Kirill Petrenko and Frank Peter Zimmermann

Date & Time

Wed, Jan 29, 2025, 20:00

Venue

Philharmonie Berlin, Main Auditorium (Berlin)

What Jean Sibelius is to Finland, Edward Elgar is to England: both composers gave their country its own national musical language. With his Lemminkäinen Suite, Sibelius transports us to the world of Finnish legends. He tells of the adventures of a young, high-spirited hero in music that is as impassioned as it is sincere. Edward Elgar’s violin concerto reflects the values of Victorian England – profound, romantic, noble. The violinist Frank Peter Zimmermann, widely acclaimed for his selfless musicality, performs the concerto under the direction of Kirill Petrenko.

Info & Ticket (www.berliner-philharmoniker.de)

Musicians

Berliner Philharmoniker	Orchestra
Kirill Petrenko	Conductor
Frank Peter Zimmermann	Violin

Program

Concerto for Violin and Orchestra in B minor, op. 61	Edward Elgar
Lemminkäinen Suite, op. 22	Jean Sibelius

Give feedback

Last update: Thu, Nov 21, 2024, 18:47

Similar events

These events are similar in terms of concept, place, musicians or the program.

Kirill Petrenko and Frank Peter Zimmermann

Fri, Jan 31, 2025, 20:00

Philharmonie Berlin, Main Auditorium (Berlin)

Berliner Philharmoniker (Orchestra), Kirill Petrenko (Conductor), Frank Peter Zimmermann (Violin)

What Jean Sibelius is to Finland, Edward Elgar is to England: both composers gave their country its own national musical language. With his Lemminkäinen Suite, Sibelius transports us to the world of Finnish legends. He tells of the adventures of a young, high-spirited hero in music that is as impassioned as it is sincere. Edward Elgar’s violin concerto reflects the values of Victorian England – profound, romantic, noble. The violinist Frank Peter Zimmermann, widely acclaimed for his selfless musicality, performs the concerto under the direction of Kirill Petrenko.

Info & Ticket (www.berliner-philharmoniker.de)

Kirill Petrenko and Frank Peter Zimmermann

Thu, Jan 30, 2025, 20:00

Philharmonie Berlin, Main Auditorium (Berlin)

Berliner Philharmoniker (Orchestra), Kirill Petrenko (Conductor), Frank Peter Zimmermann (Violin)

What Jean Sibelius is to Finland, Edward Elgar is to England: both composers gave their country its own national musical language. With his Lemminkäinen Suite, Sibelius transports us to the world of Finnish legends. He tells of the adventures of a young, high-spirited hero in music that is as impassioned as it is sincere. Edward Elgar’s violin concerto reflects the values of Victorian England – profound, romantic, noble. The violinist Frank Peter Zimmermann, widely acclaimed for his selfless musicality, performs the concerto under the direction of Kirill Petrenko.

Info & Ticket (www.berliner-philharmoniker.de)

Frank Peter Zimmermann plays Respighi

Fri, Jun 7, 2024, 20:00

Konzerthalle Bamberg, Joseph-Keilberth-Saal (Bamberg)

Andrew Manze (Conductor), Frank Peter Zimmermann (Violin)

»Music is love‘s soul, for it is the touching of the divine with the human.« These were the thoughts of Bettina von Arnim – and in our concert conducted by Andrew Manze we indulge in such deep soundscapes as Respighi‘s »Concerto Gregoriano« from 1921: it conjures up a religiously solemn world of the middle ages – inspired by his preoccupation with the honorable church modes and meditative melodies of Gregorian chant, which had seized him »like an addiction« at the time. The violin concerto is therefore largely a lyrical-contemplative composition and quotes the Easter sequence »victimae paschali laudes« in the middle movement – but in the end it soars hymn-like with echoes of the famous »Salve Regina« chant like a fervent profession of faith. One critic characterised the violin part as that of »a cantor in an ancient religious ceremony, with the orchestra personifying the choir of the believers«. With us, Frank Peter Zimmermann will assume the role of solo choir leader with his Stradivarius. What follows is a journey into the Bruckner cosmos: his creative work was inseparably intertwined with religious sentiments, which earned him the nickname »Musician of God«. Before he had dared to approach symphonies, he had already made a name for himself as an eminent organist and church composer. After several dissatisfactory attempts, he composed his first definitive symphony in Linz in 1865/66 – which, however, he reworked in Vienna in 1891 on the basis of the experience he had gathered thereafter: it captivates the listener with its natural originality, grandiose themes and climax after climax – and in addition offers deep insights into Bruckner‘s state of mind in the heartfelt Adagio.

