Set your preferred locations for a better search. You can sign up here.

Janine Jansen | Denis Kozhukhin

Date & Time
Tue, Apr 1, 2025, 20:00
Exceptional violinist Janine Jansen, known for her numerous performances of Brahms' violin concerto, now focuses on his violin sonatas with award-winning pianist Denis Kozhukhin. Their exploration extends into the 20th century, encompassing Ravel, Messiaen, and Poulenc's distinct contributions to the genre. Jansen and Kozhukhin share a passion for chamber music and a dedication to shaping its emotional depths.

A summary from original text in German | Read the original

Info & Ticket (www.koelner-philharmonie.de)
Artistic depiction of the event

Musicians

Janine JansenViolin
Denis KozhukhinPiano

Program

Sonate für Violine und Klavier Nr. 1 G-Dur op. 78Johannes Brahms
Sonate für Violine und Klavier Nr. 2 A-Dur op. 100Johannes Brahms
Sonate für Violine und Klavier FP 119 (1942-43, rev. 1949)Francis Poulenc
Thème et variations für Violine und KlavierOlivier Messiaen
Sonate für Violine und Klavier G-DurMaurice Ravel
Give feedback
Last update: Mon, Dec 30, 2024, 17:01

Similar events

These events are similar in terms of concept, place, musicians or the program.

Artistic depiction of the event

Jansen and Kozhukhin

Sat, Apr 5, 2025, 15:00
Konserthuset Stockholm, The Main Hall (Stockholm)
Janine Jansen (Violin), Denis Kozhukhin (Piano)
With her dazzling technique and natural stage presence, Dutch violinist Janine Jansen has long been among the top tier of international star violinists. Pianist Denis Kozhukhin also combines outstanding technique with mature musicality and an ability to establish a close connection with the audience. They have both previously visited Konserhuset, individually and together.During their acclaimed visit in 2022, they performed, among other pieces, Brahms' third violin sonata. Now, we hear the first two: the "rain sonata," so named because its finale includes a quote from Brahms' own song "Regenlied," and the second, named "Thun" after the town in Switzerland where Brahms spent time when he composed it. There, he was inspired by the beautiful surroundings. "There are so many melodies here that one must be careful not to trample on any of them," he expressed it.Before Ravel's concluding violin sonata with its famous blues movement, we hear Eugène Ysaÿe's sensually dark-toned Poème élégiaque, a milestone in the violin repertoire, and Olivier Messiaen's Thème et variations, which in character resembles his most performed work, Quartet for the End of Time.
Info & Ticket (www.konserthuset.se)
Artistic depiction of the event

Janine Jansen & Denis Kozhukhin: Brahms, Schumann and more

Mon, Mar 31, 2025, 20:15
Het Concertgebouw, Main Hall (Amsterdam)
Janine Jansen (Violin), Denis Kozhukhin (Piano)
The Concertgebouw’s famous Main Hall is one of the best concert halls in the world, well-known for its exceptional acoustics and special atmosphere. In the Main Hall, you will feel history. Here, Gustav Mahler conducted his own compositions, as did Richard Strauss and Igor Stravinsky. Sergei Rachmaninoff played his own piano concertos in the Main Hall. This is also where musicians such as Leonard Bernstein, Vladimir Horowitz and Yehudi Menuhin gave legendary performances. Right up to now, the Main Hall offers a stage to the world’s best orchestras and musicians. Buy your tickets now and experience the magic of the Main Hall for yourself!
Info & Ticket (www.concertgebouw.nl)
Artistic depiction of the event

Joana Mallwitz & Janine Jansen

Thu, Jun 23, 2022, 20:00
Herkulessaal (München)
Joana Mallwitz (Conductress), Janine Jansen (Violin), Symphonieorchester des Bayerischen Rundfunks
At least since 2020, when she gave her rousingly acclaimed début at the Salzburg Festival in Così fan tutte, Joana Mallwitz has figured in the top echelon of international conductors. She entered the festival’s history as the first woman to conduct a new opera production, and became a darling of the audience with her at once engaged and effortless artistry. Since 2018 she has also enriched the music life of Nuremberg as the city’s general music director and impassioned musical communicator, and in 2023­/24 she will become the principal conductor of the Berlin Konzerthaus Orchestra. For her eagerly awaited BRSO début she has chosen classic repertoire items that demand utmost precision and a fresh approach. On one of her riveting video tours we can already follow her through the rhythmic complexities of Beethoven’s Seventh. As soloist, the BRSO greets the Dutch violinist Janine Jansen, a welcome guest of the orchestra since 2012.
Info (www.brso.de)
Artistic depiction of the event

