Daniel Harding

Date & Time

Sat, Mar 8, 2025, 17:00

Venue

“I only program music I love, because otherwise what’s the point?” Fleur Barron recently told The Times, which praised the Singaporean-British mezzo-soprano as “a knockout performer.” The young, exciting, and passionate singer (whose mentor, incidentally, is Barbara Hannigan) will make her debut with the BRSO in Mahler’s Lied von der Erde. She will be joined by tenor Andrew Staples, who has performed many times with the BRSO, as well as guest conductor Daniel Harding. Mendelssohn’s Fifth Symphony – written in... Read full text

Keywords: Guest Concert, Symphony Concert, Vocal Music

Info & Ticket (www.brso.de)

Musicians

Daniel Harding	Conductor
Fleur Barron	Mezzo-Soprano
Andrew Staples	Tenor
Symphonieorchester des Bayerischen Rundfunks

Program

Symphony No. 5 in D major, op. 107 (“Reformation”)	Felix Mendelssohn Bartholdy
“Das Lied von der Erde”	Gustav Mahler

Give feedback

Last update: Mon, Dec 30, 2024, 17:01

Similar events

These events are similar in terms of concept, place, musicians or the program.

Daniel Harding

Mon, Mar 10, 2025, 20:00

Kölner Philharmonie (Köln)

Daniel Harding (Conductor), Fleur Barron (Mezzo-Soprano), Andrew Staples (Tenor), Symphonieorchester des Bayerischen Rundfunks

“I only program music I love, because otherwise what’s the point?” Fleur Barron recently told The Times, which praised the Singaporean-British mezzo-soprano as “a knockout performer.” The young, exciting, and passionate singer (whose mentor, incidentally, is Barbara Hannigan) will make her debut with the BRSO in Mahler’s Lied von der Erde. She will be joined by tenor Andrew Staples, who has performed many times with the BRSO, as well as guest conductor Daniel Harding. Mendelssohn’s Fifth Symphony – written in honor of Martin Luther – has not been performed by the BRSO in a long time. The composer would have actually liked to burn the work, whose first movement he described as a “fat, bristly animal.” Fortunately, his intention was never realized.

Info & Ticket (www.brso.de)

Daniel Harding

Tue, Mar 11, 2025, 20:00

Palais des Beaux Arts (Brussels)

Daniel Harding (Conductor), Fleur Barron (Mezzo-Soprano), Andrew Staples (Tenor), Symphonieorchester des Bayerischen Rundfunks

“I only program music I love, because otherwise what’s the point?” Fleur Barron recently told The Times, which praised the Singaporean-British mezzo-soprano as “a knockout performer.” The young, exciting, and passionate singer (whose mentor, incidentally, is Barbara Hannigan) will make her debut with the BRSO in Mahler’s Lied von der Erde. She will be joined by tenor Andrew Staples, who has performed many times with the BRSO, as well as guest conductor Daniel Harding. Mendelssohn’s Fifth Symphony – written in honor of Martin Luther – has not been performed by the BRSO in a long time. The composer would have actually liked to burn the work, whose first movement he described as a “fat, bristly animal.” Fortunately, his intention was never realized.

Info & Ticket (www.brso.de)

Daniel Harding

Thu, Mar 6, 2025, 20:00

Herkulessaal (München)

Daniel Harding (Conductor), Fleur Barron (Mezzo-Soprano), Andrew Staples (Tenor), Symphonieorchester des Bayerischen Rundfunks

“I only program music I love, because otherwise what’s the point?” Fleur Barron recently told The Times, which praised the Singaporean-British mezzo-soprano as “a knockout performer.” The young, exciting, and passionate singer (whose mentor, incidentally, is Barbara Hannigan) will make her debut with the BRSO in Mahler’s Lied von der Erde. She will be joined by tenor Andrew Staples, who has performed many times with the BRSO, as well as guest conductor Daniel Harding. Mendelssohn’s Fifth Symphony – written in honor of Martin Luther – has not been performed by the BRSO in a long time. The composer would have actually liked to burn the work, whose first movement he described as a “fat, bristly animal.” Fortunately, his intention was never realized.

Info & Ticket (www.brso.de)

Daniel Harding

Fri, Mar 7, 2025, 20:00

Herkulessaal (München)

Daniel Harding (Conductor), Fleur Barron (Mezzo-Soprano), Andrew Staples (Tenor), Symphonieorchester des Bayerischen Rundfunks

“I only program music I love, because otherwise what’s the point?” Fleur Barron recently told The Times, which praised the Singaporean-British mezzo-soprano as “a knockout performer.” The young, exciting, and passionate singer (whose mentor, incidentally, is Barbara Hannigan) will make her debut with the BRSO in Mahler’s Lied von der Erde. She will be joined by tenor Andrew Staples, who has performed many times with the BRSO, as well as guest conductor Daniel Harding. Mendelssohn’s Fifth Symphony – written in honor of Martin Luther – has not been performed by the BRSO in a long time. The composer would have actually liked to burn the work, whose first movement he described as a “fat, bristly animal.” Fortunately, his intention was never realized.

