Set your preferred locations for a better search. You can sign up here.

Hamburg Philharmonic State Orchestra / Alexej Gerassimez / Thomas Guggeis

Date & Time
Sun, Mar 2, 2025, 11:00
Dance, language and fantastic images: the three orchestral works on this concert programme by the Hamburg Philharmonic State Orchestra are bursting with creative energy. Ravel wrote »Daphnis et Chloé« as ballet music for Diaghilev’s famous »Ballets russes«. In fact, the composition first celebrated its great success as suites on the concert stage, where its genius is revealed to its full advantage. Ravel had a »great musical fresco painting« in mind for the ancient love story between the two outcast infants,... Read full text
Artistic depiction of the event

Musicians

Philharmonisches Staatsorchester Hamburg
Alexej GerassimezPercussion
Thomas GuggeisConductor

Program

Speaking Drums / Vier Gedichte für Percussion und OrchesterPeter Eötvös
Daphnis et Chloé / Fragments symphoniques, deuxième sérieMaurice Ravel
Symphonic Dances, Op. 45Sergei Rachmaninoff
Give feedback
Last update: Fri, Jan 10, 2025, 18:30

Similar events

These events are similar in terms of concept, place, musicians or the program.

Artistic depiction of the event

Hamburg Philharmonic State Orchestra / Alexej Gerassimez / Thomas Guggeis

Mon, Mar 3, 2025, 20:00
Elbphilharmonie, Großer Saal (Hamburg)
Philharmonisches Staatsorchester Hamburg, Alexej Gerassimez (Percussion), Thomas Guggeis (Conductor)
Dance, language and fantastic images: the three orchestral works on this concert programme by the Hamburg Philharmonic State Orchestra are bursting with creative energy. Ravel wrote »Daphnis et Chloé« as ballet music for Diaghilev’s famous »Ballets russes«. In fact, the composition first celebrated its great success as suites on the concert stage, where its genius is revealed to its full advantage. Ravel had a »great musical fresco painting« in mind for the ancient love story between the two outcast infants, »less concerned with the ancient than with remaining true to the Greece of my dreams«. He pours the rising sun, the song of the nymph and an ecstatic final frenzy into an early 20th century painting in a brilliant blaze of colour.
Artistic depiction of the event

Bergen Philharmonic Orchestra / Alexej Gerassimez / Edward Gardner

Wed, Apr 24, 2024, 20:00
Elbphilharmonie, Großer Saal (Hamburg)
Bergen Philharmonic Orchestra, Alexej Gerassimez (Percussion), Edward Gardner (Conductor)
Percussion as a solo instrument is still a newcomer to the traditional classical repertoire – and at the same time it is a cosmos entirely its own, shimmering in a thousand colours. The young musician Alexej Gerassimez from Essen, Germany, brings this cosmos impressively to life. The award-winning percussionist is a true all-rounder, switching genres effortlessly with an equal command of jazz grooves and of the complex rhythms of contemporary music. A perfect candidate for Finnish composer Kalevi Aho’s sparkling percussion concerto, which was first performed in 2012. Aho called the work »Sieidi«, the Sami word for a sacred rock or mountain. After the interval, the Bergen Philharmonic Orchestra climbs an orchestral summit in the shape of Dvořák’s »New World« Symphony. Since its New York premiere in 1893, the composer’s Ninth has been an absolute audience favourite.
Artistic depiction of the event

Hamburg Philharmonic State Orchestra / Kent Nagano

Fri, Sep 6, 2024, 20:00
Elbphilharmonie, Großer Saal (Hamburg)
Philharmonisches Staatsorchester Hamburg, Hamburger Chöre, Rafał Blechacz (Piano), Andreas Staier (Harpsicord), Andreas Staier (Director), Kent Nagano (Conductor)
The 1st Academy Concert of the Hamburg Philharmonic State Orchestra, performed in three (slightly) different programmes, is all about Hamburg. Under the direction of Kent Nagano, the orchestra performs together with various choirs based in the city. Four grand masters of music history pass the baton from and to one another, namely Johann Sebastian Bach, Ludwig van Beethoven (programme I+III), Johannes Brahms and Wolfgang Amadeus Mozart (programme II).
Artistic depiction of the event

Hamburg Philharmonic State Orchestra / Kent Nagano

Sun, Sep 8, 2024, 11:00
Elbphilharmonie, Großer Saal (Hamburg)
Philharmonisches Staatsorchester Hamburg, Hamburger Chöre, Rafał Blechacz (Piano), Andreas Staier (Harpsicord), Andreas Staier (Director), Kent Nagano (Conductor)
The 1st Academy Concert of the Hamburg Philharmonic State Orchestra, performed in three (slightly) different programmes, is all about Hamburg. Under the direction of Kent Nagano, the orchestra performs together with various choirs based in the city. Four grand masters of music history pass the baton from and to one another, namely Johann Sebastian Bach, Ludwig van Beethoven (programme I+III), Johannes Brahms and Wolfgang Amadeus Mozart (programme II).
Artistic depiction of the event