Joana Mallwitz & Janine Jansen

Fri, Jun 24, 2022, 20:00
Herkulessaal (München)
Joana Mallwitz (Conductress), Janine Jansen (Violin), Symphonieorchester des Bayerischen Rundfunks
At least since 2020, when she gave her rousingly acclaimed début at the Salzburg Festival in Così fan tutte, Joana Mallwitz has figured in the top echelon of international conductors. She entered the festival’s history as the first woman to conduct a new opera production, and became a darling of the audience with her at once engaged and effortless artistry. Since 2018 she has also enriched the music life of Nuremberg as the city’s general music director and impassioned musical communicator, and in 2023­/24 she will become the principal conductor of the Berlin Konzerthaus Orchestra. For her eagerly awaited BRSO début she has chosen classic repertoire items that demand utmost precision and a fresh approach. On one of her riveting video tours we can already follow her through the rhythmic complexities of Beethoven’s Seventh. As soloist, the BRSO greets the Dutch violinist Janine Jansen, a welcome guest of the orchestra since 2012.
Info (www.brso.de)
Artistic depiction of the event

Joana Mallwitz & Janine Jansen

Sat, Jun 25, 2022, 19:30
Regentenbau (Bad Kissingen)
Joana Mallwitz (Conductress), Janine Jansen (Violin), Symphonieorchester des Bayerischen Rundfunks
At least since 2020, when she gave her rousingly acclaimed début at the Salzburg Festival in Così fan tutte, Joana Mallwitz has figured in the top echelon of international conductors. She entered the festival’s history as the first woman to conduct a new opera production, and became a darling of the audience with her at once engaged and effortless artistry. Since 2018 she has also enriched the music life of Nuremberg as the city’s general music director and impassioned musical communicator, and in 2023­/24 she will become the principal conductor of the Berlin Konzerthaus Orchestra. For her eagerly awaited BRSO début she has chosen classic repertoire items that demand utmost precision and a fresh approach. On one of her riveting video tours we can already follow her through the rhythmic complexities of Beethoven’s Seventh. As soloist, the BRSO greets the Dutch violinist Janine Jansen, a welcome guest of the orchestra since 2012.
Info (www.brso.de)
Artistic depiction of the event

Janine Jansen spielt Brahms

Wed, Apr 2, 2025, 19:00
Theater und Philharmonie Essen, Alfried Krupp Saal (Essen)
Janine Jansen (Violin), Denis Kozhukhin (Piano)
Award-winning pianist Denis Kozhukhin and Dutch violinist Janine Jansen team up to perform Romantic works. Jansen, praised by The Times for her ability to revitalize repertoire pieces, feels connected to every piece she plays. The successful Jansen-Kozhukhin duo creates music with existential depth and emotional tension, making their performances unforgettable.
Info & Ticket (www.theater-essen.de)
Artistic depiction of the event

James Gaffigan & Janine Jansen

Thu, Mar 27, 2025, 20:00
Herkulessaal (München)
James Gaffigan (Conductor), Janine Jansen (Violin), Symphonieorchester des Bayerischen Rundfunks
The tone colors of the strings in William Grant Still’s Mother and Child evoke the lovely flower meadows and the cradling one associates with the tender bonds between mother and child. Dvořák’s American Suite: raw, promising, yearning, impetuous, exciting – a musical depiction of the New World. Bernstein’s Serenade (after Plato’s Symposium) begins with a sighing, exquisitely flowing solo violin line, and with the addition of strings, harp, and percussion, turns into an unconventional, raging mix of styles with a “hint of jazz” at the end. The solo part is entrusted to the exceptional violinist Janine Jansen. Gershwin’s portrait of the French rush hour in An American in Paris concludes the concert. James Gaffigan will be conducting the BRSO for the third time in this very special program, which also promises to be incredibly exciting.
Info & Ticket (www.brso.de)
Artistic depiction of the event

James Gaffigan & Janine Jansen

Fri, Mar 28, 2025, 20:00
Herkulessaal (München)
James Gaffigan (Conductor), Janine Jansen (Violin), Symphonieorchester des Bayerischen Rundfunks
The tone colors of the strings in William Grant Still’s Mother and Child evoke the lovely flower meadows and the cradling one associates with the tender bonds between mother and child. Dvořák’s American Suite: raw, promising, yearning, impetuous, exciting – a musical depiction of the New World. Bernstein’s Serenade (after Plato’s Symposium) begins with a sighing, exquisitely flowing solo violin line, and with the addition of strings, harp, and percussion, turns into an unconventional, raging mix of styles with a “hint of jazz” at the end. The solo part is entrusted to the exceptional violinist Janine Jansen. Gershwin’s portrait of the French rush hour in An American in Paris concludes the concert. James Gaffigan will be conducting the BRSO for the third time in this very special program, which also promises to be incredibly exciting.
Info & Ticket (www.brso.de)
Artistic depiction of the event

NDR Elbphilharmonie Orchestra / Janine Jansen / Sakari Oramo

Sun, Nov 24, 2024, 11:00
Elbphilharmonie, Großer Saal (Hamburg)
NDR Elbphilharmonie Orchester, Janine Jansen (Violin), Sakari Oramo (Conductor)
As head of the BBC Symphony Orchestra and the Royal Stockholm Philharmonic Orchestra, Sakari Oramo regularly commutes between the UK and Sweden. He brings works from both countries with him to Hamburg. One is criminally underestimated in Germany and therefore played far too rarely, and another one has never been performed before. However, the programme opens with an excursion to the south: to Giuseppe Verdi and his overture from »La forza del destino«.
Info (www.elbphilharmonie.de)