Keywords: Chamber Music
| Frank-Michael Erben | Violin |
| Yun-Jin Cho | Violin |
| Vincent Aucante | Viola |
| Isang Enders | Cello |
| Gewandhaus-Quartett | Orchestra |
| Streichquartett F-Dur op. 18/1 | Ludwig van Beethoven |
| Große Fuge B-Dur op. 133 | Ludwig van Beethoven |
| Streichquartett F-Dur op. 59/1 | Ludwig van Beethoven |
These events are similar in terms of concept, place, musicians or the program.
The Alinde Quartet, a captivating young chamber music ensemble, is embarking on a project centered around Franz Schubert, who inspired their name from a poem he set to music. Their #Schubert200 project, commemorating the composer's 200th death anniversary, includes recording all his quartets and other chamber works, alongside commissioning new pieces inspired by "Alinde." This project is supported by the Althafen Foundation.
While writing his first two string quartets, Johannes Brahms struggled under the shadow of Beethoven, whose overwhelming influence he felt for decades. His Third Quartet of 1876 is audibly indebted to another composer: the light touch and musical wit of Joseph Haydn are present throughout the score. The Hagen Quartett’s program creates an intergenerational dialogue between the two composers.
Musical works of Frank Martin, Viktor Ullmann, Gabriel Fauré
Individuality finding harmonious expression in an ensemble – this is the quintessence of the Vogler Quartet, which has been pursuing a unique global career with an unchanged line-up since its formation in 1985. With an intelligent approach to chamber music, outstanding playing technique and interpretive sensitivity, Tim Vogler, Frank Reinecke, Stefan Fehlandt and Stephan Forck have created an unmistakable string quartet sound which consistently offers new insights into the genre. The group has had a concert series at the Konzerthaus Berlin since 1993.
ConcertPulse