Klang-Raum I

Klang der Zeit

The performance explores the concept of time and its varying pace. Four musicians and a dancer create a 45-minute experience of life's moments. They invite the audience to reflect on their own life's rhythm through music, song, and dance.

Klang der Zeit

The performance explores the concept of time and its varying pace. Four musicians and a dancer create a 45-minute experience of life's moments. They invite the audience to reflect on their own life's rhythm through music, song, and dance.

Klang der Zeit

The performance explores the concept of time and its varying pace. Four musicians and a dancer create a 45-minute experience of life's moments. They invite the audience to reflect on their own life's rhythm through music, song, and dance.

Klang der Zeit

The performance explores the concept of time and its varying pace. Four musicians and a dancer create a 45-minute experience of life's moments. They invite the audience to reflect on their own life's rhythm through music, song, and dance.

Klang der Stille

Florian Illies, known for his chronicle of German sentiment, has recently captivated audiences with compilations on 1913 and love during times of hate. His latest work delves into German Romanticism, portraying Caspar David Friedrich as a painter of devout introspection on the edge of abstraction. The symphony concert "Sound of Silence" complements this, showing Friedrich wasn't alone in his artistic journey.

Mu­se­ums­kon­zert I

Kam­mer­kon­zert I

Seit mehr als sechs Jahrzehnten gehören die Kammerkonzerte von Musiker:innen der Staatskapelle zu den Konstanten des Staatsopernprogramms. In dieser Spielzeit haben sich Ensembles zusammengefunden, die unter dem Thema „Zusammen-Spiel“ Musik verschiedener Zeiten, Stile und Kulturen ausgewählt haben. An elf Terminen im Apollosaal, der mit seiner besonderen Atmosphäre ein idealer Ort für Kammermusik und ein kommunikatives Miteinander von Spielenden und Hörenden ist, werden Werke vom Barock bis zur Gegenwart erklingen, in zugleich spannungsvollen wie harmonischen Konstellationen, bei denen spürbare Kontraste ebenso eine Rolle spielen wie ein gemeinsames Schwingen und der Ausgleich von Gegensätzen.

Musiktheaterwerkstatt I

Handel's baroque magic opera "Rinaldo" and Verdi's opera comedy "Falstaff" are the experimental fields for directing students. In their productions, directing and singing students regularly dedicate themselves to both great traditional works of the opera world and lesser-known music theatre, showing the audience their perspectives on this repertoire.

Musiktheaterwerkstatt I

Handel's baroque magic opera "Rinaldo" and Verdi's opera comedy "Falstaff" are the experimental fields for directing students. In their productions, directing and singing students regularly dedicate themselves to both great traditional works of the opera world and lesser-known music theatre, showing the audience their perspectives on this repertoire.

Anna Prohaska I & Pierre-Laurent Aimard I

harles Ives occasionally wrote songs that manage without a human voice – singers made such a fuss, he felt, he would replace them with a solo instrument. However, in the pieces chosen by Anna Prohaska and pianist Pierre-Laurent Aimard, the voice will take the leading role. Ives’s songs work with a broad palette of themes, wandering from childhood dreams to industrialisation, from criticism of society to autumn moods. They are contrasted with songs by Debussy and Strawinsky.