match to light her candle with. She collapses and loses her key; cue for Rodolfo to fall in love with Mimì, who is terminally ill with TB, although he dumps her two months later because the prospect of her ailment getting steadily worse in her freezing home is too much for him. Six months go by. Musetta, Marcello’s ex, arrives with Mimì, whose condition is grave. Musetta sells some earrings with a view to buying medicine; Colline gives up his coat. Gratitude and happiness for a short while. Rodolfo thinks Mimì is sleeping and her body regenerating, …but in fact she’s dead. With his EDGAR [1889] and MANON LESCAUT Puccini had already made his name as a maestro of musical colour, but it was not until LA BOHÈME that he achieved the marriage of material and score that moved Claude Debussy to raptures: »No one in my mind has captured the essence of Paris so well as Puccini in LA BOHÈME«. Puccini’s impressionistic style is a blend of subjective feeling and objective tonal painting. From the very beginning the music is working its charm, be it through the sound painting, atmospheric touches or local colour conveyed by the score: Rodolfo and Marcello burning the script; the poet flicking water on Mimì’s unconscious brow to cool her down; in Act 2 the chorus representing the crowd in contrast to the orchestra embodying the military parade; in Act 3 the restrained, austere music conveying the atmosphere of a chilly winter’s morning. About ...
Artistic depiction of the event

La bohème

Sun, Dec 29, 2024, 18:00
About the work A garret in Paris on a cold winter’s day around Christmas. Rodolfo, a writer, and Marcello, a painter, are working on their masterpieces. They have no money to buy food, pay the rent or fuel the stove. Colline, a philosopher, returns from the pawn shop empty handed, having failed to get rid of some books. Only Schaunard, a musician, has managed to come up with some victuals, kindling, cigars and cash, so off they go to Café Momus - without Rodolfo, who’s trying to work. Mimì, the embroiderer from next door, arrives to ask for a match to light her candle with. She collapses and loses her key; cue for Rodolfo to fall in love with Mimì, who is terminally ill with TB, although he dumps her two months later because the prospect of her ailment getting steadily worse in her freezing home is too much for him. Six months go by. Musetta, Marcello’s ex, arrives with Mimì, whose condition is grave. Musetta sells some earrings with a view to buying medicine; Colline gives up his coat. Gratitude and happiness for a short while. Rodolfo thinks Mimì is sleeping and her body regenerating, …but in fact she’s dead. With his EDGAR [1889] and MANON LESCAUT Puccini had already made his name as a maestro of musical colour, but it was not until LA BOHÈME that he achieved the marriage of material and score that moved Claude Debussy to raptures: »No one in my mind has captured the essence of Paris so well as Puccini in LA BOHÈME«. Puccini’s impressionistic style is a blend of subjective feeling and objective tonal painting. From the very beginning the music is working its charm, be it through the sound painting, atmospheric touches or local colour conveyed by the score: Rodolfo and Marcello burning the script; the poet flicking water on Mimì’s unconscious brow to cool her down; in Act 2 the chorus representing the crowd in contrast to the orchestra embodying the military parade; in Act 3 the restrained, austere music conveying the atmosphere of a chilly winter’s morning. About ...
Artistic depiction of the event

La bohème

Tue, Dec 31, 2024, 17:00
About the work A garret in Paris on a cold winter’s day around Christmas. Rodolfo, a writer, and Marcello, a painter, are working on their masterpieces. They have no money to buy food, pay the rent or fuel the stove. Colline, a philosopher, returns from the pawn shop empty handed, having failed to get rid of some books. Only Schaunard, a musician, has managed to come up with some victuals, kindling, cigars and cash, so off they go to Café Momus - without Rodolfo, who’s trying to work. Mimì, the embroiderer from next door, arrives to ask for a match to light her candle with. She collapses and loses her key; cue for Rodolfo to fall in love with Mimì, who is terminally ill with TB, although he dumps her two months later because the prospect of her ailment getting steadily worse in her freezing home is too much for him. Six months go by. Musetta, Marcello’s ex, arrives with Mimì, whose condition is grave. Musetta sells some earrings with a view to buying medicine; Colline gives up his coat. Gratitude and happiness for a short while. Rodolfo thinks Mimì is sleeping and her body regenerating, …but in fact she’s dead. With his EDGAR [1889] and MANON LESCAUT Puccini had already made his name as a maestro of musical colour, but it was not until LA BOHÈME that he achieved the marriage of material and score that moved Claude Debussy to raptures: »No one in my mind has captured the essence of Paris so well as Puccini in LA BOHÈME«. Puccini’s impressionistic style is a blend of subjective feeling and objective tonal painting. From the very beginning the music is working its charm, be it through the sound painting, atmospheric touches or local colour conveyed by the score: Rodolfo and Marcello burning the script; the poet flicking water on Mimì’s unconscious brow to cool her down; in Act 2 the chorus representing the crowd in contrast to the orchestra embodying the military parade; in Act 3 the restrained, austere music conveying the atmosphere of a chilly winter’s morning. About ...
Artistic depiction of the event

La Bohème

Sat, Nov 30, 2024, 19:30
La Bohème, a four-act opera by Giacomo Puccini, explores the lives of struggling artists in poverty. Directed by Alize Zandwijk, the production delves into themes of humanity and responsibility in precarious times, focusing on the artists' love, celebration, and philosophical discussions amidst hardship. When Mimì falls ill, the harsh realities intrude upon their bohemian world.
Artistic depiction of the event

La Traviata

Tue, Apr 8, 2025, 19:30
Stefano Ranzani (Musical Director), Christian Günther (Chorleitung), Vera-Lotte Boecker (Violetta Valery), Ida Aldrian (Flora Bervoix), Renate Spingler (Annina), Oleksiy Palchykov (Alfredo Germont), Alexey Markov (Giorgio Germont), Peter Galliard (Gastone), Mateusz Ługowski (Il Barone Douphol), William Desbiens (Il Marchese d'Obigny), Keith Klein (Il Dottore Grenvil), Aaron Godfrey-Mayes (Giuseppe), Philharmonisches Staatsorchester Hamburg (Orchestra), Chor der Hamburgischen Staatsoper (Chorus)
Violetta is the most sought-after courtesan of the Parisian demimonde. However, her encounter with Alfredo makes her pleasure-seeking life seem questionable: they fall in love and try to build a life for themselves, far from the fast pleasures of the city. Her past, however, catches up with Violetta. Alfredo’s father persuades her that a separation is the only way to restore his family honour. Alfredo, unaware of the true reasons for her decision, insults Violetta in public. When they are finally reunited, Violetta has run out of time. Giuseppe Verdi was on the lookout for such a provocative, innovative tale when he encountered the novel La Dame aux Camélias by Alexandre Dumas the Younger. In the spring of 1852 he saw the “Lady of the Camellias” as a play adapted by the writer himself at the Vaudeville Theatre in Paris. The impression this made on him strengthened his resolve to use the tale for his next opera; the story gave him an opportunity to reformulate his grand theme: love defeated by the resistance of society. Director: Johannes Erath Stage Designer: Annette Kurz Costume Designer: Herbert Murauer Lighting Designer: Olaf Freese Dramaturgy: Francis Hüsers Premiere: 17.02.2013