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Konzerthausorchester Berlin, Joana Mallwitz

Date & Time
Sat, Feb 22, 2025, 20:00
Off to Italy! If not in person, you can at least escape the grey of Berlin for a while with the Konzerthausorchester, Joana Mallwitz and our former artist in residence violist Antoine Tamestit. First, Swedish composer Andrea Tarrodi will take you through picturesque Ligurian villages. The 21-year-old Felix Mendelssohn also fell in love with the southern landscape: ‘There is music in it, it sounds and resounds from all sides.’ He wrote to his sister Fanny: ‘In general, composing is now... Read full text

Keywords: Symphony Concert

Artistic depiction of the event

Musicians

Konzerthausorchester Berlin
Joana MallwitzConductor
Antoine TamestitViola

Program

„Liguria“Andrea Tarrodi
Sinfonie Nr. 4 A-Dur op. 90 („Italienische“)Felix Mendelssohn Bartholdy
„Harold in Italien“ - Sinfonie für Orchester (mit Solo-Viola)Hector Berlioz
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Last update: Fri, Nov 22, 2024, 12:43

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What does the faun do in the afternoon? He plays the flute! And in such a dreamy and colourful way that you would never have expected the shaggy hybrid of human and billy goat. He owes this image correction to Claude Debussy - and the flautists one of their most beautiful orchestral solos. The pianistic brilliance and perfect interplay of our former Artists in Residence Lucas and Arthur Jussen impressed Joey Roukens so much that he began to write a double concerto for the brothers, ‘in which the two soloists sound not so much as two separate soloists, but as one super pianist on one super grand piano, so to speak. This means that there are many unison passages: Both pianos play exactly the same notes. In any case, the unison is an element that appears frequently in my work, perhaps a legacy of the ‘Dutch musical tradition’.’ According to the Amsterdam-based composer, he was also influenced by Italian baroque toccatas. The brilliantly orchestrated Concerto for Orchestra from 1943, in whose five movements Bela Bartók combines Western musical tradition with Hungarian folk music, completes a varied concert evening as the main work, which takes the Konzerthausorchester under the direction of Joana Mallwitz from Impressionism through classical modernism to the 21st century.
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Konzerthausorchester Berlin, Joana Mallwitz

Sat, Sep 21, 2024, 20:00
Konzerthaus Berlin, Großer Saal (Berlin)
Konzerthausorchester Berlin, Joana Mallwitz (Conductor), Lucas & Arthur Jussen (Piano)
What does the faun do in the afternoon? He plays the flute! And in such a dreamy and colourful way that you would never have expected the shaggy hybrid of human and billy goat. He owes this image correction to Claude Debussy - and the flautists one of their most beautiful orchestral solos. The pianistic brilliance and perfect interplay of our former Artists in Residence Lucas and Arthur Jussen impressed Joey Roukens so much that he began to write a double concerto for the brothers, ‘in which the two soloists sound not so much as two separate soloists, but as one super pianist on one super grand piano, so to speak. This means that there are many unison passages: Both pianos play exactly the same notes. In any case, the unison is an element that appears frequently in my work, perhaps a legacy of the ‘Dutch musical tradition’.’ According to the Amsterdam-based composer, he was also influenced by Italian baroque toccatas. The brilliantly orchestrated Concerto for Orchestra from 1943, in whose five movements Bela Bartók combines Western musical tradition with Hungarian folk music, completes a varied concert evening as the main work, which takes the Konzerthausorchester under the direction of Joana Mallwitz from Impressionism through classical modernism to the 21st century.
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Konzerthausorchester Berlin, Joana Mallwitz

Sat, Feb 1, 2025, 20:00
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Konzerthausorchester Berlin, Joana Mallwitz (Conductor), Sheku Kanneh-Mason (Cello)
Sofia Gubaidulina's ‘Fairytale Poem’ from 1971, with which the Konzerthausorchester and Joana Mallwitz begin their concert, is, according to the composer, about a little piece of chalk with big dreams of marvellous things that it wants to draw. Unfortunately, it is only used as blackboard chalk at school and is eventually thrown away. A boy finds it and begins to draw castles, gardens and sunsets on the street. The chalk is too happy to realize that it is finally disintegrating. Shostakovich's first cello concerto from 1959 shows how the composer was finally able to utilise a wealth of long frowned upon modernist techniques after the death of Stalin. The cellist of the century and dedicatee Mstislav ‘Slava’ Rostropovich became the great midwife. With us, artist in residence Sheku Kanneh-Mason takes on the solo part.Tchaikovsky dedicated the Fourth Symphony, premiered in 1878, to his confidante and patron Nadezhda von Meck. They never met, but exchanged 1200 letters. He wrote to her about the last movement of the Fourth: ‘If you don't have enough reason to find happiness in yourself, mingle with people, see what a good time they are having, how they abandon themselves completely to joyful feelings!’ One can only add to that: Welcome to the Konzerthaus, mingle with our audience!
Artistic depiction of the event

