Keywords: Chamber Music, Symphony Concert
| Renaud Capuçon | Violin |
| Kammerorchester des Symphonieorchesters | |
| Radoslaw Szulc | Art Director |
| Violin Concerto No. 1 in B-Flat Major, K. 207 | Wolfgang Amadeus Mozart |
| Violin Concerto in G Major, Op. 8 No. 2 | Joseph Bologne Chevalier de Saint-George |
| Symphony No. 44 in E Minor, Hob.I:44 (“Trauersinfonie”) | Joseph Haydn |
These events are similar in terms of concept, place, musicians or the program.
French violinist and conductor Renaud Capuçon likes to encourage musical encounters and mix generations. With Paul Zientara, Julia Hagen and Guillaume Bellom, he shares Fauré and two rarely performed gems from post-Romantic repertoire.
A long-awaited collaboration between celebrated French violinist Renaud Capuçon and the always-ambitious piano virtuoso Igor Levit. Together, they tackle Brahms’ three Sonatas for Violin and Piano—a concentration of poetry, brilliance and heroism.
The Munich Philharmonic enjoys an international reputation, in part because of their Bruckner performances. Bruckner’s Fourth Symphony is known as the »Romantic« symphony, and – with its rapturous horn call – is one of the Austrian composer’s most popular creations. Thierry Escaich’s new violin concerto »Au-delà du rêve« – a commissioned work for the Munich Philharmonic, the Elbphilharmonie and the Philharmonie de Paris – is being performed in Hamburg soon after its premiere. The 59-year-old French composer and organist is one of his homeland’s leading musicians, and he regularly works with leading orchestras and soloists. In Renaud Capuçon, Escaich has found one of the most versatile violinists of his generation as an ideal soloist – one who has mastered a broad repertoire as a soloist and as a chamber musician.
Renaud Capuçon, artistic director of the Orchestre de Chambre de Lausanne since 2021, conducts and performs Mozart's A-major concerto and "Haffner" Symphony, showcasing his virtuosity and the orchestra's natural affinity for Mozart. The program also includes Beethoven's early Symphony No. 2, which still reflects Mozart's influence before Beethoven fully broke away with his "Eroica".
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