Info & Ticket (www.brso.de)

Daniel Harding & Leif Ove Andsnes

Thu, Jun 13, 2024, 20:00

Herkulessaal (München)

Daniel Harding (Conductor), Leif Ove Andsnes (Piano), Symphonieorchester des Bayerischen Rundfunks

Daniel Harding will perform Beethoven’s Fifth Piano Concerto together with Leif Ove Andsnes. Composed in 1809 during the Napoleonic occupation of Vienna, its expansive structure exudes a longing for peace and humanity. Instead of the planned Sinfonia domestica, the second part features two of Richard Strauss’ most popular tone poems, Death and Transfiguration and Don Juan, with which the young composer finally embarked on the path to becoming a “musician of the future”. Strauss established his fame as the leading opera composer of his time a few years later with Salome. The culmination of this ground-breaking work is Salome’s lascivious Dance of the Seven Veils – a dramaturgical and tonal fascination to this day.

Info (www.brso.de)

Daniel Harding & Leif Ove Andsnes

Fri, Jun 14, 2024, 20:00

Herkulessaal (München)

Daniel Harding (Conductor), Leif Ove Andsnes (Piano), Symphonieorchester des Bayerischen Rundfunks

Daniel Harding will perform Beethoven’s Fifth Piano Concerto together with Leif Ove Andsnes. Composed in 1809 during the Napoleonic occupation of Vienna, its expansive structure exudes a longing for peace and humanity. Instead of the planned Sinfonia domestica, the second part features two of Richard Strauss’ most popular tone poems, Death and Transfiguration and Don Juan, with which the young composer finally embarked on the path to becoming a “musician of the future”. Strauss established his fame as the leading opera composer of his time a few years later with Salome. The culmination of this ground-breaking work is Salome’s lascivious Dance of the Seven Veils – a dramaturgical and tonal fascination to this day.

Info (www.brso.de)

Daniel Harding & Leif Ove Andsnes

Sat, Jun 15, 2024, 19:30

Wiener Konzerthaus (Wien)

Daniel Harding (Conductor), Leif Ove Andsnes (Piano), Symphonieorchester des Bayerischen Rundfunks

Daniel Harding will perform Beethoven’s Fifth Piano Concerto together with Leif Ove Andsnes. Composed in 1809 during the Napoleonic occupation of Vienna, its expansive structure exudes a longing for peace and humanity. Instead of the planned Sinfonia domestica, the second part features two of Richard Strauss’ most popular tone poems, Death and Transfiguration and Don Juan, with which the young composer finally embarked on the path to becoming a “musician of the future”. Strauss established his fame as the leading opera composer of his time a few years later with Salome. The culmination of this ground-breaking work is Salome’s lascivious Dance of the Seven Veils – a dramaturgical and tonal fascination to this day.

Info (www.brso.de)

Daniel Harding

Thu, Mar 24, 2022, 20:00

Isarphilharmonie (München)

Daniel Harding (Conductor), Symphonieorchester des Bayerischen Rundfunks

Daniel Harding is a welcome guest at the helm of the BRSO. This time he will conduct a programme fully deserving of the title “from adversity to the stars”. Thomas Adès’s The Exterminating Angel Symphony of 2020 was commissioned by several orchestras, including the BRSO. Here he takes up important passages from his like-named opera, premièred at the Salzburg Festival in 2016, and combines them into a four-movement symphony. The starting point was a surrealist film by Luis Buñuel, in which a group of high-bred socialites gather together for a party and are condemned to a nightmarish journey. Adès has supplied music at once exciting and weirdly grotesque. Following this surrealistic vision of Hell there begins a very real heaven-assailing ascent to the heights with Richard Strauss’s Alpine Symphony.

Info (www.brso.de)

Daniel Harding

Fri, Mar 25, 2022, 20:00

Isarphilharmonie (München)

Daniel Harding (Conductor), Symphonieorchester des Bayerischen Rundfunks

Daniel Harding is a welcome guest at the helm of the BRSO. This time he will conduct a programme fully deserving of the title “from adversity to the stars”. Thomas Adès’s The Exterminating Angel Symphony of 2020 was commissioned by several orchestras, including the BRSO. Here he takes up important passages from his like-named opera, premièred at the Salzburg Festival in 2016, and combines them into a four-movement symphony. The starting point was a surrealist film by Luis Buñuel, in which a group of high-bred socialites gather together for a party and are condemned to a nightmarish journey. Adès has supplied music at once exciting and weirdly grotesque. Following this surrealistic vision of Hell there begins a very real heaven-assailing ascent to the heights with Richard Strauss’s Alpine Symphony.

Info (www.brso.de)

Daniel Harding

Thu, May 18, 2023, 20:00

Isarphilharmonie (München)

Daniel Harding (Conductor), Symphonieorchester des Bayerischen Rundfunks

Night walk with Daniel Harding: in the somber Funeral March, Gustav Mahler’s shadowy, gloomy Seventh Symphony emerges as “the psychogram of a compulsive existence” (Wolfgang Stähr). Nachtmusik I, characterized by a horn duet, casts a wistful glance into bygone times; the Scherzo acquires a restless, spooky character; and Nachtmusik II becomes a nocturnal serenade especially through the presence of a guitar and a mandolin, instruments rarely found in an orchestra. After the eerie nocturnal atmosphere of the previous movements, the work’s gigantic finale transports the listener towards the light – a change of mood that left the audience attending the work’s premiere somewhat perplexed. Today, Mahler’s Seventh is considered a masterpiece of symphonic form, as will be exemplified in Mahler specialist Daniel Harding’s performance.

Info (www.brso.de)