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Konzerthausorchester Berlin, Iván Fischer

Date & Time
Sun, Jan 12, 2025, 16:00
Leonard Bernstein combined classical music, jazz, show music and folk music from various communities. The songs from his vibrant New York Romeo and Juliet story „West Side Story“ have been loved by audiences since 1957. George Gershwin also combines classical concertos and jazz, and his music has found a home on Broadway and in Carnegie Hall. Pianist Kirill Gerstein performs Gershwin's world hit „Rhapsody in Blue“ as a soloist with the Konzerthausorchester under Iván Fischer. From the New World, we... Read full text

Keywords: Afternoon Concert, Recital, Symphony Concert

Artistic depiction of the event

Musicians

Konzerthausorchester Berlin
Iván FischerConductor
Kirill GersteinPiano

Program

Ouvertüre zum Musical „Candide“Leonard Bernstein
Drei Tanzepisoden aus dem Musical „On The Town“Leonard Bernstein
„Rhapsody in Blue“ für Klavier und OrchesterGeorge Gershwin
„Le boeuf sur le toit“ - Ballettmusik op. 58Darius Milhaud
„Gymnopédie“ Nr. 1, für Orchester bearbeitet von Claude DebussyErik Satie
„Gnossienne“ Nr. 3, für Orchester bearbeitet von Francis PoulencErik Satie
„La Valse“ - Poème choréographique für OrchesterMaurice Ravel
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Last update: Sat, Dec 7, 2024, 13:48

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Of light and shadow: The 19-year-old Franz Schubert's third symphony in D major, which is cheerful and at times like a folk song, was written for a private circle in 1815 and probably premiered there, is followed by Anton Bruckner's tragic last work, his unfinished ninth in D minor. He worked on the finale of this symphony, which continues the weighty tradition of its eight predecessors, until his death in 1896. He fervently hoped to be able to finish the last movement and even spoke of it to his doctor. Because the apartment was sealed too late after his death, all kinds of authorized and unauthorized persons immediately pounced on the existing manuscript pages. Its creator, however, had finally realized that his strength and time would not be enough to complete it. He therefore decreed that his “Te Deum”, completed twelve years earlier, should be played instead of the fourth movement. However, the symphony is often simply performed unfinished. Incidentally, Iván Fischer and the Konzerthausorchester already played Bruckner's monumental Ninth in 2013.
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Sun, Nov 10, 2024, 16:00
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Mozart's “Magic Flute” is a masterpiece of the 18th century that reflects the moral concepts of the time with regard to the roles of men and women. Iván Fischer wants to confront parts of this favorite opera with 21st century values. He concentrates on well-known arias and scenes: Reversed gender roles of central characters invite an unexpected new listening experience as well as reflection. For example, a King of the Night, interpreted by the outstanding countertenor Samuel Mariño, appears as the antagonist of the powerful Sarastra, sung by Deniz Uzun. Iván Fischer also plays with the music itself, for example when he has the famous overture performed not only by the Konzerthausorchester but also by the Vocalconsort Berlin.
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Konzerthausorchester Berlin, Iván Fischer

Sun, Apr 13, 2025, 16:00
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Our honorary conductor Iván Fischer is a guarantee for unusual programmes. This time, he and the Konzerthausorchester will perform works by four composers who were ostracised and persecuted by the National Socialists and whose works shaped the avant-garde of the interwar period. Paul Hindemith, Kurt Weill and Hanns Eisler found their way to the United States via detours, but Erwin Schulhoff was interned in Prague, deported and died of tuberculosis in a camp in Bavaria.
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Konzerthausorchester Berlin, Iván Fischer

Fri, Jan 10, 2025, 19:00
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Leonard Bernstein combined classical music, jazz, show music and folk music from various communities to create distinctive musicals that were successful around the globe. George Gershwin also combines classical concert and jazz, and his music is at home on Broadway and in Carnegie Hall. Pianist Kirill Gerstein performs Gershwin's world hit „Rhapsody in Blue“ as a soloist with the Konzerthausorchester under Iván Fischer. From the New World, we travel to old Europe, to France. However, nothing sounds old here: Darius Milhaud's cheerful „Ox on the Roof“, driven by Brazilian rhythms, which of course sounds much more elegant as the French „boeuf sur le toit“, is followed by two of Erik Satie's meditative piano miniatures arranged for orchestra. Finally, eerie undertones pervade Maurice Ravel's „La Valse“. First performed in 1920, this waltz is both a dance of death and an ironic homage to the 19th century.
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Fri, Oct 4, 2024, 19:00
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Of light and shadow: The 19-year-old Franz Schubert's third symphony in D major, which is cheerful and at times like a folk song, was written for a private circle in 1815 and probably premiered there, is followed by Anton Bruckner's tragic last work, his unfinished ninth in D minor. He worked on the finale of this symphony, which continues the weighty tradition of its eight predecessors, until his death in 1896. He fervently hoped to be able to finish the last movement and even spoke of it to his doctor. Because the apartment was sealed too late after his death, all kinds of authorized and unauthorized persons immediately pounced on the existing manuscript pages. Its creator, however, had finally realized that his strength and time would not be enough to complete it. He therefore decreed that his “Te Deum”, completed twelve years earlier, should be played instead of the fourth movement. However, the symphony is often simply performed unfinished. Incidentally, Iván Fischer and the Konzerthausorchester already played Bruckner's monumental Ninth in 2013.
Artistic depiction of the event

Konzerthausorchester Berlin, Iván Fischer

Fri, Nov 8, 2024, 19:00
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Mozart's “Magic Flute” is a masterpiece of the 18th century that reflects the moral concepts of the time with regard to the roles of men and women. Iván Fischer wants to confront parts of this favorite opera with 21st century values. He concentrates on well-known arias and scenes: Reversed gender roles of central characters invite an unexpected new listening experience as well as reflection. For example, a King of the Night, interpreted by the outstanding countertenor Samuel Mariño, appears as the antagonist of the powerful Sarastra, sung by Deniz Uzun. Iván Fischer also plays with the music itself, for example when he has the famous overture performed not only by the Konzerthausorchester but also by the Vocalconsort Berlin.
Artistic depiction of the event

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Fri, Apr 11, 2025, 19:00
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