Info (www.bamberger-symphoniker.de)

Klaus Mäkelä & Frank Peter Zimmermann

Thu, Oct 7, 2021, 20:00

Herkulessaal (München)

Klaus Mäkelä (Conductor), Frank Peter Zimmermann (Violin), Anna Lucia Richter (Mezzo-Soprano), Symphonieorchester des Bayerischen Rundfunks

A programme with three works requiring solo singers is certainly something special – so that Frank Peter Zimmermann has brought along two pieces never heard before in the concerts of the BRSO: Bartók’s roughly ten-minute Rhapsody No. 2 for violin and orchestra (1928) and Martinů’s Suite concertante (1944), a four-movement violin concerto in everything but name. Both works thrive on the tension between original eastern European folk melodies, modern sonic garb and the unique individual styles of their respective creators. A folk inflection of a quite different kind depicts the “heavenly joys” that soprano Anna Lucia Richter invokes in the final movement of Mahler’s Fourth Symphony. But the childlike naivety of this idyll openly displays its fractures, and perhaps no Mahler symphony is as enigmatic as his purportedly “simple” Fourth. Standing at the rostrum is the young Finnish conductor Klaus Mäkelä, now in his second appearance with the BRSO following his début of February 2020.

Info (www.brso.de)

Klaus Mäkelä & Frank Peter Zimmermann

Fri, Oct 8, 2021, 20:00

Herkulessaal (München)

Klaus Mäkelä (Conductor), Frank Peter Zimmermann (Violin), Anna Lucia Richter (Mezzo-Soprano), Symphonieorchester des Bayerischen Rundfunks

A programme with three works requiring solo singers is certainly something special – so that Frank Peter Zimmermann has brought along two pieces never heard before in the concerts of the BRSO: Bartók’s roughly ten-minute Rhapsody No. 2 for violin and orchestra (1928) and Martinů’s Suite concertante (1944), a four-movement violin concerto in everything but name. Both works thrive on the tension between original eastern European folk melodies, modern sonic garb and the unique individual styles of their respective creators. A folk inflection of a quite different kind depicts the “heavenly joys” that soprano Anna Lucia Richter invokes in the final movement of Mahler’s Fourth Symphony. But the childlike naivety of this idyll openly displays its fractures, and perhaps no Mahler symphony is as enigmatic as his purportedly “simple” Fourth. Standing at the rostrum is the young Finnish conductor Klaus Mäkelä, now in his second appearance with the BRSO following his début of February 2020.

Info (www.brso.de)

NDR Elbphilharmonie Orchestra / Frank Peter Zimmermann / Andris Poga

Thu, Feb 27, 2025, 20:00

Elbphilharmonie, Großer Saal (Hamburg)

NDR Elbphilharmonie Orchester, Frank Peter Zimmermann (Violin), Andris Poga (Conductor)

»If you want to know who I consider to be the most important living composer, I say without hesitation: Elgar... I put him on the same level as my idols Beethoven and Brahms.« This is how the violin virtuoso Fritz Kreisler enthused about Edward Elgar in 1905 – and added a personal request: »I wish Elgar would compose something for the violin.« The flattered man was happy to fulfil this wish. Albeit with a few years’ delay. Edward Elgar completed his violin concerto in 1910. The piece was tailor-made for Fritz Kreisler: Elgar placed an extremely demanding solo part in his hands. The sheer abundance of virtuosic cascades and furiously fast arpeggios are such a great challenge that many soloists avoid them. Frank Peter Zimmermann, on the other hand, has taken it on several times and performed the fifty-minute mammoth work with the Vienna Philharmonic Orchestra, for example. In February 2025, he will join the NDR Elbphilharmonie Orchestra to savour the rapturous glow and late Romantic colours of the concerto under the direction of Andris Poga.

