Keywords: Guest Concert, Symphony Concert, Vocal Music
| Sir Simon Rattle | Conductor |
| Anja Kampe | Soprano |
| Michael Volle | Bariton |
| Symphonieorchester des Bayerischen Rundfunks |
| “Die Walküre” – Ride of the Valkyries | Richard Wagner |
| “Die Walküre” – Act 3, Final | Richard Wagner |
| Symphony No. 2 in D major, op. 73 | Johannes Brahms |
These events are similar in terms of concept, place, musicians or the program.
Among conductors, Giovanni Antonini continues to number among the “savages” who use ultra-brisk tempos to breathe unparalleled passion and vivacity into the music of bygone eras. In the meantime he no longer specialises in Baroque music, but increasingly devotes himself to the Classical and early Romantic periods. Between Mozart’s “Little” G minor Symphony and Haydn’s “Drumroll” Symphony (written for London), the soprano Lydia Teuscher will sing three famous concert arias by Mozart and Mendelssohn. The Mozart arias were originally inserted into comic operas by other composers; today they can be heard in concert as precious gems in their own right. Mendelssohn composed his aria of love and vengeance for Maria Malibran, placing at her side a poignant violin solo to be played by the virtuoso Charles-Auguste de Bériot, her lover at the time and later her husband.
Among conductors, Giovanni Antonini continues to number among the “savages” who use ultra-brisk tempos to breathe unparalleled passion and vivacity into the music of bygone eras. In the meantime he no longer specialises in Baroque music, but increasingly devotes himself to the Classical and early Romantic periods. Between Mozart’s “Little” G minor Symphony and Haydn’s “Drumroll” Symphony (written for London), the soprano Lydia Teuscher will sing three famous concert arias by Mozart and Mendelssohn. The Mozart arias were originally inserted into comic operas by other composers; today they can be heard in concert as precious gems in their own right. Mendelssohn composed his aria of love and vengeance for Maria Malibran, placing at her side a poignant violin solo to be played by the virtuoso Charles-Auguste de Bériot, her lover at the time and later her husband.
“I only program music I love, because otherwise what’s the point?” Fleur Barron recently told The Times, which praised the Singaporean-British mezzo-soprano as “a knockout performer.” The young, exciting, and passionate singer (whose mentor, incidentally, is Barbara Hannigan) will make her debut with the BRSO in Mahler’s Lied von der Erde. She will be joined by tenor Andrew Staples, who has performed many times with the BRSO, as well as guest conductor Daniel Harding. Mendelssohn’s Fifth Symphony – written in honor of Martin Luther – has not been performed by the BRSO in a long time. The composer would have actually liked to burn the work, whose first movement he described as a “fat, bristly animal.” Fortunately, his intention was never realized.
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