Borodin Quartet: Brahms and Tchaikovsky (Part 1)

Borodin Quartet: Brahms and Tchaikovsky (Part 2)

For lovers of chamber music the Recital Hall is the venue of choice. You can hear the musicians breathe and you can practically touch them. This hall is also cherished by musicians for its beautiful acoustics and direct contact with the audience. In the Recital Hall you can hear the best musicians of our time. Buy your tickets now and experience the magic of the Recital Hall for yourself!

Borodin Quartet: Brahms and Tchaikovsky (Part 3)

For lovers of chamber music the Recital Hall is the venue of choice. You can hear the musicians breathe and you can practically touch them. This hall is also cherished by musicians for its beautiful acoustics and direct contact with the audience. In the Recital Hall you can hear the best musicians of our time. Buy your tickets now and experience the magic of the Recital Hall for yourself!

Capybara Piano Quartet: Mendelssohn and Brahms

For lovers of chamber music the Recital Hall is the venue of choice. You can hear the musicians breathe and you can practically touch them. This hall is also cherished by musicians for its beautiful acoustics and direct contact with the audience. In the Recital Hall you can hear the best musicians of our time. Buy your tickets now and experience the magic of the Recital Hall for yourself!

Works by Brahms and Tchaikovsky

Cédric Tiberghien and Chiaroscuro Quartet: Brahms and Schubert

For lovers of chamber music the Recital Hall is the venue of choice. You can hear the musicians breathe and you can practically touch them. This hall is also cherished by musicians for its beautiful acoustics and direct contact with the audience. In the Recital Hall you can hear the best musicians of our time. Buy your tickets now and experience the magic of the Recital Hall for yourself!

Shostakovich Quartets: Intimate Portraits, Part 1

Marking 50 years since the composer’s death, the Carduccis inaugurate a five-concert odyssey through the complete string quartets – works that enshrine his inner life, loves and closest friendships.

Pavel Haas Quartet and Boris Giltburg: Dvořák and Brahms

For lovers of chamber music the Recital Hall is the venue of choice. You can hear the musicians breathe and you can practically touch them. This hall is also cherished by musicians for its beautiful acoustics and direct contact with the audience. In the Recital Hall you can hear the best musicians of our time. Buy your tickets now and experience the magic of the Recital Hall for yourself!

Isabel Mundry Showcase, Part 1

How does the music of our accumulated yesterdays continue to write itself into today? This year a three-part showcase dedicated to the German composer Isabel Mundry positions her music as a dialogue between times. It opens with an evening featuring the Ensemble Musikfabrik and pieces that explore and open up the historical echo chambers of Gregorian chant and the Baroque.

Sibelius and Tchaikovsky

Sibelius's violin concerto is now the most performed of all violin concertos from the 20th century. Yet its musical language belongs to the late 19th century, and the music is warm and lyrical, dramatic and melancholic. Sibelius, himself a violinist, possibly wrote the concerto he himself would have wanted to play – albeit on a technical level far beyond his own. In this way, the violin concerto can be seen as a farewell to the youthful dreams of a career as a violin virtuoso. It is among the more challenging in the genre, as many violinists have attested.Taking on the challenge is the young award-winning violinist Maria Ioudenitch. In 2021, she won first prize in the prestigious Ysaÿe International Music Competition and the same year also the Tibor Varga International Violin Competition. Maria Ioudenitch was born in Russia but moved to the USA with her family at the age of two.Tchaikovsky composed his fifth symphony during a few summer months in 1888. He had complained about a lack of inspiration in the spring: "Am I burned out? No ideas, no desire?" But the fifth became a vital, emotionally charged, and in many respects brilliant symphony. It premiered under the composer's direction at the Mariinsky Theatre in St. Petersburg in November of the same year.The concert opens with the Swedish composer Andrea Tarrodis's Liguria, music that takes us on a journey between five small fishing villages clinging to the cliffs along Italy's northwest coast.Read more about chief conductor Ryan Bancroft

Silk and Bamboo Quartet

Silk and bamboo – these are the fabrics used to produce the finely woven traditional music of south-east China. Pipa virtuoso Lingling Yu takes this fine art from her adopted home of Geneva out into the world with a young quartet of other traditional instruments. Lingling Yu comes from the nine-million-strong metropolis of Hangzhou, south of Shanghai, a centre of the silk and tea industry and also China’s own Silicon Valley. Even as a teenager, she was considered a child prodigy on the pear-shaped pipa, a necked bowl lute originally fitted with silk strings. In 1998, Yu moved to Switzerland in order to establish ties between Chinese and Western music, broadening her horizons by studying orchestration, counterpoint and composition. In addition to the pipa, her Silk and Bamboo Quartet brings together other traditional instruments: Wenqi Gu plays the guzheng, a 21-string, 2,500-year-old arched zither. The internationally experienced Guo Gan brings the erhu and gaohu violins to the quartet; he is also well versed in Western classical music and jazz. The quartet is completed by the young Hongze An, who has a command of the bamboo transverse flutes dizi and xiao, the mouth organ sheng and the bawu with its clarinet-like sound. Alternating between solo and ensemble performances, the group’s repertoire includes pieces from the south-east of China and the provinces of Canton and Yunnan as well as from the cities of Chaozhou and Hangzhou.