Christmas Eve Service

Chœur EVE

The EVE rhythmic choir reflects the Philharmonie de Paris’ pioneering approach to choral singing, designed as an intergenerational ensemble open to all repertoires, and cemented by a collective spirit. A concert organised as part of the Paris 2024 ‘Olympiade Culturelle’.

New Year’s Eve Concert

The brochure on page 24 contains incorrect prices for the concert on 30 December in the Konzerthaus. The following prices apply: € 45 / 48 / 51 /55 /60 / 65

NEW YEAR'S EVE CONCERTS

NEW YEAR'S EVE CONCERTS

NEW YEAR'S EVE CONCERTS

New Year’s Eve Concert

Mateusz Molęda, photo: Alexej Gorlatch Instead of waiting for the usual broadcast of the New Year’s concert from the Golden Hall of the Vienna Musikverein to hear Strauss waltzes, polkas and showstopping numbers from operettas, the musical atmosphere of Vienna can be experienced during the New Year’s Eve concert at the Warsaw Philharmonic. It is not easy to grasp the genealogy of the Strauss family. Josef, Eduard and as many as three Johanns are among the most famous members of the enterprising Austrian family with Hungarian roots, which over the course of the nineteenth century produced an abundant corpus of popular songs that resounded at carnival balls. The progenitor of the musical dynasty was the first of the Johanns, who was said to have been inspired by the music of bands wandering between the Viennese taverns along the Danube. However, it was his first-born son, also Johann, who made a name for himself as the ‘king of the waltz’ and the composer of numerous popular operettas, to mention but titles such as Die Fledermaus and Wiener Blut. Another descendant, Josef, the most universally talented of the siblings, planned a different career for himself, successfully completing studies in engineering. However, a sudden substitution for the sick Johann II turned his fortunes to music for life. After Josef’s death, the youngest of the brothers, Eduard, took over the responsibility of leading the family orchestra. Together with the orchestra, he visited the most diverse corners of the world, and at the beginning of the twentieth century, he published his written history of the musical Strauss family.

Christmas Oratorio

Experience Johann Sebastian Bach's magnificent Christmas Oratorio! To the thunder of timpani and jubilant trumpets, it is proclaimed in the magnificent opening that Jesus is born.It's easy to be misled by the title Christmas Oratorio, as if it were a single work intended to be performed at one occasion, Christmas Eve. That's far from the case. In fact, the Christmas Oratorio consists of six different parts, intended to be performed at as many occasions around Christmas. Today, as in this concert, it's customary to perform the first three parts, which were first performed together at a concert in Leipzig, in the days around Christmas 1735.Delving into Bach's music is to venture into an unfathomable and fascinating musical universe. We constantly discover new things, and it never ends. Spend a few hours with Bach's Christmas Oratorio. It's a magnificent experience.The Italian baroque specialist and conductor Luca Guglielmi leads the Royal Philharmonic Orchestra, Eric Ericson's Chamber Choir, and the four soloists. Eric Ericson's Chamber Choir, formed in 1945, ranks among the top international professional ensembles. Since 2003, the choir has had a close collaboration with the Royal Philharmonic Orchestra.

Christmas Oratorio

Experience Johann Sebastian Bach's magnificent Christmas Oratorio! To the thunder of timpani and jubilant trumpets, it is proclaimed in the magnificent opening that Jesus is born.It's easy to be misled by the title Christmas Oratorio, as if it were a single work intended to be performed at one occasion, Christmas Eve. That's far from the case. In fact, the Christmas Oratorio consists of six different parts, intended to be performed at as many occasions around Christmas. Today, as in this concert, it's customary to perform the first three parts, which were first performed together at a concert in Leipzig, in the days around Christmas 1735.Delving into Bach's music is to venture into an unfathomable and fascinating musical universe. We constantly discover new things, and it never ends. Spend a few hours with Bach's Christmas Oratorio. It's a magnificent experience.The Italian baroque specialist and conductor Luca Guglielmi leads the Royal Philharmonic Orchestra, Eric Ericson's Chamber Choir, and the four soloists. Eric Ericson's Chamber Choir, formed in 1945, ranks among the top international professional ensembles. Since 2003, the choir has had a close collaboration with the Royal Philharmonic Orchestra.

Christmas Concert

Elsa Benoit, photo: James Bellorini Christmas motifs have been written into numerous pages of Western classical music, and not only on the occasion of the festivities that open the carnival season. In the second movement of George Frideric Handel’s Concerto a due cori, one can easily recognise an excerpt of the joyful, punctuated rhythm of the chorus Lift up your heads from the Messiah’s second movement, which tells the story of the life, death and resurrection of Christ. Johann Sebastian Bach, fulfilling the demands of the Protestant liturgical calendar by the sweat of his brow, wrote many works for the Christmas season. In so doing, he also drew inspiration from Italian musicians, including the composer of the famous ‘Christmas Eve’ Concerto Grosso in G minor, Arcangelo Corelli. Bach’s showstopping solo cantata Jauchzet Gott in allen Landen suited a variety of festive occasions due to its universal, laudatory text. Its virtuosic coloratura parts require soprano and trumpet soloists of the highest calibre. Christmas themes can also be found in the text of the Credo. One of the most beautiful passages in Wolfgang Amadeus Mozart’s Mass in C minor – not without reason referred to as the ‘Great’ – is the expansive, mellifluous aria ‘Et incarnatus est’ from the Credo. Mozart wrote it with his vocally gifted wife Constanze in mind, just as years before he had penned the showstopping motet ‘Exsultate, jubilate’ for the famous Italian soprano Venanzio Rauzzini.

Christmas Concert

Elsa Benoit, photo: James Bellorini Christmas motifs have been written into numerous pages of Western classical music, and not only on the occasion of the festivities that open the carnival season. In the second movement of George Frideric Handel’s Concerto a due cori, one can easily recognise an excerpt from the first part of The Messiah, devoted to the Old Testament announcements of Christ’s coming. Johann Sebastian Bach, fulfilling the demands of the Protestant liturgical calendar by the sweat of his brow, wrote many works for the Christmas season. In so doing, he also drew inspiration from Italian musicians, including the composer of the famous ‘Christmas Eve’ Concerto Grosso in G minor, Arcangelo Corelli. Bach’s showstopping solo cantata Jauchzet Gott in allen Landen suited a variety of festive occasions due to its universal, laudatory text. Its virtuosic coloratura parts require soprano and trumpet soloists of the highest calibre. Christmas themes can also be found in the text of the Credo. One of the most beautiful passages in Wolfgang Amadeus Mozart’s Mass in C minor – not without reason referred to as the ‘Great’ – is the expansive, mellifluous aria ‘Et incarnatus est’ from the Credo. Mozart wrote it with his vocally gifted wife Constanze in mind, just as years before he had penned the showstopping motet ‘Exsultate, jubilate’ for the famous Italian soprano Venanzio Rauzzini.