Info & Ticket (www.elbphilharmonie.de)

NDR Elbphilharmonie Orchestra / Frank Peter Zimmermann / Andris Poga

Fri, Feb 28, 2025, 20:00

Elbphilharmonie, Großer Saal (Hamburg)

NDR Elbphilharmonie Orchester, Frank Peter Zimmermann (Violin), Andris Poga (Conductor)

»If you want to know who I consider to be the most important living composer, I say without hesitation: Elgar... I put him on the same level as my idols Beethoven and Brahms.« This is how the violin virtuoso Fritz Kreisler enthused about Edward Elgar in 1905 – and added a personal request: »I wish Elgar would compose something for the violin.« The flattered man was happy to fulfil this wish. Albeit with a few years’ delay. Edward Elgar completed his violin concerto in 1910. The piece was tailor-made for Fritz Kreisler: Elgar placed an extremely demanding solo part in his hands. The sheer abundance of virtuosic cascades and furiously fast arpeggios are such a great challenge that many soloists avoid them. Frank Peter Zimmermann, on the other hand, has taken it on several times and performed the fifty-minute mammoth work with the Vienna Philharmonic Orchestra, for example. In February 2025, he will join the NDR Elbphilharmonie Orchestra to savour the rapturous glow and late Romantic colours of the concerto under the direction of Andris Poga.

Info & Ticket (www.elbphilharmonie.de)

Kirill Petrenko and Vilde Frang

Fri, Nov 8, 2024, 20:00

Philharmonie Berlin, Main Auditorium (Berlin)

Berliner Philharmoniker (Orchestra), Kirill Petrenko (Conductor), Vilde Frang (Violin)

At times melancholic and rugged, at others with a dance-like lightness: Antonín Dvořák’s Seventh Symphony presents a broad spectrum of contrasting moods, infused with the unmistakable colouring of Czech folk music. Kirill Petrenko also conducts Erich Wolfgang Korngold’s Violin Concerto with Vilde Frang as the soloist. Exiled from his native Vienna, Korngold brought his lush late romantic harmonic language to Hollywood; in this piece, his film music can be heard again and again. Sergei Rachmaninov’s mystical tone poem The Isle of the Dead takes us into yet another hypnotic sound world.

Info (www.berliner-philharmoniker.de)

Kirill Petrenko and Vilde Frang

Thu, Nov 7, 2024, 20:00

Philharmonie Berlin, Main Auditorium (Berlin)

Berliner Philharmoniker (Orchestra), Kirill Petrenko (Conductor), Vilde Frang (Violin)

At times melancholic and rugged, at others with a dance-like lightness: Antonín Dvořák’s Seventh Symphony presents a broad spectrum of contrasting moods, infused with the unmistakable colouring of Czech folk music. Kirill Petrenko also conducts Erich Wolfgang Korngold’s Violin Concerto with Vilde Frang as the soloist. Exiled from his native Vienna, Korngold brought his lush late romantic harmonic language to Hollywood; in this piece, his film music can be heard again and again. Sergei Rachmaninov’s mystical tone poem The Isle of the Dead takes us into yet another hypnotic sound world.

Info (www.berliner-philharmoniker.de)

Kirill Petrenko and Vilde Frang

Wed, Nov 6, 2024, 20:00

Philharmonie Berlin, Main Auditorium (Berlin)

Berliner Philharmoniker (Orchestra), Kirill Petrenko (Conductor), Vilde Frang (Violin)

At times melancholic and rugged, at others with a dance-like lightness: Antonín Dvořák’s Seventh Symphony presents a broad spectrum of contrasting moods, infused with the unmistakable colouring of Czech folk music. Kirill Petrenko also conducts Erich Wolfgang Korngold’s Violin Concerto with Vilde Frang as the soloist. Exiled from his native Vienna, Korngold brought his lush late romantic harmonic language to Hollywood; in this piece, his film music can be heard again and again. Sergei Rachmaninov’s mystical tone poem The Isle of the Dead takes us into yet another hypnotic sound world.

Info (www.berliner-philharmoniker.de)