Konzerthausorchester Berlin, Joana Mallwitz

Sun, Feb 2, 2025, 16:00
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Konzerthausorchester Berlin, Joana Mallwitz (Conductor), Sheku Kanneh-Mason (Cello)
Sofia Gubaidulina's ‘Fairytale Poem’ from 1971, with which the Konzerthausorchester and Joana Mallwitz begin their concert, is, according to the composer, about a little piece of chalk with big dreams of marvellous things that it wants to draw. Unfortunately, it is only used as blackboard chalk at school and is eventually thrown away. A boy finds it and begins to draw castles, gardens and sunsets on the street. The chalk is too happy to realize that it is finally disintegrating. Shostakovich's first cello concerto from 1959 shows how the composer was finally able to utilise a wealth of long frowned upon modernist techniques after the death of Stalin. The cellist of the century and dedicatee Mstislav ‘Slava’ Rostropovich became the great midwife. With us, artist in residence Sheku Kanneh-Mason takes on the solo part.Tchaikovsky dedicated the Fourth Symphony, premiered in 1878, to his confidante and patron Nadezhda von Meck. They never met, but exchanged 1200 letters. He wrote to her about the last movement of the Fourth: ‘If you don't have enough reason to find happiness in yourself, mingle with people, see what a good time they are having, how they abandon themselves completely to joyful feelings!’ One can only add to that: Welcome to the Konzerthaus, mingle with our audience!
Artistic depiction of the event

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Artistic depiction of the event

Konzerthausorchester Berlin, Joana Mallwitz

Sat, Jun 7, 2025, 20:00
Konzerthaus Berlin, Großer Saal (Berlin)
Konzerthausorchester Berlin, Joana Mallwitz (Conductor), Kian Soltani (Cello)
‘There is still no music that is closer to my heart than Schubert's,’ says Joana Mallwitz. This composer and his works were the ‘initial spark’ for her to become a conductor. ‘I'm really looking forward to conducting Schubert's “Great” in C major not in front of cameras and an empty hall, as I did in 2020 when I made my debut with the Konzerthausorchester due to the coronavirus, but in front of an audience. I think it's one of the best pieces ever,’ says our chief conductor. Before that, cello soloist Kian Soltani will delight you with Tchaikovsky's longing look back at the musical world of Mozart, who gave his guild the charming ‘Rococo Variations’. The programme opens with ‘D'un matin de printemps’, one of only six chamber music works that belong to the oeuvre of Lili Boulanger, who was awarded the Prix de Rome in 1913. It was composed in 1918 a few weeks before she died of tuberculosis at the age of 24 and is an impressionistic portrayal of a spring morning. .
Artistic depiction of the event

Konzerthausorchester Berlin, Joana Mallwitz

Sun, Jun 8, 2025, 16:00
Konzerthaus Berlin, Großer Saal (Berlin)
Konzerthausorchester Berlin, Joana Mallwitz (Conductor), Kian Soltani (Cello)
‘There is still no music that is closer to my heart than Schubert's,’ says Joana Mallwitz. This composer and his works were the ‘initial spark’ for her to become a conductor. ‘I'm really looking forward to conducting Schubert's “Great” in C major not in front of cameras and an empty hall, as I did in 2020 when I made my debut with the Konzerthausorchester due to the coronavirus, but in front of an audience. I think it's one of the best pieces ever,’ says our chief conductor. Before that, cello soloist Kian Soltani will delight you with Tchaikovsky's longing look back at the musical world of Mozart, who gave his guild the charming ‘Rococo Variations’. The programme opens with ‘D'un matin de printemps’, one of only six chamber music works that belong to the oeuvre of Lili Boulanger, who was awarded the Prix de Rome in 1913. It was composed in 1918 a few weeks before she died of tuberculosis at the age of 24 and is an impressionistic portrayal of a spring morning.