Hamburg Philharmonic State Orchestra / Kent Nagano

Mon, Sep 9, 2024, 20:00
Elbphilharmonie, Großer Saal (Hamburg)
Philharmonisches Staatsorchester Hamburg, Hamburger Chöre, Rafał Blechacz (Piano), Andreas Staier (Harpsicord), Andreas Staier (Director), Kent Nagano (Conductor)
The 1st Academy Concert of the Hamburg Philharmonic State Orchestra, performed in three (slightly) different programmes, is all about Hamburg. Under the direction of Kent Nagano, the orchestra performs together with various choirs based in the city. Four grand masters of music history pass the baton from and to one another, namely Johann Sebastian Bach, Ludwig van Beethoven (programme I+III), Johannes Brahms and Wolfgang Amadeus Mozart (programme II).
Artistic depiction of the event

Hamburg Philharmonic State Orchestra / Andreas Staier

Sun, Sep 15, 2024, 11:00
Elbphilharmonie, Kleiner Saal (Hamburg)
Philharmonisches Staatsorchester Hamburg, Andreas Staier (Harpsichord), Andreas Staier (Director)
The innately humanistic sound ideal of Johann Sebastian Bach and his son Carl Philipp Emanuel Bach meets the youthful, romantic gesture of Felix Mendelssohn: the 4th Academy Concert continues the series of Bach’s Brandenburg Concertos that began with the 1st Academy Concert. It is music so popular and widely admired that it was launched into space on a data disk aboard the »Voyager 2« space probe in 1977. Now it is back in Hamburg. His Symphony No. 6, nicknamed the »Hamburg Symphony« is a clear sign that Carl Philipp Emanuel Bach has no reason to be disconcerted by any overbearing legacy of his famous father.
Artistic depiction of the event

Hamburg Philharmonic State Orchestra / Kent Nagano

Sun, Sep 29, 2024, 11:00
Elbphilharmonie, Großer Saal (Hamburg)
Philharmonisches Staatsorchester Hamburg, LauschWerk, Kent Nagano (Conductor)
The 2024/25 season of the Hamburg Philharmonic State Orchestra – the final season for General Music Director Kent Nagano – begins with the sound of infinity rather than with any instruments. In György Ligeti’s groundbreaking »Lux aeterna«, written in 1966, the LauschWerk choir sings with a polyphony at full power – with soprano, alto, tenor and bass dividing into no fewer than 16 voices to capture the »eternal light« in sound. »As a self-contained composition, ›Lux aeterna‹ naturally has a beginning and an end,« said the Hungarian composer, who later taught at the Hamburg University of Music and Drama for many years. »And although the entire habitus of the music is static, gradual shifts do occur. The idea of infinity is evoked; the impression is created that the music was already there even before we started hearing it, and that it will always continue, even when we no longer hear it.«
Artistic depiction of the event

Hamburg Philharmonic State Orchestra / Kent Nagano

Mon, Sep 30, 2024, 20:00
Elbphilharmonie, Großer Saal (Hamburg)
Philharmonisches Staatsorchester Hamburg, LauschWerk, Kent Nagano (Conductor)
The 2024/25 season of the Hamburg Philharmonic State Orchestra – the final season for General Music Director Kent Nagano – begins with the sound of infinity rather than with any instruments. In György Ligeti’s groundbreaking »Lux aeterna«, written in 1966, the LauschWerk choir sings with a polyphony at full power – with soprano, alto, tenor and bass dividing into no fewer than 16 voices to capture the »eternal light« in sound. »As a self-contained composition, ›Lux aeterna‹ naturally has a beginning and an end,« said the Hungarian composer, who later taught at the Hamburg University of Music and Drama for many years. »And although the entire habitus of the music is static, gradual shifts do occur. The idea of infinity is evoked; the impression is created that the music was already there even before we started hearing it, and that it will always continue, even when we no longer hear it.«
Artistic depiction of the event

Hamburg Philharmonic State Orchestra / Andrey Boreyko

Sun, Oct 20, 2024, 11:00
Elbphilharmonie, Großer Saal (Hamburg)
Philharmonisches Staatsorchester Hamburg, Andrey Boreyko (Conductor)
Under the baton of conductor Andrey Boreyko, the Hamburg Philharmonic State Orchestra turns its attention eastwards. The Czech Josef Suk, a pupil and son-in-law of Antonín Dvořák, created an orchestral work with his fantastic Scherzo that is emphatically vibrant – and absolutely holds its own when it comes to expressiveness alongside the Divertimento that follows, from Stravinsky’s ballet »The Fairy’s Kiss«.
Artistic depiction of the event

Hamburg Philharmonic State Orchestra / Andrey Boreyko

Mon, Oct 21, 2024, 20:00
Elbphilharmonie, Großer Saal (Hamburg)
Philharmonisches Staatsorchester Hamburg, Andrey Boreyko (Conductor)
Under the baton of conductor Andrey Boreyko, the Hamburg Philharmonic State Orchestra turns its attention eastwards. The Czech Josef Suk, a pupil and son-in-law of Antonín Dvořák, created an orchestral work with his fantastic Scherzo that is emphatically vibrant – and absolutely holds its own when it comes to expressiveness alongside the Divertimento that follows, from Stravinsky’s ballet »The Fairy’s Kiss«.