Set your preferred locations for a better search. You can sign up here.

Hamburger Orchestergemeinschaft / Schmidt / Zenk

Date & Time
Sun, Apr 7, 2024, 11:00
The Hamburger Orchestergemeinschaft e.V. has existed since 1904 and is thus the oldest amateur symphony orchestra in Hamburg. Today it performs at least two concerts a year and gives young, very talented conductors and soloists the opportunity to gain experience with orchestras and public performances in large concert halls.

Keywords: Symphony Concert

Artistic depiction of the event

Musicians

Hamburger Orchestergemeinschaft
Florian Luis SchmidtCello
Frank Simon ZenkConductor

Program

Ouvertüre C-Dur »Im italienischen Stile« D 591Franz Schubert
Variations on a Rococo Theme for Violoncello and Orchestra in A major, Op. 33Piotr Tchaikovsky
Sinfonie Nr. 2 D-Dur op. 36Ludwig van Beethoven
Give feedback
Last update: Thu, Nov 21, 2024, 15:06

Similar events

These events are similar in terms of concept, place, musicians or the program.

Artistic depiction of the event

Hamburger Camerata / Nicolas Krüger

Sun, Sep 8, 2024, 20:00
Elbphilharmonie, Großer Saal (Hamburg)
Hamburger Camerata, Tamar Inbar (Oboe), Johann-Peter Taferner (Clarinet), Friedrich Müller (French horn), David Spranger (Bassoon), Nicolas Krüger (Director)
Instrumental concerto or symphony? Fortunately, if you don’t want to commit yourself, music history has a suitable genre: the »concertante symphony«. It originated in the 18th century when there were simply too many instrumentalists to dedicate a solo concerto to them all. Without further ado, orchestral and soloistic forms of music-making were combined in the»‘Sinfonia concertante«, which emphasises an »ensemble within an ensemble«, so to speak, without having to abandon the collective idea and demands of a symphony. The perfect opportunity for the Hamburg Camerata, which is organising its 2024/25 season under the motto »Camerata concertante«! True to the idea that even a chamber orchestra is only ever the sum of many individuals, an entire wind solo quartet emerges from the orchestral circle of colleagues in the »Sinfonia concertante« (probably wrongly) attributed to Mozart. And after the string section has separated in the rarely performed Serenade by the German-Italian former Mozarteum professor Ermanno Wolf-Ferrari, everyone comes together again in Mozart’s »all-time favourite«: the famous G minor Symphony K. 550.
Artistic depiction of the event

Hamburger Camerata / Vilmantas Kaliunas

Wed, Oct 16, 2024, 19:30
Elbphilharmonie, Kleiner Saal (Hamburg)
Hamburger Camerata, Lilit Grigoryan (Piano), Jan Christoph Semmler (Trumpet), Johann-Peter Taferner (Clarinet), Ulrike Höfs (Flute), Vilmantas Kaliunas (Conductor)
Mieczysław Weinberg? Just over a decade ago, this name was not even familiar to the established classical music fans here in Germany. And to this day, the Polish-Russian composer who died in 1996 and who was under the pressure of two dictatorships (the German and the Soviet) is still considered an insider tip. Although word has now spread that Weinberg no longer has to hide behind his fellow sufferer and mentor Dmitry Shostakovich. He exchanged artistically with the father of Soviet music again and again, and he felt that he was his »flesh and blood« – Reason enough for the Hamburger Camerata to trace this special friendship musically in challenging times. Under the seasonal motto »Camerata concertante«, the programme includes four works by the two, which explore the tension between solo, chamber and orchestral music making as varied as the tension between personal freedom and political compulsion.
Artistic depiction of the event

Hamburger Camerata / Gábor Hontvári

Tue, Feb 18, 2025, 20:00
Elbphilharmonie, Großer Saal (Hamburg)
Lisa Schumann (Violin), Amanda Kleinbart (French horn), Franziska Pietsch (Violin), Hila Karni (Cello), Gábor Hontvári (Director)
Double concertos for two solo instruments take the usual »concertante two-dimensionality« to »3D«, so to speak: in addition to the juxtaposition of solo and orchestra, there is also the relationship between the two solo parts to consider. And one is often inclined to imagine the latter as a role play: Are we witnessing a liaison or an argument between the two protagonists? True to its motto for the season, the Hamburg Camerata presents two such »3D concertante« works in this programme: in his piece for violin, cello and orchestra, the French Romantic composer Camille Saint-Saëns actually had the image of a muse in mind who ensnares a poet and frees him from his melancholy. It is not known whether the British contemporary Ethel Smyth had something similar in mind for her unusual double concerto for violin and horn. But the pioneer of the English women’s movement was certainly controversial. In contrast, Francis Poulenc saw his »Sinfonietta« from 1947 as more of a pleasure than a serious contribution to the time-honoured symphonic genre, in which the united »concertante camerata« breaks out into countless stylistic dimensions at the end.
Artistic depiction of the event

