Keywords: Symphony Concert, Vocal Music
| Sinfonie Orchester Berlin | Orchestra |
| Stanley Dodds | Conductor |
| Katharina Richter | Soprano |
| Nena Brzakovic | Mezzo-Soprano |
| Hans Beatus Straub | Tenor |
| Jörg Gottschick | Bass |
| Sinfonischer Chor Berlin | Choir |
| Ulrich Paetzholdt | Chorus Master |
| Symphony No. 9 in D minor | Ludwig van Beethoven |
These events are similar in terms of concept, place, musicians or the program.
Mateusz Molęda, photo: Alexej Gorlatch Instead of waiting for the usual broadcast of the New Year’s concert from the Golden Hall of the Vienna Musikverein to hear Strauss waltzes, polkas and showstopping numbers from operettas, the musical atmosphere of Vienna can be experienced during the New Year’s Eve concert at the Warsaw Philharmonic. It is not easy to grasp the genealogy of the Strauss family. Josef, Eduard and as many as three Johanns are among the most famous members of the enterprising Austrian family with Hungarian roots, which over the course of the nineteenth century produced an abundant corpus of popular songs that resounded at carnival balls. The progenitor of the musical dynasty was the first of the Johanns, who was said to have been inspired by the music of bands wandering between the Viennese taverns along the Danube. However, it was his first-born son, also Johann, who made a name for himself as the ‘king of the waltz’ and the composer of numerous popular operettas, to mention but titles such as Die Fledermaus and Wiener Blut. Another descendant, Josef, the most universally talented of the siblings, planned a different career for himself, successfully completing studies in engineering. However, a sudden substitution for the sick Johann II turned his fortunes to music for life. After Josef’s death, the youngest of the brothers, Eduard, took over the responsibility of leading the family orchestra. Together with the orchestra, he visited the most diverse corners of the world, and at the beginning of the twentieth century, he published his written history of the musical Strauss family.
The brochure on page 24 contains incorrect prices for the concert on 30 December in the Konzerthaus. The following prices apply: € 45 / 48 / 51 /55 /60 / 65
Mateusz Molęda, photo: Alexej Gorlatch Instead of waiting for the usual broadcast of the New Year’s concert from the Golden Hall of the Vienna Musikverein to hear Strauss waltzes, polkas and showstopping numbers from operettas, the musical atmosphere of Vienna can be experienced during the New Year’s Eve concert at the Warsaw Philharmonic. It is not easy to grasp the genealogy of the Strauss family. Josef, Eduard and as many as three Johanns are among the most famous members of the enterprising Austrian family with Hungarian roots, which over the course of the nineteenth century produced an abundant corpus of popular songs that resounded at carnival balls. The progenitor of the musical dynasty was the first of the Johanns, who was said to have been inspired by the music of bands wandering between the Viennese taverns along the Danube. However, it was his first-born son, also Johann, who made a name for himself as the ‘king of the waltz’ and the composer of numerous popular operettas, to mention but titles such as Die Fledermaus and Wiener Blut. Another descendant, Josef, the most universally talented of the siblings, planned a different career for himself, successfully completing studies in engineering. However, a sudden substitution for the sick Johann II turned his fortunes to music for life. After Josef’s death, the youngest of the brothers, Eduard, took over the responsibility of leading the family orchestra. Together with the orchestra, he visited the most diverse corners of the world, and at the beginning of the twentieth century, he published his written history of the musical Strauss family.
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