Manfred Honeck conducts Mozart and Franz Schmidt

Sat, Nov 11, 2023, 20:00
Konzerthalle Bamberg, Joseph-Keilberth-Saal (Bamberg)
Manfred Honeck (Conductor), Jan Lisiecki (Piano)
Wolfgang Amadeus Mozart was famous for his piano wizardry and composed most of his numerous piano concertos for himself as virtuoso – with a few exceptions: He wrote the E-flat major concerto in 1777 for the French pianist Louise Victoire Jenamy, who must have been an outstanding virtuoso, as the technically demanding work requires fast fingers. Moreover, with the heartfelt Andantino, it features the first minor-key movement in one of Mozart’s concertos. The internationally renowned pianist Jan Lisiecki performs the soulful playing for us in this wonderful piano concerto. Following this, under the authority of Austrian conductor Manfred Honeck, a regular guest with us, we will be taking a closer look at the music of an artistic personality who made his mark in Vienna alongside other great composers at the end of the late Romantic period: Franz Schmidt – who studied with Bruckner for a while and whom Mahler described at the time as »the most musical person in Vienna«. In an autobiographical sketch, Schmidt expressed the impetus for his passion: »Music first found its way into my soul through the organ.« He ultimately left us a total of four symphonies, the last of which was composed after a severe blow of fate: in 1932, his daughter Emma died shortly after the birth of her child. Thus the work became a moving instrumental requiem: An orchestral world of profound reflection and powerful emotion – beginning and ending with a solitary trumpet solo, about which Franz Schmidt said it was »the last music one takes into the hereafter«.
Artistic depiction of the event

Manfred Honeck conducts Mozart and Franz Schmidt

Sun, Nov 12, 2023, 17:00
Konzerthalle Bamberg, Joseph-Keilberth-Saal (Bamberg)
Manfred Honeck (Conductor), Jan Lisiecki (Piano)
Wolfgang Amadeus Mozart was famous for his piano wizardry and composed most of his numerous piano concertos for himself as virtuoso – with a few exceptions: He wrote the E-flat major concerto in 1777 for the French pianist Louise Victoire Jenamy, who must have been an outstanding virtuoso, as the technically demanding work requires fast fingers. Moreover, with the heartfelt Andantino, it features the first minor-key movement in one of Mozart’s concertos. The internationally renowned pianist Jan Lisiecki performs the soulful playing for us in this wonderful piano concerto. Following this, under the authority of Austrian conductor Manfred Honeck, a regular guest with us, we will be taking a closer look at the music of an artistic personality who made his mark in Vienna alongside other great composers at the end of the late Romantic period: Franz Schmidt – who studied with Bruckner for a while and whom Mahler described at the time as »the most musical person in Vienna«. In an autobiographical sketch, Schmidt expressed the impetus for his passion: »Music first found its way into my soul through the organ.« He ultimately left us a total of four symphonies, the last of which was composed after a severe blow of fate: in 1932, his daughter Emma died shortly after the birth of her child. Thus the work became a moving instrumental requiem: An orchestral world of profound reflection and powerful emotion – beginning and ending with a solitary trumpet solo, about which Franz Schmidt said it was »the last music one takes into the hereafter«.
Artistic depiction of the event

120 years of Hamburger Orchestergemeinschaft

Sun, Nov 10, 2024, 11:00
Laeiszhalle, Großer Saal (Hamburg)
Hamburger Orchestergemeinschaft, Aditi Smeets (Soprano), Maria Grazia Milani (Mezzo-Soprano), Cornelia Monske (Drums), Wolf Tobias Maximilian Müller (Conductor)
As Hamburg’s oldest amateur symphony orchestra, the Hamburger Orchestergemeinschaft from 1904 organises at least two concerts a year. Time and again, the orchestra gives young, very talented conductors and soloists the opportunity to gain experience with public performances in large concert halls. For the anniversary concert, the orchestra under the direction of Wolf Tobias M. Müller showcases its musical breadth with a colourful bouquet of overtures and arias from Mozart to Puccini as well as Schubert’s »Unfinished« Symphony. To celebrate the anniversiary, a new percussion concerto by Fredrik Schwenk will be premiered.
Artistic depiction of the event

Die Hamburger Goldkehlchen

Mon, Dec 9, 2024, 20:00
Laeiszhalle, Großer Saal (Hamburg)
Die Hamburger Goldkehlchen
It has become a tradition in Hamburg: with a colourful mix of all-time classics and world-famous Christmas songs, the Hamburger Goldkehlchen kick off the festive season at the beginning of December and get even the last Grinch into the Christmas spirit. For the first time, the big charity Christmas show will take place in the Laeiszhalle in Hamburg. Where the greats of classical music are usually seen and heard, this year the Goldkehlchen will be guests with their show. As every year, everything is in the name of charity.
Artistic depiction of the event

Hamburger Camerata / Samuel Hasselhorn / Gábor Hontvári

Sun, May 26, 2024, 20:00
Laeiszhalle, Großer Saal (Hamburg)
Hamburger Camerata, Samuel Hasselhorn (Bariton), Gábor Hontvári (Director)
»Give us peace« – how often have we heard these words in mass settings and hymns? But how often have they been thoughtlessly overlooked as an all too familiar line of text in the history of music? In times when this simple, yet terribly difficult request has become tragically topical, the Hamburger Camerata invites audiences to listen consciously.
Artistic depiction of the event

Hamburger Camerata / Joanna Kamenarska / Delyana Lazarova

Sat, Mar 2, 2024, 20:00
Elbphilharmonie, Großer Saal (Hamburg)
Hamburger Camerata, Joanna Kamenarska (Violin), Delyana Lazarova (Director)
Intercultural, international understanding, peaceful coexistence of all (lifestyles): what cannot be promoted often enough in the present day was a matter of course for many composers of the past. In his late »London« symphonies, Joseph Haydn brought together Hungarian folklore, Austrian court culture and pan-European art music – which also went down well in the English capital. The Hungarian Zoltán Kodály, in his research into rural peasant songs, in turn came across the realisation that there is much more in common in the musical traditions of the European peoples than one might think.